From Sea to Sea; Letters of Travel. Rudyard Kipling

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From Sea to Sea; Letters of Travel - Rudyard Kipling


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horse, so fragmentary and disconnected was its nature.

      XI

      PROVES CONCLUSIVELY THE EXISTENCE OF THE DARK TOWER VISITED BY CHILDE ROLANDE, AND OF "BOGEY" WHO FRIGHTENS CHILDREN.

      The Gamberi River – clear as a trout-stream – runs through the waste round Chitor, and is spanned by an old bridge, very solid and massive, said to have been built before the sack of Ala-ud-din. The bridge is in the middle of the stream – the floods have raced round either end of it – and is reached by a steeply sloping stone causeway. From the bridge to the new town of Chitor, which lies at the foot of the hill, runs a straight and well-kept road, flanked on either side by the scattered remnants of old houses, and, here and there, fallen temples. The road, like the bridge, is no new thing, and is wide enough for twenty horsemen to ride abreast.

      New Chitor is a very dirty, and apparently thriving, little town, full of grain-merchants and sellers of arms. The ways are barely wide enough for the elephant of dignity and the little brown babies of impudence. The Englishman went through, always on a slope painfully accentuated by Gerowlia who, with all possible respect to her years, must have been a baggage-animal and no true Sahib's mount. Let the local Baedeker speak for a moment: "The ascent to Chitor, which begins from within the southeast angle of the town, is nearly a mile to the upper gate, with a slope of about 1 in 15. There are two zig-zag bends, and on the three portions thus formed, are seven gates, of which one, however, has only the basement left." This is the language of fact, which, very properly, leaves out of all account the Genius of the Place who sits at the gate nearest the new city and is with the sightseer throughout. The first impression of repulsion and awe is given by a fragment of tumbled sculpture close to a red daubed lingam, near the Padal Pol or lowest gate. It is a piece of frieze, and the figures of the men are worn nearly smooth by time. What is visible is finely and frankly obscene to an English mind.

      The road is protected on the cliff side by a thick stone wall, loopholed for musketry, one aperture to every two feet, between fifteen and twenty feet high. This wall is being repaired throughout its length by the Maharana of Udaipur. On the hillside, among the boulders, loose stones, and dhak-scrub, lips stone wreckage that must have come down from the brown bastions above.

      As Gerowlia laboured up the stone-shod slope, the Englishman wondered how much life had flowed down this sluice of battles, and been lost at the Padal Pol – the last and lowest gate – where, in the old days, the besieging armies put their best and bravest battalions. Once at the head of the lower slope, there is a clear run-down of a thousand yards with no chance of turning aside either to the right or left. Even as he wondered, he was brought abreast of two stone chhatris, each carrying a red daubed stone. They were the graves of two very brave men, Jeemal of Bedmore, and Kalla, who fell in Akbar's sack fighting like Rajputs. Read the story of their deaths, and learn what manner of warriors they were. Their graves were all that spoke openly of the hundreds of struggles on the lower slope where the fight was always fiercest.

