Out & Proud: Gay Classics Collection. Radclyffe Hall

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Out & Proud: Gay Classics Collection - Radclyffe Hall


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business to furnish generously, and many were the fine tales they told and many the amusing observations they made, for it cannot be denied that when women get together — but hist — they are always careful to see that the doors are shut and that not a word of it gets into print. All they desire is — but hist again — is that not a man’s step on the stair? All they desire, we were about to say when the gentleman took the very words out of our mouths. Women have no desires, says this gentleman, coming into Nell’s parlour; only affectations. Without desires (she has served him and he is gone) their conversation cannot be of the slightest interest to anyone. ‘It is well known’, says Mr S. W., ‘that when they lack the stimulus of the other sex, women can find nothing to say to each other. When they are alone, they do not talk, they scratch.’ And since they cannot talk together and scratching cannot continue without interruption and it is well known (Mr T. R. has proved it) ‘that women are incapable of any feeling of affection for their own sex and hold each other in the greatest aversion’, what can we suppose that women do when they seek out each other’s society?

      As that is not a question that can engage the attention of a sensible man, let us, who enjoy the immunity of all biographers and historians from any sex whatever, pass it over, and merely state that Orlando professed great enjoyment in the society of her own sex, and leave it to the gentlemen to prove, as they are very fond of doing, that this is impossible.

      But to give an exact and particular account of Orlando’s life at this time becomes more and more out of the question. As we peer and grope in the ill-lit, ill-paved, ill-ventilated courtyards that lay about Gerrard Street and Drury Lane at that time, we seem now to catch sight of her and then again to lose it. The task is made still more difficult by the fact that she found it convenient at this time to change frequently from one set of clothes to another. Thus she often occurs in contemporary memoirs as ‘Lord’ So-and-so, who was in fact her cousin; her bounty is ascribed to him, and it is he who is said to have written the poems that were really hers. She had, it seems, no difficulty in sustaining the different parts, for her sex changed far more frequently than those who have worn only one set of clothing can conceive; nor can there be any doubt that she reaped a twofold harvest by this device; the pleasures of life were increased and its experiences multiplied. For the probity of breeches she exchanged the seductiveness of petticoats and enjoyed the love of both sexes equally.

      So then one may sketch her spending her morning in a China robe of ambiguous gender among her books; then receiving a client or two (for she had many scores of suppliants) in the same garment; then she would take a turn in the garden and clip the nut trees — for which knee-breeches were convenient; then she would change into a flowered taffeta which best suited a drive to Richmond and a proposal of marriage from some great nobleman; and so back again to town, where she would don a snuff-coloured gown like a lawyer’s and visit the courts to hear how her cases were doing — for her fortune was wasting hourly and the suits seemed no nearer consummation than they had been a hundred years ago; and so, finally, when night came, she would more often than not become a nobleman complete from head to toe and walk the streets in search of adventure.

      Returning from some of these junketings — of which there were many stories told at the time, as, that she fought a duel, served on one of the King’s ships as a captain, was seen to dance naked on a balcony, and fled with a certain lady to the Low Countries where the lady’s husband followed them — but of the truth or otherwise of these stories, we express no opinion — returning from whatever her occupation may have been, she made a point sometimes of passing beneath the windows of a coffee house, where she could see the wits without being seen, and thus could fancy from their gestures what wise, witty, or spiteful things they were saying without hearing a word of them; which was perhaps an advantage; and once she stood half an hour watching three shadows on the blind drinking tea together in a house in Bolt Court.

