The Zanzibar Chest: A Memoir of Love and War. Aidan Hartley

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The Zanzibar Chest: A Memoir of Love and War - Aidan Hartley


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zigzagged south through the Atlantic, U-boats sank two of the vessels. The blackout rules were so strict the cabin portholes were painted black and nobody could even smoke a cigarette on deck after dark. What struck my mother most about her first glimpse of Cape Town was that it was a blaze of lights. In India, refugees were pouring in ahead of the Japanese advances on Malaya and Burma. Mother was sixteen when she volunteered at the Casualty Section of GHQ Simla, where she made bandages and filled out name cards recording the wounded, killed and missing in action. The next year, in early 1944, she joined the Women’s Auxiliary Service (Burma), based at Shillong, in Assam. Among their many tasks, the lady soldiers brewed tea in tin baths for the troops, typed letters and reports and sat on the beds of casualties, chatting about home or writing letters for those wounded who were blinded or had lost their hands.

      The Allied forces at last turned back the Japanese advances at Kohima and Imphal. Thereafter they began to drive the enemy back eastwards. Mother’s unit followed the advance and she was never far behind the front lines. The auxiliaries’ CO, known as the General Memsahib, gave her a hand grenade – not to throw but to destroy herself with her honour intact in the event of being captured by the Japs. Even in the hospitals, patients had guns in case the Japs attacked and the medics had so many casualties to work on during a battle that Mother knew a young doctor whose hair turned snow white in a single day. During an air raid, she had to jump into a slit trench and she looked up at a dive-bombing Japanese Val that she told me ‘trembled like a silver leaf in the blue sky’.

      For all that, what exotic places she saw. She travelled on trucks to Dohazari, in Arakan, Cox’s Bazaar, Cachar on the Bishenpur-Silchar track, where ‘Japs were hiding in the tea bushes’; then Dimapur, Kohima, Milestone 56 on the Manipur Road, and on up to Milestone 82 at Maram, then right into Burma. Blue mountains, tracks clinging to vertiginous valleys. ‘Hot,’ Mother said it was. ‘Sandy roads. Tall, tall, tall trees, going on forever. Long grass, green, green. No towns, no people, just camps and rivers…’ In her bathing suit and watched by commandos, she jumped into river pools to gather up fish stunned by cigarette-tin bombs. On the Manipur Road, ‘tuctoo’ lizards sang in the tall trees outside the basha huts where she slept. Bandicoots scuttled beneath her bed and in the darkness a gaur, a bison-like creature from the forest, tripped over her tent guy ropes.

      She saw how battle had stripped the trees bare of branches and leaves. In one of her camps the path between the huts and the long-drop latrine was a line of shallow Japanese graves, half exposed by the monsoon rains. Out of one grew a beautiful blue orchid and my mother’s commanding officer’s only comment was ‘They’re good for the soil, dear’. In an American jungle base, she saw the dried heads of Japanese soldiers rammed onto the gateposts. It was here that she also saw her first movie in colour on the big screen: Esther Williams in Bathing Beauty, a synchronized-swimming extravaganza. Mother said the Americans were nice, but that the English soldier girls primly refused when the GIs asked them to play Postman’s Knock in the jungle in return for cans of pineapple juice and frozen chickens flown in from California.

      Troops from all over the British Empire made up the Allied army in Burma. Mother encountered soldiers of the West African Division, such as the Nigerians who manned the anti-aircraft batteries. In an air raid once she saw them, illuminated by the muzzle flashes of their guns, dancing a jig after they had scored a hit. One evening the women heard the Africans humming and the sound grew to a crescendo of glorious, homesick singing. They sang, too, in deep voices that made Mother feel sorry for them:

      Oh, when shall I see my home again?

       My Mudda she is da, My Fadda he is da When shall I see my native land? When will I see my home?

      In 1943 she fell in love. She would never tell me much about him, only that his name was Peter and that he was a young British officer in Thirty-six Division. After he was wounded in the leg by a grenade, she was given compassionate leave to visit him. She flew in a troop transport and then drove through the jungles until she arrived at Shillong. Here she waited for days in a house in the forest with two other young women auxiliaries whose husbands had been killed in action. One of them was a friend named Alison, who opened her trousseau, never worn, and offered Mother anything she wanted to borrow. That evening, she went on to an old hotel where Peter was convalescing and asked for him. ‘I sat trembling for a long time by a huge cedar fire. And then at last he came and found me waiting for him.’

