Fifty Contemporary One-Act Plays. Various

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Fifty Contemporary One-Act Plays - Various


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Farce

       By Arnold Bennett

       Table of Contents

CHARACTERS

      James Brett [a Clerk in the War Office, 33]. Gerald O'Mara [a Civil Engineer, 24]. Rosamund Fife [a Spinster and a Lecturer on Cookery, 28].

      Reprinted from "Polite Farces," published by George H. Doran Company, by special arrangement with Mr. Arnold Bennett.

       Table of Contents

      A Farce

      By Arnold Bennett

      [Scene: Rosamund's Flat; the drawing-room. The apartment is plainly furnished. There is a screen in the corner of the room furthest from the door. It is 9 A. M. Rosamund is seated alone at a table. She wears a neat travelling-dress, with a plain straw hat. Her gloves lie on a chair. A small portable desk full of papers is open before her. She gazes straight in front of her, smiling vaguely. With a start she recovers from her daydreams, and rushing to the looking-glass, inspects her features therein. Then she looks at her watch.]

      Rosamund. Three hours yet! I'm a fool [with decision. She sits down again, and idly picks up a paper out of the desk. The door opens, unceremoniously but quietly, and James enters. The two stare at each other, James wearing a conciliatory smile].

      Rosamund. You appalling creature!

      James. I couldn't help it, I simply couldn't help it.

      Rosamund. Do you know this is the very height and summit of indelicacy?

      James. I was obliged to come.

      Rosamund. If I had any relations—

      James. Which you haven't.

      Rosamund. I say if I had any relations—

      James. I say which you haven't.

      Rosamund. Never mind, it is a safe rule for unattached women always to behave as if they had relations, especially female relations whether they have any or not. My remark is, that if I had any relations they would be absolutely scandalized by this atrocious conduct of yours.

      James. What have I done?

      Rosamund. Can you ask? Here are you, and here am I. We are to be married to-day at twelve o'clock. The ceremony has not taken place, and yet you are found on my premises. You must surely be aware that on the day of the wedding the parties—yes, the "parties," that is the word—should on no account see each other till they see each other in church.

      James. But since we are to be married at a registry office, does the rule apply?

      Rosamund. Undoubtedly.

      James. Then I must apologize. My excuse is that I am not up in these minute details of circumspection; you see I have been married so seldom.

      Rosamund. Evidently. [A pause, during which James at last ventures to approach the middle of the room.] Now you must go back home, and we'll pretend we haven't seen each other.

      James. Never, Rosamund! That would be acting a lie. And I couldn't dream of getting married with a lie on my lips. It would be so unusual. No; we have sinned, or rather I have sinned, on this occasion. I will continue to sin—openly, brazenly. Come here, my dove. A bird in the hand is worth two under a bushel. [He assumes an attitude of entreaty, and, leaving her chair, Rosamund goes towards him. They exchange an ardent kiss.]

      Rosamund [quietly submissive]. I'm awfully busy, you know, Jim.

      James. I will assist you in your little duties, dearest, and then I will accompany you to the sacred ed—to the registry office. Now, what were you doing? [She sits down, and he puts a chair for himself close beside her.]

      Rosamund. You are singularly unlike yourself this morning, dearest.

      James. Nervous tension, my angel. I should have deemed it impossible that an employé of the War Office could experience the marvelous and exquisite sensations now agitating my heart. But tell me, what are you doing with these papers?

      Rosamund. Well, I was just going to look through them and see if they contained anything of a remarkable or valuable nature. You see, I hadn't anything to occupy myself with.

      James. Was 'oo bored, waiting for the timey-pimey to come?

      Rosamund [hands caressing]. 'Iss, little pet was bored, she was. Was Mr. Pet lonely this morning? Couldn't he keep away from his little cooky-lecturer? He should see his little cooky-lecturer.

      James. And that reminds me, hadn't we better lunch in the train instead of at Willis's? That will give us more time?

      Rosamund. Horrid greedy piggywiggy! Perhaps he will be satisfied if Mrs. Pet agrees to lunch both at Willis's and in the train?

      James. Yes. Only piggywiggy doesn't want to trespass on Mrs. Pet's good nature. Let piggywiggy look at the papers. [He takes up a paper from the desk.]

      Rosamund [a little seriously]. No, Jimmy. I don't think we'll go through them. Perhaps it wouldn't be wise. Just let's destroy them. [Takes papers from his hand and drops them in desk.]

      James [sternly]. When you have been the wife of a War Office clerk for a week you will know that papers ought never to be destroyed. Now I come to think, it is not only my right but my duty to examine this secret dossier. Who knows—[Takes up at random another document, which proves to be a postcard. Reads.] "Shall come to-morrow night. Thine, Gerald."

      Rosamund [after a startled shriek of consternation]. There! There! You've done it, first time! [She begins to think, with knitted brows.]

      James. Does this highly suspicious postcard point to some—some episode in your past of which you have deemed it advisable to keep me in ignorance? If so, I seek not to inquire. I forgive you—I take you, Rosamund, as you are!

      Rosamund [reflective, not heeding his remark]. I had absolutely forgotten the whole affair, absolutely. [Smiles a little. Aside.] Suppose he should come! [To James.] Jim, I think I had better tell you all about Gerald. It will interest you. Besides, there is no knowing what may happen.

      James. As I have said, I seek not to inquire. [Stiffly.] Nor do I imagine that this matter, probably some childish entanglement, would interest me.

      Rosamund. Oh, wouldn't it! Jim, don't be absurd. You know perfectly well you are dying to hear.

      James. Very well, save my life, then, at the least expense of words. To begin with, who is this Gerald—"thine," thine own Gerald?

      Rosamund. Don't you remember Gerald O'Mara? You met him at the Stokes's, I feel sure. You know—the young engineer.

      James. Oh! That ass!

      Rosamund. He isn't an ass. He's a very clever boy.

      James. For the sake of argument and dispatch, agreed! Went out to Cyprus or somewhere, didn't he, to build a bridge, or make a dock, or dig a well, or something of that kind?

      Rosamund [nodding]. Now, listen, I'll tell you all about it. [Settles herself for a long narration.] Four years ago poor, dear Gerald was madly in love with me. He was twenty and I was twenty-four. Keep calm—I felt like his aunt. Don't forget I was awfully pretty in those days. Well, he was so tremendously in love that in order to keep him from destroying himself—of course, I knew he was going out to Cyprus—I sort of pretended to be sympathetic. I simply had to; Irishmen are so passionate. And he was very nice. And I barely knew you then. Well, the time approached for him to leave for Cyprus, and two


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