Memory Wall. Anthony Doerr
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Luvo expected.
Luvo is about to walk down the stairs when the rape gate rattles and he hears a key slip into the deadbolt of the front door.
CLOCK
Perhaps the last thing in the world Pheko is prepared to see is a man facedown at the bottom of Alma’s stainless steel staircase lying in a puddle of blood.
Temba is asleep again, a hot weight across his father’s back. Pheko is out of breath and sweating from carrying the boy up the hill. He sees the dead man first and then the blood but still it takes him several more seconds to absorb it all. Parallelograms of morning light fall through the balcony doors.
Down the hallway, in the kitchen, Alma is sitting at the kitchen table, steadily turning the pages of a magazine. She is barefoot.
The questions come too quickly to sort out. How did this man get in? Was he killed with a gun? Did Mrs. Alma do the killing? Where is the gun? Pheko feels the heat radiating off his son into his back. He wants suddenly for everything to go away. The whole world to go away.
I should run, he thinks. I should not be here. Instead he carries his son over the body, stepping over the blood, past Alma in the kitchen. He continues out the back door of the kitchen and into the garden and sets the boy in a lounge chair and returns inside to retrieve the white chenille blanket off the foot of Alma’s bed and wraps the boy in it. Then inside again for Alma’s pill bottles. His hands shake as he tries to read the labels. He ends up choosing two types of antibiotic of which there are full bottles and crushing them together into a spoonful of honey. Alma does not look up from the pages as she turns them, one, then the next, then the next, her stare lost and unknowable and reptilian.
“Thirsty,” she says.
“Just a moment, Mrs. Alma,” says Pheko. In the garden he sticks the spoon in Temba’s mouth and makes sure the boy swallows it down and then he goes back into the kitchen and pockets the antibiotics and listens to Alma snap the pages forward awhile, and puts on the coffeepot, and when he is sure he will be able to speak clearly he pulls his telephone from his pocket and calls the police.
BOY FALLING FROM THE SKY
Temba is looking into the shifting, inarticulate shapes of Alma’s backyard leaves when a boy falls from the sky. He crashes into some hedges and clambers out onto the grass and places his head in the center of the morning sun and peers down at Temba with a corona of light spilling out around his head.
“Temba?” the silhouette says. His voice is hoarse and unsteady. His ears glow pink where the sunlight passes through them. He speaks in English. “Are you Temba?”
“My glasses,” says Temba. The garden is a sea of black and white. The face in front of him shifts and a sudden avalanche of light pierces Temba’s eyes. Something bubbles inside his gut. His tongue tastes of the sweet, sticky medicine his father spooned into his mouth.
Now hands are putting on Temba’s glasses for him. Temba squints up, blinking.
“My paps works here.”
“I know.” The boy is whispering. Fear travels through his voice.
Temba tries whispering, too. “I’m not supposed to be here.”
“Me either.”
Temba’s eyesight comes back to him. Big palms and rosebushes and a cabbage tree loom against the garden wall. He tries to make out the boy standing over him against the backdrop of the sun. He has smooth brown skin and a wool cap over his lightly felted head. He reaches down and tugs the blanket up around Temba’s shoulders.
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