      At last, after half an hour's climb, the main gate, the Ram Pol, was gained, and the Englishman passed into the City of Chitor and – then and there formed a resolution, since broken, not to write one word about it for fear that he should be set down as a babbling and a gushing enthusiast. Objects of archæological interest are duly described in an admirable little book of Chitor which, after one look, the Englishman abandoned. One cannot "do" Chitor with a guide-book. The Chaplain of the English Mission to Jehangir said the best that was to be said, when he described the place three hundred years ago, writing quaintly: "Chitor, an ancient great kingdom, the chief city so called which standeth on a mighty high hill, flat on the top, walled about at the least ten English miles. There appear to this day above a hundred churches ruined and divers fair palaces which are lodged in like manner among their ruins, as many Englishmen by the observation have guessed. Its chief inhabitants to-day are Zum and Ohim, birds and wild beasts, but the stately ruins thereof give a shadow of its beauty while it flourished in its pride." Gerowlia struck into a narrow pathway, forcing herself through garden-trees and disturbing the peacocks. An evil guide-man on the ground waved his hand, and began to speak; but was silenced. The death of Amber was as nothing to the death of Chitor – a body whence the life had been driven by riot and the sword. Men had parcelled the gardens of her palaces and the courtyards of her temples into fields; and cattle grazed among the remnants of the shattered tombs. But over all – over rent and bastion, split temple-wall, pierced roof, and prone pillar – lay the "shadow of its beauty while it flourished in its pride." The Englishman walked into a stately palace of many rooms, where the sunlight streamed in through wall and roof, and up crazy stone stairways, held together, it seemed, by the marauding trees. In one bastion, a wind-sown peepul had wrenched a thick slab clear of the wall, but held it tight pressed in a crook of a branch, as a man holds down a fallen enemy under his elbow, shoulder, and forearm. In another place, a strange, uncanny wind sprung from nowhere, was singing all alone among the pillars of what may have been a Hall of Audience. The Englishman wandered so far in one palace that he came to an almost black-dark room, high up in a wall, and said proudly to himself: "I must be the first man who has been here;" meaning no harm or insult to any one. But he tripped and fell, and as he put out his hands, he felt that the stairs had been worn hollow and smooth by the thread of innumerable naked feet. Then he was afraid, and came away very quickly, stepping delicately over fallen friezes and bits of sculptured men, so as not to offend the Dead; and was mightily relieved when he recovered his elephant and allowed the guide to take him to Kumbha Rana's Tower of Victory.

      This stands, like all things in Chitor, among ruins, but time and the other enemies have been good to it. It is a Jain edifice, nine storeys high, crowned atop – was this designed insult or undesigned repair? – with a purely Mahometan dome, where the pigeons and the bats live. Excepting this blemish, the Tower of Victory is nearly as fair as when it left the hands of the builder whose name has not been handed down to us. It is to be observed here that the first, or more ruined, Tower of Victory, built in Alluji's days, when Chitor was comparatively young, was raised by some pious Jain as proof of conquest over things spiritual. The second tower is more worldly in intent.

      Those who care to look, may find elsewhere a definition of its architecture and its more striking peculiarities. It was in kind, but not in degree, like the Jugdesh Temple at Udaipur, and, as it exceeded it in magnificence, so its effect upon the mind was more intense. The confusing intricacy of the figures with which it was wreathed from top to bottom, the recurrence of the one calm face, the God enthroned, holding the Wheel of the Law, and the appalling lavishness of decoration, all worked toward the instilment of fear and aversion.

      Surely this must have been one of the objects of the architect. The tower, in the arrangement of its stairways, is like the interior of a Chinese carved ivory puzzle-ball. The idea given is that, even while you are ascending, you are wrapping yourself deeper and deeper in the tangle of a mighty maze. Add to this the half-light, the thronging armies of sculptured figures, the mad profusion of design splashed as impartially upon the undersides of the stone window-slabs as upon the door-beam of the threshold – add, most abhorrent of all, the slippery sliminess of the walls always worn smooth by naked men, and you will understand that the tower is not a soothing place to visit. The Englishman fancied presumptuously that he had, in a way, grasped the builder's idea; and when he came to the top storey and sat among the pigeons his theory was this: To attain power, wrote the builder of old, in sentences of fine stone, it is necessary to pass through all sorts of close-packed horrors, treacheries, battles, and insults, in darkness and without knowledge whether the road leads upward or into a hopeless cul-de-sac. Kumbha Rana must many times have climbed to the top storey, and looked out toward the uplands of Malwa on the one side and his own great Mewar on the other, in the days when all the rock hummed with life and the clatter of hooves upon the stony ways, and Mahmoud of Malwa was safe in hold. How he must have swelled with pride – fine insolent pride of life and rule and power – power not only to break things but to compel such builders as those who piled the tower to his royal will! There was no decoration in the top storey to bewilder or amaze – nothing but well-grooved stone-slabs, and a boundless view fit for kings who traced their ancestry —

      "From times when forth from the sunlight, the first of our Kings came down,

      And had the earth for his footstool, and wore the stars for his crown."

      The


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