The Classic Myths in English Literature and in Art (2nd ed.) (1911). Bulfinch Thomas

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The Classic Myths in English Literature and in Art (2nd ed.) (1911) - Bulfinch Thomas


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for their passage had been placed in their mouths and their bodies had been duly buried in the world above.48 Otherwise he left them gibbering on the hither bank. The abode of Pluto is represented as wide-gated and thronged with guests. At the gate Cerberus, a three-headed, serpent-tailed dog, lay on guard, – friendly to the spirits entering, but inimical to those who would depart. The palace itself is dark and gloomy, set in the midst of uncanny fields haunted by strange apparitions. The groves of somber trees about the palace, – the meads of Asphodel, barren or, at best, studded with futile bushes and pale-flowered weeds, where wander the shades, – and the woods along the waste shore "of tall poplars and willows that shed their fruit before the season" are, without any particular discrimination, celebrated by the poets as the Garden of Proserpine.

      Fig. 34. The Greek Underworld

      Fig. 35. Hermes conducting a Soul to Charon

      Here life has death for neighbor,

      And far from eye or ear

      Wan waves and wet winds labor,

      Weak ships and spirits steer;

      They drive adrift, and whither

      They wot not who make thither;

      But no such winds blow hither,

      And no such things grow here.

      No growth of moor or coppice,

      No heather-flower or vine,

      But bloomless buds of poppies,

      Green grapes of Proserpine,

      Pale beds of blowing rushes,

      Where no leaf blooms or blushes

      Save this whereout she crushes

      For dead men deadly wine.

            *       *       *       *       *

      Pale, beyond porch and portal,

      Crowned with calm leaves, she stands

      Who gathers all things mortal

      With cold immortal hands;

      Her languid lips are sweeter

      Than love's, who fears to greet her,

      To men that mix and meet her

      From many times and lands.

      Fig. 36. Hypnos

      She waits for each and other,

      She waits for all men born;

      Forgets the earth her mother,

      The life of fruits and corn;

      And spring and seed and swallow

      Take wing for her and follow

      Where summer song rings hollow,

      And flowers are put to scorn.

            *       *       *       *       *

      We are not sure of sorrow,

      And joy was never sure;

      To-day will die to-morrow;

      Time stoops to no man's lure;

      And love, grown faint and fretful,

      With lips but half regretful

      Sighs, and with eyes forgetful

      Weeps that no loves endure.

      From too much love of living,

      From hope and fear set free,

      We thank with brief thanksgiving

      Whatever gods may be

      That no life lives forever;

      That dead men rise up never;

      That even the weariest river

      Winds somewhere safe to sea.

      Then star nor sun shall waken,

      Nor any change of light;

      Nor sound of waters shaken,

      Nor any sound or sight;

      Nor wintry leaves nor vernal,

      Nor days nor things diurnal:

      Only the sleep eternal

      In an eternal night.49

      Fig. 37. A Fury

       45. Tartarus and the Elysian Fields. With the ghosts of Hades the living might but rarely communicate, and only through certain oracles of the dead, situate by cavernous spots and sheer abysms, deep and melancholy streams, and baleful marshes. These naturally seemed to afford access to the world below, which with the later poets, such as Virgil, comes to be regarded as under the ground. One of these descents to the Underworld was near Tænarum in Laconia; another, near Cumæ in Italy, was Lake Avernus, so foul in its exhalations that, as its name portends, no bird could fly across it.50 Before the judges of the lower world, – Minos, Æacus, and Rhadamanthus, – the souls of the dead were brought to trial. The condemned were assigned to regions where all manner of torment awaited them at the hands of monsters dire, – the fifty-headed Hydra and the avenging Furies. Some evildoers, such as the Titans of old, were doomed to languish in the gulf of Tartarus immeasurably below. But the souls of the guiltless passed to the Elysian Fields, where each followed the chosen pursuit of his former life in a land of spring, sunlight, happiness, and song. And by the Fields there flowed the river Lethe, from which the souls of those that were to return to the earth in other bodies drank oblivion of their former lives.

       46. The Islands of the Blest. Homer mentions, elsewhere, an Elysium of the western seas, which is a happy land, "where life is easiest for men: no snow is there, nor yet great storm, nor any rain; but always ocean sendeth forth the breeze of the shrill West to blow cool on men."51 Hither favored heroes pass without dying, and live under the happy rule of Rhadamanthus. The Elysium of Hesiod and Pindar is likewise in the Western Ocean, on the Islands of the Blessed, the Fortunate Isles. From this dream of a western Elysium may have sprung the legend of the island Atlantis. That blissful region may have been wholly imaginary. It is, however, not impossible that the myth had its origin in the reports of storm-driven mariners who had caught a glimpse of occidental lands. In these Islands of the Blest, the Titans, released from Tartarus after many years, dwelt under the golden sway of the white-haired Cronus.52

      There was no heavy heat, no cold,

      The dwellers there wax never old,

      Nor wither with the waning time,

      But each man keeps that age he had

      When first he won the fairy clime.

      The night falls never from on high,

      Nor ever burns the heat of noon;

      But such soft light eternally

      Shines, as in silver dawns of June

      Before the sun hath climbed the sky!

            *       *       *       *       *

      All these their mirth and pleasure made

      Within the plain Elysian,

      The fairest meadow that may be,

      With all green fragrant trees for shade,

      And every scented wind to fan,

      And sweetest flowers to strew the lea;

      The


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<p>48</p>

Æneid, 6, 295.

<p>49</p>

From The Garden of Proserpine, by A. C. Swinburne.

<p>50</p>

Æneid, 6.

<p>51</p>

Odyssey, 4, 561.

<p>52</p>

Hes. Works and Days, 169.