A Modern Aladdin. Говард Пайл
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above, and three large squares of yellow light upon the walls around.
Oliver wondered dully whether he was in a dream, for such a place he had never beheld before in all his life. Upon the floor lay soft, heavy rugs and carpets, blackened and mildewed with age, but still showing here and there gorgeous patches of coloring. Upon the wall hung faded tapestry and silken hangings draped in dark, motionless, mysterious folds. Around stood divans and couches covered with soft and luxurious cushions embroidered with silk long since faded, and silver thread long since tarnished to an inky blackness.
In the middle of the room stood an ebony table inlaid with ivory and mother-of-pearl; above it hung a lamp inlaid with gold and swung from the arched stone ceiling above by three golden chains. Beside the table stood a chair of some dark red wood, richly inlaid like the table, with ivory and mother-of-pearl, and by the chair leaned a lute ready strung, as though just laid aside by the performer, though the strings, long untouched, were thick and fuzzy with green mildew. Upon the chair was a tasselled cushion, one time rich and ornate, now covered with great blotches of decay. Upon the table were two golden trays – one of them containing a small mass of mildew that might at one time have been fruit or confections of some sort; the other, an empty glass vase or decanter as clear as crystal, but stained with the dry dregs of wine, and two long crystal glasses, one of them overset and with the stem broken. In a dim distant corner of this one-time magnificent room stood a draped couch or bed, with heavy hangings tattered and stained with rot, the once white linen mildewed and smeared with age.
All these things Oliver saw as he stood in the door-way looking slowly and breathlessly around him; then, of a sudden, his heart tightened and shrunk together, the lantern in his hand trembled and swayed, for upon the bed, silent and motionless, he saw the dim, dark outline of a woman's figure lying still and silent.
"Who – who is there?" he quavered, tremulously; but no answering voice broke the silence.
As he stood there, with his heart beating and thumping in his throat, with beads of cold sweat standing on his forehead, and now and then swallowing at the dryness in his throat, a fragment of the hangings above the bed, loosened perhaps by the breath of air that had come in through the open door behind, broke from its rotten threads, and dropped silent and bat-like to the floor. Oliver winked rapidly in the intensity of high-keyed nervous strain. How long he stood there he could never tell, but suddenly the voice of the master breathed through the stillness behind him and from above: "Hast thou found the bottles of water?"
Oliver started, and then, with the same jerky automaton-like steps with which he had descended the stone stair-way from above, he began crossing the room to the arrased door-way which he dimly distinguished upon the other side of the apartment.
Midway he stopped, and, turning his head, looked again at the silent figure lying upon the bed. He was nearer to it now, and could see it more clearly in the dim yellow light of the lantern. The face was hidden, but the floating, wavy hair, loosened from a golden band which glimmered faintly in the raven blackness, lay spread in shadow-like masses over the stained and faded surface of the silken pillow upon which the head lay.
Impelled by a sudden impulse of a grotesque curiosity, Oliver, after a moment's hesitation, crept slowly and stealthily towards that silent occupant of the silent room, holding his lantern forward at arm's-length before him.
As the advancing light crept slowly around the figure, Oliver saw first one thing and then another. First, the quaint and curious costume of a kind of which be had never seen before, woven of rich and heavy silk, and rendered still more stiff by the seed-pearls with which it was embroidered. Then the neck and breast, covered by the folds of a faded silken scarf. Then, as the light crept still farther around the figure, he saw it twinkle upon a gold and jewelled object.
Oliver knew very well what it was, and his knees smote together when he saw it. It was the haft of a dagger, and the blade was driven up to the guard into the silent bosom. He raised the lantern still farther, and the light shone full in the face. Oliver gave a piping cry, and, stumbling backward, nearly let fall the lantern upon the floor. He had seen the face of a grinning skull gazing with hollow, sightless sockets, into his own eyes.
For a while Oliver stood in the middle of the room, staring with blank, stony horror at the silent figure. Then for a second time the voice of the watcher above breathed through the silence – "Have you found the water yet?"
Oliver turned stupidly, and with dull, heavy steps passed through the door-way into the room beyond, holding the lantern before him.
Here, again, were the same rotting, mildewed richness and profusion, but they were of a different character. A long table in the centre of the room, covered with the remnant of what had once been a white linen table-cloth, and set with blackened and tarnished plates and dishes, and dust-covered goblets, and beakers of ancient cut and crystal-like glass, showed that it was a dining apartment into which he had now come. Two richly-carved chairs, with their indented cushions, were pushed back as though their occupant had but just now quitted them.
Oliver felt a wave of relief; here was no silent figure to frighten him with its ghostly, voiceless presence.
Upon the other side of this room was another tapestried door-way similar to that through which he had just entered. Passing through it, he found himself in a low, narrow passage, barred at the farther end by a heavy iron-bound door, worm-eaten and red with the stain of rust, and with great wrought-iron hinges spreading out upon its surface like twisted fingers. Oliver pressed his foot against it. It was not locked, and it swung slowly and stiffly open with a dull groaning of the rusty hinges. Within was a stone-paved apartment, very different from those which he had just left.
All around were scattered quaint and curious jars and retorts of coarse glass and metal. Rows of bottles of different shapes and sizes stood upon the shelves, and in the corner was a great heap of mouldering, dusty books, huge of size, and fastened with metal clasps. Built into the middle of the farther wall was a wide brick chimney-place, black with ancient soot, wherein were several furnaces of different sizes, all long since cold, and with the sparks of fiery life dead in their bosoms. Nevertheless, everything had been left as though the room had been newly deserted. One pot-bellied retort reclined tipsily upon its bed of cold gray ashes; a mortar stood upon the hob of another furnace with the pestle in it; a book, held open by a glass rod across the pages, lay near by, as though for reference.
In the centre of the room stood a square pillar or table of stone, and upon it were two bottles containing a clear, limpid liquid, in appearance like distilled water. Each was stoppered with glass, and sealed besides with a great mass of blood-red wax. Upon each of the bottles was pasted a square parchment label. One was marked in red pigment, thus – . The other was marked thus – in black. Oliver knew that these were the bottles for which he had been sent.
He hesitated a moment; then, reaching forth his hand, he took first one and then the other, and thrust them into his pocket.
He had reached the ending of his task.
Then of a sudden it was as though a wave of renewed life swept over him.
He thought nothing of the greater dangers that must still await him above, at the mouth of the trap, though he had there read death in the master's eyes. He was unreasonably, unthinkingly elated; it was as though he had reached the ending of a long nightmare journey, and as though his face was turned towards the light again. It was with firmer and less fearful steps that he retraced his way through the dining-room and the room beyond, where lay that silent, grisly sleeper, and so came to the door-way with the blood-red line drawn around it.
Then he stopped and looked up.
At the square mouth of the shaft he saw the two faces still peering down at him, the face of Gaspard and the face of the master side by side.
Again, and for the third time, the master asked him the question, "Have you found the bottles of water?"
"Yes," said Oliver, "I have found them."
"Then give them to me," said the other, in a ringing voice, and he reached his arm down towards Oliver where he still stood in the door-way, around which was drawn the blood-red line.
In the reaction from the prostration of fear which had been upon Oliver for all this time, in