The Art of Strategy: Napoleon's Maxims of War + Clausewitz's On War. Carl von Clausewitz

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The Art of Strategy: Napoleon's Maxims of War + Clausewitz's On War - Carl von Clausewitz


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tendency of the powers of the mind and soul towards the business of War, the whole of which common tendencies we may look upon as the ESSENCE OF MILITARY GENIUS. We say “common,” for just therein consists military genius, that it is not one single quality bearing upon War, as, for instance, courage, while other qualities of mind and soul are wanting or have a direction which is unserviceable for War, but that it is AN HARMONIOUS ASSOCIATION OF POWERS, in which one or other may predominate, but none must be in opposition.

      If every combatant required to be more or less endowed with military genius, then our armies would be very weak; for as it implies a peculiar bent of the intelligent powers, therefore it can only rarely be found where the mental powers of a people are called into requisition and trained in many different ways. The fewer the employments followed by a Nation, the more that of arms predominates, so much the more prevalent will military genius also be found. But this merely applies to its prevalence, by no means to its degree, for that depends on the general state of intellectual culture in the country. If we look at a wild, warlike race, then we find a warlike spirit in individuals much more common than in a civilised people; for in the former almost every warrior possesses it, whilst in the civilised whole, masses are only carried away by it from necessity, never by inclination. But amongst uncivilised people we never find a really great General, and very seldom what we can properly call a military genius, because that requires a development of the intelligent powers which cannot be found in an uncivilised state. That a civilised people may also have a warlike tendency and development is a matter of course; and the more this is general, the more frequently also will military spirit be found in individuals in their armies. Now as this coincides in such case with the higher degree of civilisation, therefore from such nations have issued forth the most brilliant military exploits, as the Romans and the French have exemplified. The greatest names in these and in all other nations that have been renowned in War belong strictly to epochs of higher culture.

      From this we may infer how great a share the intelligent powers have in superior military genius. We shall now look more closely into this point.

      War is the province of danger, and therefore courage above all things is the first quality of a warrior.

      Courage is of two kinds: first, physical courage, or courage in presence of danger to the person; and next, moral courage, or courage before responsibility, whether it be before the judgment-seat of external authority, or of the inner power, the conscience. We only speak here of the first.

      Courage before danger to the person, again, is of two kinds. First, it may be indifference to danger, whether proceeding from the organism of the individual, contempt of death, or habit: in any of these cases it is to be regarded as a permanent condition.

      Secondly, courage may proceed from positive motives, such as personal pride, patriotism, enthusiasm of any kind. In this case courage is not so much a normal condition as an impulse.

      We may conceive that the two kinds act differently. The first kind is more certain, because it has become a second nature, never forsakes the man; the second often leads him farther. In the first there is more of firmness, in the second, of boldness. The first leaves the judgment cooler, the second raises its power at times, but often bewilders it. The two combined make up the most perfect kind of courage.

      War is the province of physical exertion and suffering. In order not to be completely overcome by them, a certain strength of body and mind is required, which, either natural or acquired, produces indifference to them. With these qualifications, under the guidance of simply a sound understanding, a man is at once a proper instrument for War; and these are the qualifications so generally to be met with amongst wild and half-civilised tribes. If we go further in the demands which War makes on it, then we find the powers of the understanding predominating. War is the province of uncertainty: three-fourths of those things upon which action in War must be calculated, are hidden more or less in the clouds of great uncertainty. Here, then, above all a fine and penetrating mind is called for, to search out the truth by the tact of its judgment.

      An average intellect may, at one time, perhaps hit upon this truth by accident; an extraordinary courage, at another, may compensate for the want of this tact; but in the majority of cases the average result will always bring to light the deficient understanding.

      War is the province of chance. In no sphere of human activity is such a margin to be left for this intruder, because none is so much in constant contact with him on all sides. He increases the uncertainty of every circumstance, and deranges the course of events.

      From this uncertainty of all intelligence and suppositions, this continual interposition of chance, the actor in War constantly finds things different from his expectations; and this cannot fail to have an influence on his plans, or at least on the presumptions connected with these plans. If this influence is so great as to render the pre-determined plan completely nugatory, then, as a rule, a new one must be substituted in its place; but at the moment the necessary data are often wanting for this, because in the course of action circumstances press for immediate decision, and allow no time to look about for fresh data, often not enough for mature consideration.

      But it more often happens that the correction of one premise, and the knowledge of chance events which have arisen, are not sufficient to overthrow our plans completely, but only suffice to produce hesitation. Our knowledge of circumstances has increased, but our uncertainty, instead of having diminished, has only increased. The reason of this is, that we do not gain all our experience at once, but by degrees; thus our determinations continue to be assailed incessantly by fresh experience; and the mind, if we may use the expression, must always be “under arms.”

      Now, if it is to get safely through this perpetual conflict with the unexpected, two qualities are indispensable: in the first place an intellect which, even in the midst of this intense obscurity, is not without some traces of inner light, which lead to the truth, and then the courage to follow this faint light. The first is figuratively expressed by the French phrase coup d’œil. The other is resolution. As the battle is the feature in War to which attention was originally chiefly directed, and as time and space are important elements in it, more particularly when cavalry with their rapid decisions were the chief arm, the idea of rapid and correct decision related in the first instance to the estimation of these two elements, and to denote the idea an expression was adopted which actually only points to a correct judgment by eye. Many teachers of the Art of War then gave this limited signification as the definition of coup d’œil. But it is undeniable that all able decisions formed in the moment of action soon came to be understood by the expression, as, for instance, the hitting upon the right point of attack, &c. It is, therefore, not only the physical, but more frequently the mental eye which is meant in coup d’œil. Naturally, the expression, like the thing, is always more in its place in the field of tactics: still, it must not be wanting in strategy, inasmuch as in it rapid decisions are often necessary. If we strip this conception of that which the expression has given it of the over-figurative and restricted, then it amounts simply to the rapid discovery of a truth which to the ordinary mind is either not visible at all or only becomes so after long examination and reflection.

      Resolution is an act of courage in single instances, and if it becomes a characteristic trait, it is a habit of the mind. But here we do not mean courage in face of bodily danger, but in face of responsibility, therefore, to a certain extent against moral danger. This has been often called courage d’esprit, on the ground that it springs from the understanding; nevertheless, it is no act of the understanding on that account; it is an act of feeling. Mere intelligence is still not courage, for we often see the cleverest people devoid of resolution. The mind must, therefore, first awaken the feeling of courage, and then be guided and supported by it, because in momentary emergencies the man is swayed more by his feelings than his thoughts.

      We have assigned to resolution the office of removing the torments of doubt, and the dangers of delay, when there are no sufficient motives for guidance. Through the unscrupulous use of language which is prevalent, this term is often applied to the mere propensity to daring, to bravery, boldness, or temerity. But, when there are sufficient motives in the man, let them be objective or subjective, true or false, we have no right to speak of his resolution; for, when we do so, we put ourselves in his place, and we throw into the scale


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