The Third Circle. Frank Norris
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close and her head to loll sideways.
"My cigar's gone out," she muttered. "You said you'd have gin for me. Ten Eyck! Ten Eyck! No, I don't remember anybody named that." Her voice failed her suddenly, then she whispered:
"Say, how did I get that on me?"
She thrust out her left hand, and I saw a butterfly tattooed on the little finger.
The House With the Blinds
It is a thing said and signed and implicitly believed in by the discerning few that San Francisco is a place wherein Things can happen. There are some cities like this—cities that have come to be picturesque—that offer opportunities in the matter of background and local colour, and are full of stories and dramas and novels, written and unwritten. There seems to be no adequate explanation for this state of things, but you can't go about the streets anywhere within a mile radius of Lotta's fountain without realising the peculiarity, just as you would realise the hopelessness of making anything out of Chicago, fancy a novel about Chicago or Buffalo, let us say, or Nashville, Tennessee. There are just three big cities in the United States that are "story cities"—New York, of course, New Orleans, and best of the lot, San Francisco.
Here, if you put yourself in the way of it, you shall see life uncloaked and bare of convention—the raw, naked thing, that perplexes and fascinates—life that involves death of the sudden and swift variety, the jar and shock of unleased passions, the friction of men foregathered from every ocean, and you may touch upon the edge of mysteries for which there is no explanation—little eddies on the surface of unsounded depths, sudden outflashings of the inexplicable—troublesome, disquieting, and a little fearful.
About this "House With the Blinds" now.
If you go far enough afield, with your face towards Telegraph Hill, beyond Chinatown, beyond the Barbary Coast, beyond the Mexican quarter and Luna's restaurant, beyond even the tamale factory and the Red House, you will come at length to a park in a strange, unfamiliar, unfrequented quarter. You will know the place by reason of a granite stone set up there by the Geodetic surveyors, for some longitudinal purposes of their own, and by an enormous flagstaff erected in the center. Stockton street flanks it on one side and Powell on the other. It is an Italian quarter as much as anything else, and the Societa Alleanza holds dances in a big white hall hard by. The Russian Church, with its minarets (that look for all the world like inverted balloons) overlook it on one side, and at the end of certain seaward streets you may see the masts and spars of wheat ships and the Asiatic steamers. The park lies in a valley between Russian and Telegraph Hills, and in August and early September the trades come flogging up from the bay, overwhelming one with sudden, bulging gusts that strike downward, blanket-wise and bewildering. There are certain residences here where, I am sure, sea-captains and sailing masters live, and on one corner is an ancient house with windows opening door-fashion upon a deep veranda, that was used as a custom office in Mexican times.
I have a very good friend who is a sailing-master aboard the "Mary Baker," a full-rigged wheat ship, a Cape Horner, and the most beautiful thing I ever remember to have seen. Occasionally I am invited to make a voyage with him as supercargo, an invitation which you may be sure I accept. Such an invitation came to me one day some four or five years ago, and I made the trip with him to Calcutta and return.
The day before the "Mary Baker" cast off I had been aboard (she was lying in the stream off Meigg's wharf) attending to the stowing of my baggage and the appointment of my stateroom. The yawl put me ashore at three in the afternoon, and I started home via the park I have been speaking about. On my way across the park I stopped in front of that fool Geodetic stone, wondering what it might be. And while I stood there puzzling about it, a nurse-maid came up and spoke to me.
The story of "The House With the Blinds" begins here.
The nurse-maid was most dreadfully drunk, her bonnet was awry, her face red and swollen, and one eye was blackened. She was not at all pleasant. In the baby carriage, which she dragged behind her, an overgrown infant yelled like a sabbath of witches.
"Look here," says she; "you're a gemmleman, and I wantcher sh'd help me outen a fix. I'm in a fix, s'wat I am—a damn bad fix."
I got that fool stone between myself and this object, and listened to it pouring out an incoherent tirade against some man who had done it dirt, b'Gawd, and with whom it was incumbent I should fight, and she was in a fix, s'what she was, and could I, who was evidently a perfick gemmleman, oblige her with four bits? All this while the baby yelled till my ears sang again. Well, I gave her four bits to get rid of her, but she stuck to me yet the closer, and confided to me that she lived in that house over yonder, she did—the house with the blinds, and was nurse-maid there, so she was, b'Gawd. But at last I got away and fled in the direction of Stockton street. As I was going along, however, I reflected that the shrieking infant was somebody's child, and no doubt popular in the house with the blinds. The parents ought to know that its nurse got drunk and into fixes. It was a duty—a dirty duty—for me to inform upon her.
Much as I loathed to do so I turned towards the house with the blinds. It stood hard by the Russian Church, a huge white-painted affair, all the windows closely shuttered and a bit of stained glass in the front door—quite the most pretentious house in the row. I had got directly opposite, and was about to cross the street when, lo! around the corner, marching rapidly, and with blue coats flapping, buttons and buckles flashing, came a squad of three, seven, nine—ten policemen. They marched straight upon the house with the blinds.
I am not brilliant nor adventurous, but I have been told that I am good, and I do strive to be respectable, and pay my taxes and pew rent. As a corollary to this, I loathed with, a loathing unutterable to be involved in a mess of any kind. The squad of policemen were about to enter the house with the blinds, and not for worlds would I have been found by them upon its steps. The nurse-girl might heave that shrieking infant over the cliff of Telegraph Hill, it were all one with me. So I shrank back upon the sidewalk and watched what followed.
Fifty yards from the house the squad broke into a run, swarmed upon the front steps, and in a moment were thundering upon the front door till the stained glass leaped in its leads and shivered down upon their helmets. And then, just at this point, occurred an incident which, though it had no bearing upon or connection with this yarn, is quite queer enough to be set down. The shutters of one of the top-story windows opened slowly, like the gills of a breathing fish, the sash raised some six inches with a reluctant wail, and a hand groped forth into the open air. On the sill of the window was lying a gilded Indian-club, and while I watched, wondering, the hand closed upon it, drew it under the sash, the window dropped guillotine-fashion, and the shutters clapped to like the shutters of a cuckoo clock. Why was the Indian-club lying on the sill? Why, in Heaven's name, was it gilded? Why did the owner of that mysterious groping hand, seize upon it at the first intimation of danger? I don't know—I never will know. But I do know that the thing was eldritch and uncanny, ghostly even, in the glare of that cheerless afternoon's sun, in that barren park, with the trade winds thrashing up from the seaward streets.
Suddenly the door crashed in. The policemen vanished inside the house. Everything fell silent again. I waited for perhaps fifty seconds—waited, watching and listening, ready for anything that might happen, expecting I knew not what—everything.
Not more than five minutes had elapsed when the policemen began to reappear. They came slowly, and well they might, for they carried with them the inert bodies of six gentlemen. When I say carried I mean it in its most literal sense, for never in all my life have I seen six gentlemen so completely, so thoroughly, so hopelessly and helplessly intoxicated. Well dressed they were, too, one of them even in full dress. Salvos of artillery could not have awakened that drunken half dozen, and I doubt if any one of them could even have been racked into consciousness.
Three hacks appeared (note that the patrol-wagon was conspicuously absent), the six were loaded upon the cushions, the word was given and one by one the hacks rattled down Stockton