Chapter 8.

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      Thus they parted; and Elizabeth-Jane and her mother remained each in her thoughts over their meal, the mother’s face being strangely bright since Henchard’s avowal of shame for a past action. The quivering of the partition to its core presented denoted that Donald Farfrae had again rung his bell, no doubt to have his supper removed; for humming a tune, and walking up and down, he seemed to be attracted by the lively bursts of conversation and melody from the general company below. He sauntered out upon the landing, and descended the staircase.

      When Elizabeth-Jane had carried down his supper tray, and also that used by her mother and herself, she found the bustle of serving to be at its height below, as it always was at this hour. The young woman shrank from having anything to do with the ground-floor serving, and crept silently about observing the scene — so new to her, fresh from the seclusion of a seaside cottage. In the general sitting-room, which was large, she remarked the two or three dozen strong-backed chairs that stood round against the wall, each fitted with its genial occupant; the sanded floor; the black settle which, projecting endwise from the wall within the door, permitted Elizabeth to be a spectator of all that went on without herself being particularly seen.

      The young Scotchman had just joined the guests. These, in addition to the respectable master-tradesmen occupying the seats of privileges in the bow-window and its neighbourhood, included an inferior set at the unlighted end, whose seats were mere benches against the wall, and who drank from cups instead of from glasses. Among the latter she noticed some of those personages who had stood outside the windows of the King’s Arms.

      Behind their backs was a small window, with a wheel ventilator in one of the panes, which would suddenly start off spinning with a jingling sound, as suddenly stop, and as suddenly start again.

      While thus furtively making her survey the opening words of a song greeted her ears from the front of the settle, in a melody and accent of peculiar charm. There had been some singing before she came down; and now the Scotchman had made himself so soon at home that, at the request of some of the master-tradesmen, he, too, was favouring the room with a ditty.

      Elizabeth-Jane was fond of music; she could not help pausing to listen; and the longer she listened the more she was enraptured. She had never heard any singing like this and it was evident that the majority of the audience had not heard such frequently, for they were attentive to a much greater degree than usual. They neither whispered, nor drank, nor dipped their pipe-stems in their ale to moisten them, nor pushed the mug to their neighbours. The singer himself grew emotional, till she could imagine a tear in his eye as the words went on:—

      “It’s hame, and it’s hame, hame fain would I be,

      O hame, hame, hame to my ain countree!

      There’s an eye that ever weeps, and a fair face will be fain,

      As I pass through Annan Water with my bonnie bands again;

      When the flower is in the bud, and the leaf upon the tree,

      The lark shall sing me hame to my ain countree!”

      There was a burst of applause, and a deep silence which was even more eloquent than the applause. It was of such a kind that the snapping of a pipe-stem too long for him by old Solomon Longways, who was one of those gathered at the shady end of the room, seemed a harsh and irreverent act. Then the ventilator in the window-pane spasmodically started off for a new spin, and the pathos of Donald’s song was temporarily effaced.

      “’Twas not amiss — not at all amiss!” muttered Christopher Coney, who was also present. And removing his pipe a finger’s breadth from his lips, he said aloud, “Draw on with the next verse, young gentleman, please.”

      “Yes. Let’s have it again, stranger,” said the glazier, a stout, bucket-headed man, with a white apron rolled up round his waist. “Folks don’t lift up their hearts like that in this part of the world.” And turning aside, he said in undertones, “Who is the young man? — Scotch, d’ye say?”

      “Yes, straight from the mountains of Scotland, I believe,” replied Coney.

      Young Farfrae repeated the last verse. It was plain that nothing so pathetic had been heard at the Three Mariners for a considerable time. The difference of accent, the excitability of the singer, the intense local feeling, and the seriousness with which he worked himself up to a climax, surprised this set of worthies, who were only too prone to shut up their emotions with caustic words.

      “Danged if our country down here is worth singing about like that!” continued the glazier, as the Scotchman again melodized with a dying fall, “My ain countree!” “When you take away from among us the fools and the rogues, and the lammigers, and the wanton hussies, and the slatterns, and such like, there’s cust few left to ornament a song with in Casterbridge, or the country round.”

      “True,” said Buzzford, the dealer, looking at the grain of the table. “Casterbridge is a old, hoary place o’ wickedness, by all account. ’Tis recorded in history that we rebelled against the King one or two hundred years ago, in the time of the Romans, and that lots of us was hanged on Gallows Hill, and quartered, and our different jints sent about the country like butcher’s meat; and for my part I can well believe it.”

      “What did ye come away from yer own country for, young maister, if ye be so wownded about it?” inquired Christopher Coney, from the background, with the tone of a man who preferred the original subject. “Faith, it wasn’t worth your while on our account, for as Maister Billy Wills says, we be bruckle folk here — the best o’ us hardly honest sometimes, what with hard winters, and so many mouths to fill, and Goda’mighty sending his little taties so terrible small to fill ’em with. We don’t think about flowers and fair faces, not we — except in the shape o’ cauliflowers and pigs’ chaps.”

      “But, no!” said Donald Farfrae, gazing round into their faces with earnest concern; “the best of ye hardly honest — not that surely? None of ye has been stealing what didn’t belong to him?”

      “Lord! no, no!” said Solomon Longways, smiling grimly. “That’s only his random way o’ speaking. ‘A was always such a man of underthoughts.” (And reprovingly towards Christopher): “Don’t ye be so over-familiar with a gentleman that ye know nothing of — and that’s travelled a’most from the North Pole.”

      Christopher Coney was silenced, and as he could get no public sympathy, he mumbled his feelings to himself: “Be dazed, if I loved my country half as well as the young feller do, I’d live by claning my neighbour’s pigsties afore I’d go away! For my part I’ve no more love for my country than I have for Botany Bay!”

      “Come,” said Longways; “let the young man draw onward with his ballet, or we shall be here all night.”

      “That’s all of it,” said the singer apologetically.

      “Soul of my body, then we’ll have another!” said the general dealer.

      “Can you turn a strain to the ladies, sir?” inquired a fat woman with a figured purple apron, the waiststring of which was overhung so far by her sides as to be invisible.

      “Let him breathe — let him breathe, Mother Cuxsom. He hain’t got his second wind yet,” said the master glazier.

      “Oh yes, but I have!” exclaimed the young man; and he at once rendered “O Nannie” with faultless modulations, and another or two of the like sentiment, winding up at their earnest request with “Auld Lang Syne.”

      By this time he had completely taken possession of the hearts of the Three Mariners’ inmates, including even old Coney. Notwithstanding an occasional odd gravity which awoke their sense of the ludicrous for the moment, they began to view him through