Arrowsmith. Sinclair Lewis
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Martin was unaccustomed to such elegance. Though he had come in sulky unwillingness, he was impressed by the supper, by the frocks of the young women; he realized that his dancing was rusty, and he envied the senior who could do the new waltz called the “Boston.” There was no strength, no grace, no knowledge, that Martin Arrowsmith did not covet, when consciousness of it had pierced through the layers of his absorption. If he was but little greedy for possessions, he was hungry for every skill.
His reluctant wonder at the others was drowned in his admiration for Madeline. He had known her as a jacketed outdoor girl, but this was an exquisite indoor Madeline, slender in yellow silk. She seemed to him a miracle of tact and ease as she bullied her guests into an appearance of merriment. She had need of tact, for Dr. Norman Brumfit was there, and it was one of Dr. Brumfit’s evenings to be original and naughty. He pretended to kiss Madeline’s mother, which vastly discomforted the poor lady; he sang a strongly improper negro song containing the word hell; he maintained to a group of women graduate students that George Sand’s affairs might perhaps be partially justified by their influence on men of talent; and when they looked shocked, he pranced a little, and his eyeglasses glittered.
Madeline took charge of him. She trilled, “Dr. Brumfit, you’re terribly learned and so on and so forth, and sometimes in English classes I’m simply scared to death of you, but other times you’re nothing but a bad small boy, and I won’t have you teasing the girls. You can help me bring in the sherbet, that’s what you can do.”
Martin adored her. He hated Brumfit for the privilege of disappearing with her into the closet-like kitchen of the flat. Madeline! She was the one person who understood him! Here, where everyone snatched at her and Dr. Brumfit beamed on her with almost matrimonial fondness, she was precious, she was something he must have.
On pretense of helping her set the tables, he had a moment with her, and whimpered, “Lord, you’re so lovely!”
“I’m glad you think I’m a wee bit nice.” She, the rose and the adored of all the world, gave him her favor.
“Can I come call on you tomorrow evening?’
“Well, I—Perhaps.”
III
It cannot be said, in this biography of a young man who was in no degree a hero, who regarded himself as a seeker after truth yet who stumbled and slid back all his life and bogged himself in every obvious morass, that Martin’s intentions toward Madeline Fox were what is called “honorable.” He was not a Don Juan, but he was a poor medical student who would have to wait for years before he could make a living. Certainly he did not think of proposing marriage. He wanted—like most poor and ardent young men in such a case, he wanted all he could get.
As he raced toward her flat, he was expectant of adventure. He pictured her melting; he felt her hand glide down his cheek. He warned himself, “Don’t be a fool now! Probably nothing doing at all. Don’t go get all worked up and then be disappointed. She’ll probably cuss you out for something you did wrong at the party. She’ll probably be sleepy and wish you hadn’t come. Nothing!” But he did not for a second believe it.
He rang, he saw her opening the door, he followed her down the meager hall, longing to take her hand. He came into the over-bright living-room—and he found her mother, solid as a pyramid, permanent-looking as sunless winter.
But of course Mother would obligingly go, and leave him to conquest.
Mother did not.
In Mohalis, the suitable time for young men callers to depart is ten o’clock, but from eight till a quarter after eleven Martin did battle with Mrs. Fox; talked to her in two languages, an audible gossip and a mute but furious protest, while Madeline—she was present; she sat about and looked pretty. In an equally silent tongue Mrs. Fox answered him, till the room was thick with their antagonism, while they seemed to be discussing the weather, the University, and the trolley service into Zenith.
“Yes, of course, some day I guess they’ll have a car every twenty minutes,” he said weightily.
(“Darn her, why doesn’t she go to bed? Cheers! She’s doing up her knitting. Nope. Damn it! She’s taking another ball of wool.”)
“Oh, yes, I’m sure they’ll have to have better service,” said Mrs. Fox.
(“Young man, I don’t know much about you, but I don’t believe you’re the right kind of person for Madeline to go with. Anyway, it’s time you went home.”)
“Oh, yes, sure, you bet. Lot better service.”
(“I know I’m staying too long, and I know you know it, but I don’t care!”)
It seemed impossible that Mrs. Fox should endure his stolid persistence. He used thought-forms, will-power, and hypnotism, and when he rose, defeated, she was still there, extremely placid. They said good-by not too warmly. Madeline took him to the door; for an exhilarating half-minute he had her alone.
“I wanted so much—I wanted to talk to you!”
“I know. I’m sorry. Some time!” she muttered.
He kissed her. It was a tempestuous kiss, and very sweet.
IV
Fudge parties, skating parties, sleighing parties, a literary party with the guest of honor a lady journalist who did the social page for the Zenith Advocate-Times—Madeline leaped into an orgy of jocund but extraordinarily tiring entertainments, and Martin obediently and smolderingly followed her. She appeared to have trouble in getting enough men, and to the literary evening Martin dragged the enraged Clif Clawson. Clif grumbled, “This is the damnedest zoo of sparrows I ever did time in,” but he bore off treasure—he had heard Madeline call Martin by her favorite name of “Martykins.” That was very valuable. Clif called him Martykins. Clif told others to call him Martykins. Fatty Pfaff and Irving Watters called him Martykins. And when Martin wanted to go to sleep, Clif croaked:
“Yuh, you’ll probably marry her. She’s a dead shot. She can hit a smart young M.D. at ninety paces. Oh, you’ll have one fine young time going on with science after that skirt sets you at tonsil-snatching. . . . She’s one of these literary birds. She knows all about lite’ature except maybe how to read. . . . She’s not so bad-looking, now. She’ll get fat, like her Ma.”
Martin said that which was necessary, and he concluded, “She’s the only girl in the graduate school that’s got any pep. The others just sit around and talk, and she gets up the best parties—”
“Any kissing parties?”
“Now you look here! I’ll be getting sore, first thing you know! You and I are roughnecks, but Madeline Fox—she’s like Angus Duer, some ways. I realize all the stuff we’re missing: music and literature, yes, and decent clothes, too—no harm to dressing well—”
“That’s just what I was tellin’ you! She’ll have you all dolled up in a Prince Albert and a boiled shirt, diagnosing everything as rich-widowitis. How you can fall for that four-flushing dame—Where’s your control?”
Clif’s opposition stirred him to consider Madeline not merely with a sly and avaricious interest but with a dramatic conviction that he longed to marry her.
V
Few women can for long periods keep from trying to Improve their men, and To Improve means to change a person from what he is, whatever that may be, into something else. Girls like Madeline Fox, artistic young women who do not work at it, cannot be restrained from Improving for more than a day at a time. The moment the urgent Martin showed that he was stirred by her graces, she went at his clothes—his corduroys and soft collars and eccentric old gray felt hat—at his vocabulary and his taste in fiction, with new and more patronizing vigor. Her sketchy way of saying, “Why, of course everybody knows that Emerson was the greatest thinker” irritated him the more in contrast to Gottlieb’s dark patience.
“Oh,