The Emperor (Historical Novel). Georg Ebers
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by the sight which the architect had invited the prefect to come and enjoy, and which was certainly droll enough. The front of the gate-keeper’s house was quite grown over with ivy which framed the door and window in its long runners. Amidst the greenery hung numbers of cages with starlings, blackbirds, and smaller singing-birds. The wide door of the little house stood open, giving a view into a tolerably spacious and gaily-painted room. In the background stood a clay model of an Apollo of admirable workmanship; above, and near this, the wall was hung with lutes and lyres of various size and form.
In the middle of the room, and near the open door, was a table, on which stood a large wicker cage containing several nests of young goldfinches, and with green food twined among the osiers. There were, too, a large wine-jar and an ivory goblet decorated with fine carving. Close to the drinking-vessels, on the stone top of the table, rested the arm of an elderly woman who had fallen asleep in the arm-chair in which she sat. Notwithstanding the faint grey moustache that marked her upper-lip and the pronounced ruddiness of her fore head and cheeks, she looked pleasant and kind. She must have been dreaming of something that pleased her, for the expression of her lips and of her eyes-one being half open and the other closely shut-gave her a look of contentment. In her lap slept a large grey cat, and by its side—as though discord never could enter this bright little abode which exhaled no savor of poverty, but, on the contrary, a peculiar and fragrant scent—lay a small shaggy dog, whose snowy whiteness of coat could only be due to the most constant care. Two other dogs, like this one, lay stretched on the floor at the old lady’s feet, and seemed no less soundly asleep.
As the prefect came up, the architect pointed to this study of still-life, and said in a whisper:
“If we had a painter here it would make a lovely little picture.”
“Incomparable,” answered Titianus, “only the vivid scarlet on the dame’s cheeks seems to me suspicious, considering the ample proportions of the wine-jar at her elbow.”
“But did you ever see a calmer, kindlier, or more contented countenance?”
“Baucis must have slept like that when Philemon allowed himself leave of absence for once! or did that devoted spouse always remain at home?”
“Apparently he did. Now, peace is at an end.” The approach of the two friends had waked one of the little dogs. He gave tongue, and his companion immediately jumped up and barked as if for a wager. The old woman’s pet sprang out of her lap, but neither his mistress nor the cat let themselves be disturbed by the noise, and slept on.
“A watcher among a thousand!” said the architect, laughing.
“And this phalanx of dogs which guard the palace of a Caesar,” added Titianus, “might be vanquished with a blow. Take heed, the worthy matron is about to wake.”
The dame had in fact been disturbed by the barking. She sat up a little, lifted her hands, and then, half singing, half muttering a few words, she sank back again in her chair.
“This is delicious!” cried the prefect.
“Begone dull care” she sang in her sleep.
“How may this rare specimen of humanity look when she is awake?”
“I should be sorry to drive the old lady out of her nest!” said the architect unrolling his scroll.
“You shall touch nothing in the little house,” cried the prefect eagerly. “I know Hadrian; he delights in such queer things and queer people, and I will wager he will make friends with the old woman in his own way. Here at last comes the steward of this palace.”
The prefect was not mistaken; the hasty step he had heard was that of the official they awaited. At some little distance they could already hear the man, panting as he hurried up, and as he came, before Titianus could prevent him, he had snatched down the cords that were stretched across the court and flung all the washing on the ground. As soon as the curtain had thus dropped which had divided him from the Emperor’s representative and his companion, he bowed to the former as low as the rotund dimensions of his person would allow; but his hasty arrival, the effort of strength he had made, and his astonishment at the appearance of the most powerful personage in the Nile Province in the building entrusted to his care, so utterly took away his breath—of which he at all times was but “scant”—that he was unable even to stammer out a suitable greeting. Titianus gave him a little time, and then, after expressing his regret at the sad plight of the washing, now strewn upon the ground, and mentioning to the steward the name and position of his friend Pontius, he briefly explained to him that the Emperor wished to take up his abode in the palace now in his charge; that he—Titianus—was cognizant of the bad condition in which it then was, and had come to take council with him and the architect as to what could be done in the course of a few days to make the dilapidated residence habitable for Hadrian, and to repair, at any rate, the more conspicuous damage. He then desired the steward to lead him through the rooms.
“Directly—at once,” answered the Greek, who had attained his present ponderous dimensions through many years of rest: “I will hasten to fetch the keys.” And as he went, puffing and panting, he re-arranged with his short, fat fingers the still abundant hair on the right side of his head. Pontius looked after him.
“Call him back, Titianus,” said he. “We disturbed him in the midst of curling his hair; only one side was done when the lictor called him away, and I will wager my own head that he will have the other side frizzled before he comes back. I know your true Greek!”
“Well, let him,” answered Titianus. “If you have taken his measure rightly he will not be able to give his attention without reserve to our questions till the other half of his hair is curled. I know, too, how to deal with a Hellene.”
“Better than I, I perceive,” said the architect in a tone of conviction. “A statesman is used to deal with men as we do with lifeless materials. Did you see the fat fellow turn pale when you said that it would be but a few days before the Emperor would make his entry here? Things must look well in the old house there. Every hour is precious, and we have lingered here too long.”
The prefect nodded agreement and followed the architect into the inner court of the palace. How grand and well-proportioned was the plan of this immense building through which the steward Keraunus, who returned with his fine curls complete all round, now led the Romans. It stood on an artificial hill in the midst of the peninsula of Lochias, and from many a window and many a balcony there were lovely prospects of the streets and open squares, the houses, palaces and public buildings of the metropolis, and of the harbor, swarming with ships. The outlook from Lochias was rich, gay and varied to the south and west, but east and north from the platform of the palace of the Ptolemies, the gaze fell on the never-wearying prospect of the eternal sea, limited only by the vault of heaven. When Hadrian had sent a special messenger from Mount Kasius to desire his prefect Titianus to have this particular building prepared for his reception, he knew full well what advantages its position offered; it was the part of his officials to restore order in the interior of the palace, which had remained uninhabited from the time of Cleopatra’s downfall. He gave them for the purpose eight, or perhaps nine, days—little more than a week. And in what a condition did Titianus and Pontius find this now dilapidated and plundered scene of former magnificence—the sweat pouring from their foreheads with their exertions as they inspected and sketched, questioned and made notes of it all.
The pillars and steps in the interior were tolerably well preserved, but the rain had poured in through the open roofs of the banqueting and reception-lulls, the fine mosaic pavements had started here and there, and in other places a perfect little meadow had grown in the midst of a hall, or an arcade; for Octavianus Augustus, Tiberius, Vespasian, Titus and a whole series of prefects, had already carefully removed the finest of the mosaics from the famous palace of the Ptolemies, and carried them to Rome or to the provinces, to decorate their town houses or country villas. In the same way the best of the statues were gone, with which a few centuries previously the art-loving Lagides had decorated this residence—besides which they had another, still larger, on the Bruchiom.
In the midst of a vast marbled hall stood an elegantly-wrought fountain, connected with the