      Never was any play so absorbing. She wanted to cry out, Bravo! Bravo! For, to be sure, what a fine drama it was — what a page torn from the thickest volume of human life! There was the little shadow with the pouting lips, fidgeting this way and that on his chair, uneasy, petulant, officious; there was the bent female shadow, crooking a finger in the cup to feel how deep the tea was, for she was blind; and there was the Roman-looking rolling shadow in the big armchair — he who twisted his fingers so oddly and jerked his head from side to side and swallowed down the tea in such vast gulps. Dr Johnson, Mr Boswell, and Mrs Williams — those were the shadows’ names. So absorbed was she in the sight, that she forgot to think how other ages would have envied her, though it seems probable that on this occasion they would. She was content to gaze and gaze. At length Mr Boswell rose. He saluted the old woman with tart asperity. But with what humility did he not abase himself before the great Roman shadow, who now rose to its full height and rocking somewhat as he stood there rolled out the most magnificent phrases that ever left human lips; so Orlando thought them, though she never heard a word that any of the three shadows said as they sat there drinking tea.

      At length she came home one night after one of these saunterings and mounted to her bedroom. She took off her laced coat and stood there in shirt and breeches looking out of the window. There was something stirring in the air which forbade her to go to bed. A white haze lay over the town, for it was a frosty night in midwinter and a magnificent vista lay all round her. She could see St Paul’s, the Tower, Westminster Abbey, with all the spires and domes of the city churches, the smooth bulk of its banks, the opulent and ample curves of its halls and meeting-places. On the north rose the smooth, shorn heights of Hampstead, and in the west the streets and squares of Mayfair shone out in one clear radiance. Upon this serene and orderly prospect the stars looked down, glittering, positive, hard, from a cloudless sky. In the extreme clearness of the atmosphere the line of every roof, the cowl of every chimney, was perceptible; even the cobbles in the streets showed distinct one from another, and Orlando could not help comparing this orderly scene with the irregular and huddled purlieus which had been the city of London in the reign of Queen Elizabeth. Then, she remembered, the city, if such one could call it, lay crowded, a mere huddle and conglomeration of houses, under her windows at Blackfriars. The stars reflected themselves in deep pits of stagnant water which lay in the middle of the streets. A black shadow at the corner where the wine shop used to stand was, as likely as not, the corpse of a murdered man. She could remember the cries of many a one wounded in such night brawlings, when she was a little boy, held to the diamond-paned window in her nurse’s arms. Troops of ruffians, men and women, unspeakably interlaced, lurched down the streets, trolling out wild songs with jewels flashing in their ears, and knives gleaming in their fists. On such a night as this the impermeable tangle of the forests on Highgate and Hampstead would be outlined, writhing in contorted intricacy against the sky. Here and there, on one of the hills which rose above London, was a stark gallows tree, with a corpse nailed to rot or parch on its cross; for danger and insecurity, lust and violence, poetry and filth swarmed over the tortuous Elizabethan highways and buzzed and stank — Orlando could remember even now the smell of them on a hot night — in the little rooms and narrow pathways of the city. Now — she leant out of her window — all was light, order, and serenity. There was the faint rattle of a coach on the cobbles. She heard the far-away cry of the night watchman —’Just twelve o’clock on a frosty morning’. No sooner had the words left his lips than the first stroke of midnight sounded. Orlando then for the first time noticed a small cloud gathered behind the dome of St Paul’s. As the strokes sounded, the cloud increased, and she saw it darken and spread with extraordinary speed. At the same time a light breeze rose and by the time the sixth stroke of midnight had struck the whole of the eastern sky was covered with an irregular moving darkness, though the sky to the west and north stayed clear as ever. Then the cloud spread north. Height upon height above the city was engulfed by it. Only Mayfair, with all its lights shining. burnt more brilliantly than ever by contrast. With the eighth stroke, some hurrying tatters of cloud sprawled over Piccadilly. They seemed to mass themselves and to advance with extraordinary rapidity towards the west end. As the ninth, tenth, and eleventh strokes struck, a huge blackness sprawled over the whole of London. With the twelfth stroke of midnight, the darkness was complete. A turbulent welter of cloud covered the city. All was darkness; all was doubt; all was confusion. The Eighteenth century was over; the Nineteenth century had begun.

      CHAPTER 5

      


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