The Great Gatsby. Francis Scott Fitzgerald

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The Great Gatsby - Francis Scott Fitzgerald


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suit and patent leather shoes, and I couldn’t keep my eyes off him, but every time he looked at me I had to pretend to be looking at the advertisement over his head. When we came into the station he was next to me, and his white shirt-front pressed against my arm, and so I told him I’d have to call a policeman, but he knew I lied. I was so excited that when I got into a taxi with him I didn’t hardly know I wasn’t getting into a subway train. All I kept thinking about, over and over, was ‘You can’t live forever; you can’t live forever.’”

      She turned to Mrs. McKee and the room rang full of her artificial laughter.

      “My dear,” she cried, “I’m going to give you this dress as soon as I’m through with it. I’ve got to get another one to-morrow. I’m going to make a list of all the things I’ve got to get. A massage and a wave, and a collar for the dog, and one of those cute little ash-trays where you touch a spring, and a wreath with a black silk bow for mother’s grave that’ll last all summer. I got to write down a list so I won’t forget all the things I got to do.”

      It was nine o’clock — almost immediately afterward I looked at my watch and found it was ten. Mr. McKee was asleep on a chair with his fists clenched in his lap, like a photograph of a man of action. Taking out my handkerchief I wiped from his cheek the remains of the spot of dried lather that had worried me all the afternoon.

      The little dog was sitting on the table looking with blind eyes through the smoke, and from time to time groaning faintly. People disappeared, reappeared, made plans to go somewhere, and then lost each other, searched for each other, found each other a few feet away. Some time toward midnight Tom Buchanan and Mrs. Wilson stood face to face discussing, in impassioned voices, whether Mrs. Wilson had any right to mention Daisy’s name.

      “Daisy! Daisy! Daisy!” shouted Mrs. Wilson. “I’ll say it whenever I want to! Daisy! Dai ——”

      Making a short deft movement, Tom Buchanan broke her nose with his open hand.

      Then there were bloody towels upon the bath-room floor, and women’s voices scolding, and high over the confusion a long broken wail of pain. Mr. McKee awoke from his doze and started in a daze toward the door. When he had gone half way he turned around and stared at the scene — his wife and Catherine scolding and consoling as they stumbled here and there among the crowded furniture with articles of aid, and the despairing figure on the couch, bleeding fluently, and trying to spread a copy of TOWN TATTLE. over the tapestry scenes of Versailles. Then Mr. McKee turned and continued on out the door. Taking my hat from the chandelier, I followed.

      “Come to lunch some day,” he suggested, as we groaned down in the elevator.

      “Where?”

      “Anywhere.”

      “Keep your hands off the lever,” snapped the elevator boy.

      “I beg your pardon,” said Mr. McKee with dignity, “I didn’t know I was touching it.”

      “All right,” I agreed, “I’ll be glad to.”

      … I was standing beside his bed and he was sitting up between the sheets, clad in his underwear, with a great portfolio in his hands.

      “Beauty and the Beast … Loneliness … Old Grocery Horse … Brook’n Bridge … .”

      Then I was lying half asleep in the cold lower level of the Pennsylvania Station, staring at the morning TRIBUNE, and waiting for the four o’clock train.

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