The Slayer of Souls. Robert W. Chambers
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And here, in the brilliant moonlight of the China Sea, she curled up cross-legged on the deck, all alone, and sounded the four futile strings of her moon-lute, and hummed to herself, in a still voice, old songs she had sung in Yian before the tragedy. She sang the tent-song called Tchinguiz. She sang Camel Bells and The Blue Bazaar,—children's songs of the Yiort. She sang the ancient Khiounnou song called "The Saghalien":
I
In the month of Saffar Among the river-reeds I saw two horsemen Sitting on their steeds. Tulugum! Heitulum! By the river-reeds
II
In the month of Saffar A demon guards the ford. Tokhta, my Lover! Draw your shining sword! Tulugum! Heitulum! Slay him with your sword!
III
In the month of Saffar Among the water-weeds I saw two horsemen Fighting on their steeds. Tulugum! Heitulum! How my lover bleeds!
IV
In the month of Saffar, The Year I should have wed— The Year of The Panther— My lover lay dead,— Tulugum! Heitulum! Dead without a head.
And songs like these—the one called "Keuke Mongol," and an ancient air of the Tchortchas called "The Thirty Thousand Calamities," and some Chinese boatmen's songs which she had heard in Yian before the tragedy; these she hummed to herself there in the moonlight playing on her round-faced, short-necked lute of four strings.
Terror indeed seemed ended for her, and in her heart a great overwhelming joy was welling up which seemed to overflow across the entire moonlit world.
She had no longer any fear; no premonition of further evil. Among the few Americans and English aboard, something of her story was already known. People were kind; and they were also considerate enough to subdue their sympathetic curiosity when they discovered that this young American girl shrank from any mention of what had happened to her during the last four years of the Great World War.
It was evident, also, that she preferred to remain aloof; and this inclination, when finally understood, was respected by her fellow passengers. The clever, efficient and polite Japanese officers and crew of the Nan-yang Maru were invariably considerate and courteous to her, and they remained nicely reticent, although they also knew the main outline of her story and very much desired to know more. And so, surrounded now by the friendly security of civilised humanity, Tressa Norne, reborn to light out of hell's own shadows, awoke from four years of nightmare which, after all, perhaps, never had seemed entirely actual.
And now God's real sun warmed her by day; His real moon bathed her in creamy coolness by night; sky and wind and wave thrilled her with their blessed assurance that this was once more the real world which stretched illimitably on every side from horizon to horizon; and the fair faces and pleasant voices of her own countrymen made the past seem only a ghastly dream that never again could enmesh her soul with its web of sorcery.
And now the days at sea fled very swiftly; and when at last the Golden Gate was not far away she had finally managed to persuade herself that nothing really can harm the human soul; that the monstrous devil-years were ended, never again to return; that in this vast, clean Western Continent there could be no occult threat to dread, no gigantic menace to destroy her body, no secret power that could consign her soul to the dreadful abysm of spiritual annihilation.
Very early that morning she came on deck. The November day was delightfully warm, the air clear save for a belt of mist low on the water to the southward.
She had been told that land would not be sighted for twenty-four hours, but she went forward and stood beside the starboard rail, searching the horizon with the enchanted eyes of hope.
As she stood there a Japanese ship's officer crossing the deck, forward, halted abruptly and stood staring at something to the southward.
At the same moment, above the belt of mist on the water, and perfectly clear against the blue sky above, the girl saw a fountain of gold fire rise from the fog, drift upward in the daylight, slowly assume the incandescent outline of a serpentine creature which leisurely uncoiled and hung there floating, its lizard-tail undulating, its feet with their five stumpy claws closing, relaxing, like those of a living reptile. For a full minute this amazing shape of fire floated there in the sky, brilliant in the morning light, then the reptilian form faded, died out, and the last spark vanished in the sunshine.
When the Japanese officer at last turned to resume his promenade, he noticed a white-faced girl gripping a stanchion behind him as though she were on the point of swooning. He crossed the deck quickly. Tressa Norne's eyes opened.
"Are you ill, Miss Norne?" he asked.
"The—the Dragon," she whispered.
The officer laughed. "Why, that was nothing but Chinese day-fireworks," he explained. "The crew of some fishing boat yonder in the fog is amusing itself." He looked at her narrowly, then with a nice little bow and smile he offered his arm: "If you are indisposed, perhaps you might wish to go below to your stateroom, Miss Norne?"
She thanked him, managed to pull herself together and force a ghost of a smile.
He lingered a moment, said something cheerful about being nearly home, then made her a punctilious salute and went his way.
Tressa Norne leaned back against the stanchion and closed her eyes. Her pallor became deathly. She bent over and laid her white face in her folded arms.
After a while she lifted her head, and, turning very slowly, stared at the fog-belt out of frightened eyes.
And saw, rising out of the fog, a pearl-tinted sphere which gradually mounted into the clear daylight above like the full moon's phantom in the sky.
Higher, higher rose the spectral moon until at last it swam in the very zenith. Then it slowly evaporated in the blue vault above.
A great wave of despair swept her; she clung to the stanchion, staring with half-blinded eyes at the flat fog-bank in the south.
But no more "Chinese day-fireworks" rose out of it. And at length she summoned sufficient strength to go below to her cabin and lie there, half senseless, huddled on her bed.
When land was sighted, the following morning, Tressa Norne had lived a century in twenty-four hours. And in that space of time her agonised soul had touched all depths.
But now as the Golden Gate loomed up in the morning light, rage, terror, despair had burned themselves out. From their ashes within her mind arose the cool wrath of desperation armed for anything, wary, alert, passionately determined to survive at whatever cost, recklessly ready to fight for bodily existence.
That was her sole instinct now, to go on living, to survive, no matter at what price. And if it were indeed true that her soul had been slain, she defied its murderers to slay her body also.
That night, at her hotel in San Francisco, she double-locked her door and lay down without undressing, leaving all lights burning and an automatic pistol underneath her pillow.
Toward morning she fell asleep, slept for an hour, started up in awful fear. And saw the double-locked door opposite the foot of her bed slowly opening of its own accord.
Into the brightly illuminated room stepped a graceful young man in full evening dress carrying over his left arm an overcoat, and in his other hand a top hat and silver tipped walking-stick.
With one bound the girl swung herself from the bed to the carpet and clutched at the pistol under her pillow.
"Sanang!" she cried in a terrible voice.
"Keuke Mongol!" he said, smilingly.
For a moment they confronted each other in the brightly