The Emperor of All Maladies. Siddhartha Mukherjee

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The Emperor of All Maladies - Siddhartha  Mukherjee


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others to draw their own conclusions. There was no black bile. Vesalius had started his anatomical project to save Galen’s theory, but, in the end, he quietly buried it.

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      In 1793, Matthew Baillie, an anatomist in London, published a textbook called The Morbid Anatomy of Some of the Most Important Parts of the Human Body. Baillie’s book, written for surgeons and anatomists, was the obverse of Vesalius’s project: if Vesalius had mapped out “normal” anatomy, Baillie mapped the body in its diseased, abnormal state. It was Vesalius’s study read through an inverted lens. Galen’s fantastical speculations about illnesses were even more at stake here. Black bile may not have existed discernably in normal tissue, but tumors should have been chock-full of it. But none was to be found. Baillie described cancers of the lung (“as large as an orange”134), stomach (“a fungous appearance”135), and the testicles (“a foul deep ulcer”136) and provided vivid engravings of these tumors. But he could not find the channels of bile anywhere—not even in his orange-size tumors, nor in the deepest cavities of his “foul deep ulcers.” If Galen’s web of invisible fluids existed, then it existed outside tumors, outside the pathological world, outside the boundaries of normal anatomical inquiry—in short, outside medical science. Like Vesalius, Baillie drew anatomy and cancer the way he actually saw it. At long last, the vivid channels of black bile, the humors in the tumors, that had so gripped the minds of doctors and patients for centuries, vanished from the picture.

       “Remote Sympathy”

      In treating of cancer137, we shall remark, that little or no confidence should be placed either in internal . . . remedies, and that there is nothing, except the total separation of the part affected.

      —A Dictionary of Practical Surgery, 1836

      Matthew Baillie’s Morbid Anatomy laid the intellectual foundation for the surgical extractions of tumors. If black bile did not exist, as Baillie had discovered, then removing cancer surgically might indeed rid the body of the disease. But surgery, as a discipline, was not yet ready for such operations. In the 1760s, a Scottish surgeon, John Hunter, Baillie’s maternal uncle, had started to remove tumors from his patients in a clinic in London in quiet defiance of Galen’s teachings. But Hunter’s elaborate studies—initially performed on animals and cadavers in a shadowy menagerie in his own house—were stuck at a critical bottleneck. He could nimbly reach down into the tumors and, if they were “movable” (as he called superficial, noninvasive cancers), pull them out without disturbing the tender architecture of tissues underneath. “If a tumor is not only movable138 but the part naturally so,” Hunter wrote, “they may be safely removed also. But it requires great caution to know if any of these consequent tumors are within proper reach, for we are apt to be deceived.”

      That last sentence was crucial. Albeit crudely, Hunter had begun to classify tumors into “stages.” Movable tumors were typically early-stage, local cancers. Immovable tumors were advanced, invasive, and even metastatic. Hunter concluded that only movable cancers were worth removing surgically. For more advanced forms of cancer, he advised an honest, if chilling, remedy reminiscent of Imhotep’s: “remote sympathy.”*

      Hunter was an immaculate anatomist, but his surgical mind was far ahead of his hand. A reckless and restless man with nearly maniacal energy who slept only four hours a night, Hunter had practiced his surgical skills endlessly on cadavers from every nook of the animal kingdom—on monkeys, sharks, walruses, pheasants, bears, and ducks. But with live human patients, he found himself at a standstill. Even if he worked at breakneck speed, having drugged his patient with alcohol and opium to near oblivion, the leap from cool, bloodless corpses to live patients was fraught with danger. As if the pain during surgery were not bad enough, the threat of infections after surgery loomed. Those who survived the terrifying crucible of the operating table often died even more miserable deaths in their own beds soon afterward.

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      In the brief span between 1846 and 1867, two discoveries swept away these two quandaries that had haunted surgery, thus allowing cancer surgeons to revisit the bold procedures that Hunter had tried to perfect in London.

      The first of these discoveries, anesthesia, was publicly demonstrated in 1846 in a packed surgical amphitheater at Massachusetts General Hospital, less than ten miles from where Sidney Farber’s basement laboratory would be located a century later. At about ten o’clock on the morning of October 16, a group of doctors gathered in a pitlike room at the center of the hospital. A Boston dentist, William Morton, unveiled a small glass vaporizer, containing about a quart of ether, fitted with an inhaler. He opened the nozzle and asked the patient, Edward Abbott, a printer, to take a few whiffs of the vapor. As Abbott lolled into a deep sleep, a surgeon stepped into the center of the amphitheater and, with a few brisk strokes, deftly made a small incision in Abbott’s neck and closed a swollen, malformed blood vessel (referred to as a “tumor,” conflating malignant and benign swellings) with a quick stitch. When Abbott awoke a few minutes later, he said, “I did not experience pain139 at any time, though I knew that the operation was proceeding.”

      Anesthesia—the dissociation of pain from surgery—allowed surgeons to perform prolonged operations, often lasting several hours. But the hurdle of postsurgical infection remained. Until the mid-nineteenth century, such infections were common and universally lethal, but their cause remained a mystery. “It must be some subtle principle140 contained [in the wound],” one surgeon concluded in 1819, “which eludes the sight.”

      In 1865, a Scottish surgeon named Joseph Lister made an unusual conjecture on how to neutralize that “subtle principle” lurking elusively in the wound. Lister began with an old clinical observation: wounds left open to the air would quickly turn gangrenous, while closed wounds would often remain clean and uninfected. In the postsurgical wards of the Glasgow infirmary, Lister had again and again seen an angry red margin begin to spread out from the wound and then the skin seemed to rot from inside out, often followed by fever, pus, and a swift death (a bona fide “suppuration”).

      Lister thought of a distant, seemingly unrelated experiment. In Paris, Louis Pasteur, the great French chemist, had shown that meat broth left exposed to the air would soon turn turbid and begin to ferment, while meat broth sealed in a sterilized vacuum jar would remain clear. Based on these observations, Pasteur had made a bold claim: the turbidity was caused by the growth of invisible microorganisms—bacteria—that had fallen out of the air into the broth. Lister took Pasteur’s reasoning further. An open wound—a mixture of clotted blood and denuded flesh—was, after all, a human variant of Pasteur’s meat broth, a natural petri dish for bacterial growth. Could the bacteria that had dropped into Pasteur’s cultures in France also be dropping out of the air into Lister’s patients’ wounds in Scotland?

      Lister then made another inspired leap of logic. If postsurgical infections were being caused by bacteria, then perhaps an antibacterial process or chemical could curb these infections. It “occurred to me,”141 he wrote in his clinical notes, “that the decomposition in the injured part might be avoided without excluding the air, by applying as a dressing some material capable of destroying the life of the floating particles.”

      In the neighboring town of Carlisle, Lister had observed sewage disposers cleanse their waste with a cheap, sweet-smelling liquid containing carbolic acid. Lister began to apply carbolic acid paste to wounds after surgery. (That he was applying a sewage cleanser to his patients appears not to have struck him as even the slightest bit unusual.)


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