      When Rangoon fell, her unit was assigned to process POWs being released from the Japanese prison camps. The CO told the women to talk about only home and happy things to the liberated men. But all they wanted to discuss was what had happened to them. They remembered their ordeals with nonchalance while Mum took down their testimonies in shorthand. She recognised an ex-POW from her father’s Indian regiment and invited him and his friends over to the unit’s quarters for tea and chocolate cake. Tears in their eyes, all the men could do was stare, unable to eat or drink because they were so used to starving. She saw Peter and was with him when they heard the news of Hiroshima and Nagasaki. After Singapore, she turned down a posting in Japan to return to India. Grandpa was retiring from his regiment. As Mum, Beryl and Granny sailed for England from Bombay, the Royal Indian Navy was in the process of mutinying. It was the eve of India’s independence and my family had been in the subcontinent since the eighteenth century. Mum knew England only from boarding-school days cut short by the Blitz. She hated postwar London, with its whale meat and rationed eggs, but Peter was waiting for her. He was the true reason she went to London, to get married. But some time after the 1946 victory parade, he broke her heart and she cast about for an escape.

      

      In 1938, my father transferred from the Tanganyika colonial service for an appointment as head of agriculture in the Aden Protectorates, southwestern Arabia. His heart was still in East Africa. During the Great Depression he had bought a small farm called En’nekeraka at Mweiga, on the western slopes of Mount Kenya. En’nekeraka in the language of the ancestral people who had lived there evoked the sound of pebbles knocking together in the stream below the farmhouse. He aimed to one day retire to the farm, but he was still only thirty-one when he took up his Arabian appointment and the next sixteen years were to be some of the most eventful of his life.

      When Dad arrived, Aden was one of the most familiar if unsightly landmarks in the empire. The pocket-sized colony, huddled around the barren mountain of Jebel Shamsan, existed solely for the benefit of the sea port. Then as now, Aden was not so much a single city as a collection of unattractive towns clinging to the volcanic rocks. Imperial officials and shipping agents lived at Steamer Point. On the isthmus of Khormaksar were the military lines and Royal Air Force base and inland from that was the Arab village of Sheikh Othman, where the desert sands blew in from the Protectorates. The heart of Aden was Crater, the quarter for Arabs, Jews, Banyans and international eccentrics. The French poet Arthur Rimbaud had pitched up here on his ill-fated scheme to run guns to the Arabs and Ethiopians. The adventurous smuggler Henri de Monfreid passed through here. In the thirties, another Frenchman, the powerful businessman Antonin Besse – who later founded an Oxford college – had built his house on the rocks overlooking Crater and it was here that he entertained the travel writer Freya Stark. In the godowns of the shabby emporium of Crater was a trade in the exotic: Mocha coffee, mother-of-pearl from Abdel Kouri, civet, cinnabar and ambergris from the island of Socotra, also mass-produced goods, from wall clocks to universal embrocations to underwear from Liverpool. My father walked among crowds of Yemenis, short men from the hills with silver jambiya daggers in their belts, or Bedu visiting from the desert, decked out in kilts, snarling in surprise as they scrambled out of the way of passing cars. There were Banyan clerks and Jewish artisans, Bohra tailors, sallow Koranic students from Hadhramaut, Swahili sailors, Somali stevedores and Chinese exporters of sea slugs and shark fins.

      As far as the British were concerned, to protect Aden they had to see what was going on in the wild hinterlands, if not to control them. The inhabitants beyond the borders of the colony were divided into an impossibly complicated mosaic of clan and caste. There were the Gabilis, gun-carrying tribesmen who covered their half-clothed bodies with sesame oil and indigo woad, the Seyyids and Ashraf who believed they were descended from the tribe of the Prophet Mohamed, the nontribal traders and artisans who lived within the walls of tiny hilltop villages, and finally low-caste black serfs and slaves.

      In


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