A Modern Aladdin. Говард Пайл
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Oliver nodded his head. His throat grew tighter and tighter, and he felt as though he would choke.
"Very well," said the other. "Then you understand that Gaspard and I are not to be trifled with. We are now at the end of our journey, and there is something that I would have you do for me. It was for that that I hunted you up at Flourens, and it was for that that I brought you here to Paris. If you do my bidding, no harm shall happen to you; if not – " The hand which rested upon Oliver's knee gripped it like the clutch of a hawk. "Do you understand?"
"Yes," croaked Oliver, finding his voice at last.
"Very good," said the other. "Now when we stop I shall get out first of all, then you, then Gaspard. He will follow close behind us, and if you make so much as one noise, one little outcry – " The speaker stopped abruptly. They were now in the black gloom of a crooked, unlighted street, with high walls beetling upon either side, but even in the blackness of the gloom Oliver could feel that the other made a motion with his hands as though drawing a sack or bag over his head, and he shrank together closer than ever.
Then suddenly the coach stopped. The next moment the door was flung open, and there stood Gaspard waiting. Oliver's companion stepped out upon the pavement. "Come," said he, and there was that in his voice that told Oliver that there was but one thing to do – to obey. The poor lad's legs and arms moved with a jerky, spasmodic movement, as though they did not belong to him, and Gaspard had to help him out of the coach, or else he would have fallen upon the pavement.
"That is good," said his travelling companion when he at last stood upon the sidewalk. "Our legs are cramped by sitting so long, but we will be better by the time we have walked a little distance;" and he slipped his hand under Oliver's arm.
Oliver groaned.
The moon had now risen, and though it did not reach the pavement, the still pallid light bathed the upper stories of the houses upon the other side of the street above the sharp black demarcation of the lower shadows. They passed two or three strange spirit-like shapes, ragged and wretched; but soon leaving even these behind, and turning down a sudden crooked way, they came to a dark, lonely, narrow court, utterly deserted, and silent as death. At the farther side of this court was a brick wall, black with moss and mildew. Upon this wall the pallid moonlight lay full and bright, showing a little arched door-way that seemed to lead through it to, perhaps, a garden upon the other side. Here they stopped, and Gaspard, stepping forward, drew from his pocket two rusty keys tied together by a piece of twisted parchment. He chose one of the keys, and thrust it into the lock of the gate. The lock was old and rusty. Gaspard twisted at the key until his bony fingers were livid, then with a grating noise the key slowly turned in the rusty lock. The gate opened – not into the garden, as Oliver had expected to see, but into the inky darkness of the passage-way built into the wall.
"Come, my child," said Oliver's companion. "Come with me, and Gaspard will follow behind and close the gate."
Oliver looked about him with helplessly despairing eyes. Not a soul was in sight but the two. There was no help, no hope; there was nothing to do but to follow. He stepped into the passage-way after the other. The next moment Gaspard closed the gate, and he found himself in inky blackness.
"Take my hand and follow," said he who led; and his voice echoed and reverberated up and down the hollow darkness. Oliver reached blindly out until he touched the unseen hand.
With shuffling feet they moved slowly along the passage-way for the distance of twenty or thirty paces, the American uncle leading the way and holding Oliver by the hand, and Gaspard following so close behind them that sometimes it seemed to Oliver that he could feel the other's hot breath blowing upon his neck. Suddenly Oliver's guide stopped for a moment, and Oliver could hear him feeling with his feet upon the floor in front of him. Then again his echoing voice sounded, reverberating through the darkness. "Take care of the steps," said he, "for they are narrow and slippery."
In answer Oliver felt out instinctively with his foot. His toe touched the edge of a step, the first of a flight that led steeply downward into the darkness.
Down, down they went, Oliver in the middle and the other behind.
"We are at the bottom of the steps," said the echoing voice in front of Oliver, and the next instant he felt the startling jar of missing a step. Although the blackness was impenetrable, it seemed to Oliver that they had now reached a large room, for their footsteps echoed with a hollow sound, as though from high walls and a vaulted roof. His guide laid a hand upon his arm, and at the signal he stopped. Presently he heard Gaspard fumbling and rustling, and the next moment a shower of sparks were struck with flint and steel. As the tinder blazed under his breathing, Oliver saw that Gaspard leaned over a small brazen vase that sat upon the ground. He lighted a match and dropped it into the vase, and instantly a vivid greenish light blazed up, dancing now higher, now lower, and lighting up all the surrounding space. Then Oliver saw that he was indeed in a high, vaulted, cellar-like apartment, without window or other entrance than that through which they had come. In the centre of this vaulted space, and not far from where they stood, was a trap-door of iron, to which was attached an iron ring; a wide, heavy iron bar, fastened to the floor at one end by a hinge and at the other by a staple and padlock, crossed the iron plate, and locked it to the floor. Again Gaspard drew out the two keys, and fitting the second into the padlock, gave it a turn. The padlock gaped. He loosed it from the staple, and swung back the iron bar, creaking and grating upon its rusty hinge; then, clutching the ring in the lid of the trap, he bent his back and heaved. The iron plate swung slowly and heavily up, and as Oliver looked down, he saw a glimmering flight of stone steps that led into the yawning blackness beneath.
Gaspard reached down into the square hole, and after fumbling around for a moment, drew forth an ancient rusty lantern with the end of a half-burnt candle still in it, which he proceeded to light.
Then he who was the master spoke again. "Oliver, my child," said he, smoothly, "down below there are three rooms; in the farthermost room of the three is a small stone pillar, and on it are two bottles of water. Bring them up here to me, and I will make you so rich that you shall never want for anything more in this world."
"Am I – am I to go down there alone?" said Oliver, hoarsely.
"Yes," said the other, "alone; but we, Gaspard and I, will wait here for you."
"And what then?"
"Then I will make you rich."
Oliver looked into the face of the other. In its cold depth he saw something that chilled his heart to the very centre. He turned, and, leaning forward, gazed stupidly down into the gaping hole at his feet; then he drew back. "My God!" he said, "I – cannot go – down there alone."
"But you must go," said the other.
"I – I cannot go alone," said Oliver again.
The other turned his head. "Gaspard!" said he. That was all; but the perfect servant understood. He stepped forward and laid his hand upon Oliver's wrist, and his fingers were like steel wires.
Oliver looked into his face with wide eyes. He saw there that which he had seen the night before. "I – will – go," said he, in a choking voice.
He reached out blindly a hand as cold as death, and trembling as with a palsy. One of the others, he knew not which, thrust the lantern into it. Then he turned mechanically, and, automaton-like, began descending the narrow steps. There were ten or a dozen of them, leading steeply downward, and at the bottom was a small vestibule a few feet square. Oliver looked back, and saw the two faces peering down at him through the square opening above; then he turned again. In front of him was an arched door-way like that through which he had first come. On the wall around the door-way and on the floor was painted a broad, blood-red, unbroken line, with this figure marked at intervals upon it:
The door was opened a crack. Oliver reached out and pushed it, and then noiselessly, even in that dead silence, it swung slowly open upon the darkness within.
Scene Fourth. —The three mysterious rooms
Oliver hesitated a moment, and then entered the cavernous blackness beyond. There he stopped again, and stood looking about him by the dusky glimmer of the lantern, which threw round swaying patches of light upon the floor and on