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And I the matter will re-word; which madness

       Would gambol from. Mother, for love of grace,

       Lay not that flattering unction to your soul

       That not your trespass, but my madness speaks:

       It will but skin and film the ulcerous place,

       Whilst rank corruption, mining all within,

       Infects unseen. Confess yourself to heaven;

       Repent what’s past; avoid what is to come;

       And do not spread the compost on the weeds,

       To make them ranker. Forgive me this my virtue;

       For in the fatness of these pursy times

       Virtue itself of vice must pardon beg,

       Yea, curb and woo for leave to do him good.

       Queen.

       O Hamlet, thou hast cleft my heart in twain.

       Ham.

       O, throw away the worser part of it,

       And live the purer with the other half.

       Good night: but go not to mine uncle’s bed;

       Assume a virtue, if you have it not.

       That monster custom, who all sense doth eat,

       Of habits evil, is angel yet in this,—

       That to the use of actions fair and good

       He likewise gives a frock or livery

       That aptly is put on. Refrain tonight;

       And that shall lend a kind of easiness

       To the next abstinence: the next more easy;

       For use almost can change the stamp of nature,

       And either curb the devil, or throw him out

       With wondrous potency. Once more, goodnight:

       And when you are desirous to be bles’d,

       I’ll blessing beg of you.—For this same lord

       [Pointing to Polonius.]

       I do repent; but heaven hath pleas’d it so,

       To punish me with this, and this with me,

       That I must be their scourge and minister.

       I will bestow him, and will answer well

       The death I gave him. So again, goodnight.—

       I must be cruel, only to be kind:

       Thus bad begins, and worse remains behind.—

       One word more, good lady.

       Queen.

       What shall I do?

       Ham.

       Not this, by no means, that I bid you do:

       Let the bloat king tempt you again to bed;

       Pinch wanton on your cheek; call you his mouse;

       And let him, for a pair of reechy kisses,

       Or paddling in your neck with his damn’d fingers,

       Make you to ravel all this matter out,

       That I essentially am not in madness,

       But mad in craft. ‘Twere good you let him know;

       For who that’s but a queen, fair, sober, wise,

       Would from a paddock, from a bat, a gib,

       Such dear concernings hide? who would do so?

       No, in despite of sense and secrecy,

       Unpeg the basket on the house’s top,

       Let the birds fly, and, like the famous ape,

       To try conclusions, in the basket creep

       And break your own neck down.

       Queen.

       Be thou assur’d, if words be made of breath,

       And breath of life, I have no life to breathe

       What thou hast said to me.

       Ham.

       I must to England; you know that?

       Queen.

       Alack,

       I had forgot: ‘tis so concluded on.

       Ham.

       There’s letters seal’d: and my two schoolfellows,—

       Whom I will trust as I will adders fang’d,—

       They bear the mandate; they must sweep my way

       And marshal me to knavery. Let it work;

       For ‘tis the sport to have the enginer

       Hoist with his own petard: and ‘t shall go hard

       But I will delve one yard below their mines

       And blow them at the moon: O, ‘tis most sweet,

       When in one line two crafts directly meet.—

       This man shall set me packing:

       I’ll lug the guts into the neighbour room.—

       Mother, goodnight.—Indeed, this counsellor

       Is now most still, most secret, and most grave,

       Who was in life a foolish peating knave.

       Come, sir, to draw toward an end with you:—

       Good night, mother.

       [Exeunt severally; Hamlet, dragging out Polonius.]

       ACT IV.

       SCENE I. A room in the Castle.

       [Enter King, Queen, Rosencrantz and Guildenstern.]

       King.

       There’s matter in these sighs. These profound heaves

       You must translate: ‘tis fit we understand them.

       Where is your son?

       Queen.

       Bestow this place on us a little while.

       [To Rosencrantz and Guildenstern, who go out.]

       Ah, my good lord, what have I seen tonight!

       King.

       What, Gertrude? How does Hamlet?

       Queen.

       Mad as the sea and wind, when both contend

       Which is the mightier: in his lawless fit

       Behind the arras hearing something stir,

       Whips out his rapier, cries ‘A rat, a rat!’

       And in this brainish apprehension, kills

       The unseen good old man.

       King.

       O heavy deed!

       It had been so with us, had we been there:

       His liberty is full of threats to all;

       To you yourself, to us, to every one.

       Alas, how shall this bloody deed be answer’d?

       It will be laid to us, whose providence

       Should have kept short, restrain’d, and out of haunt

       This mad young man. But so much was our love

       We would not understand what was most fit;

       But, like the owner of a foul disease,

       To keep it from divulging, let it feed

       Even on the pith of life. Where is he gone?

       Queen.

       To draw apart the body he hath kill’d:

       O’er whom his very madness, like some ore

      

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