The Boys' Life of Mark Twain. Albert Bigelow Paine
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be law. The river kept his river ambition always fresh, and with the cave and the forest round about helped him to imagine those other things.
The cave was the joy of his heart. It was a real cave, not merely a hole, but a marvel of deep passages and vaulted chambers that led back into the bluffs and far down into the earth, even below the river, some said. Sam Clemens never tired of the cave. He was willing any time to quit fishing or swimming or melon-hunting for the three-mile walk, or pull, that brought them to its mystic door. With its long corridors, its royal chambers hung with stalactites, its remote hiding-places, it was exactly suitable, Sam thought, to be the lair of an outlaw, and in it he imagined and carried out adventures which his faithful followers may not always have understood, though enjoying them none the less for that reason.
In Tom Sawyer, Indian Joe dies in the cave. He did not die there in real life, but was lost there once and was very weak when they found him. He was not as bad as painted in the book, though he was dissolute and accounted dangerous; and when one night he died in reality, there came a thunder-storm so terrific that Sam Clemens at home, in bed, was certain that Satan had come in person for the half-breed's soul. He covered his head and said his prayers with fearful anxiety lest the evil one might decide to save another trip by taking him along then.
The treasure-digging adventure in the book had this foundation in fact: It was said that two French trappers had once buried a chest of gold about two miles above Hannibal, and that it was still there. Tom Blankenship (Huck) one morning said he had dreamed just where the treasure was, and that if the boys—Sam Clemens and John Briggs—would go with him and help dig, he would divide. The boys had great faith in dreams, especially in Huck's dreams. They followed him to a place with some shovels and picks, and he showed them just where to dig. Then he sat down under the shade of a pawpaw-bush and gave orders.
They dug nearly all day. Huck didn't dig any himself, because he had done the dreaming, which was his share. They didn't find the treasure that day, and next morning they took two long iron rods to push and drive into the ground until they should strike something. They struck a number of things, but when they dug down it was never the money they found. That night the boys said they wouldn't dig any more.
But Huck had another dream. He dreamed the gold was exactly under the little pawpaw-tree. This sounded so circumstantial that they went back and dug another day. It was hot weather, too—August—and that night they were nearly dead. Even Huck gave it up then. He said there was something wrong about the way they dug.
This differs a good deal from the treasure incident in the book, but it shows us what respect the boys had for the gifts of the ragamuffin original of Huck Finn. Tom Blankenship's brother Ben was also used, and very importantly, in the creation of our beloved Huck. Ben was considerably older, but certainly no more reputable, than Tom. He tormented the smaller boys, and they had little love for him. Yet somewhere in Ben Blankenship's nature there was a fine, generous strain of humanity that provided Mark Twain with that immortal episode—the sheltering of Nigger Jim. This is the real story:
A slave ran off from Monroe County, Missouri, and got across the river into Illinois. Ben used to fish and hunt over there in the swamps, and one day found him. It was considered a most worthy act in those days to return a runaway slave; in fact, it was a crime not to do it. Besides, there was for this one a reward of fifty dollars—a fortune to ragged, out-cast Ben Blankenship. That money, and the honor he could acquire, must have been tempting to the waif, but it did not outweigh his human sympathy. Instead of giving him up and claiming the reward, Ben kept the runaway over there in the marshes all summer. The negro fished, and Ben carried him scraps of other food. Then, by and by, the facts leaked out. Some wood- choppers went on a hunt for the fugitive and chased him to what was called Bird Slough. There, trying to cross a drift, he was drowned.
Huck's struggle in the book is between conscience and the law, on one side, and deep human sympathy on the other. Ben Blankenship's struggle, supposing there was one, would be between sympathy and the offered reward. Neither conscience nor law would trouble him. It was his native humanity that made him shelter the runaway, and it must have been strong and genuine to make him resist the lure of the fifty-dollar prize.
There was another chapter to this incident. A few days after the drowning of the runaway, Sam Clemens and his band made their way to the place and were pushing the drift about, when, all at once, the negro shot up out of the water, straight and terrible, a full half-length in the air. He had gone down foremost and had been caught in the drift. The boys did not stop to investigate, but flew in terror to report their tale.
Those early days seem to have been full of gruesome things. In "The Innocents Abroad," the author tells how he once spent a night in his father's office and discovered there a murdered man. This was a true incident. The man had been stabbed that afternoon and carried into the house to die. Sam and John Briggs had been playing truant all day and knew nothing of the matter. Sam thought the office safer than his home, where his mother was probably sitting up for him. He climbed in by a window and lay down on the lounge, but did not sleep. Presently he noticed what appeared to be an unusual shape on the floor. He tried to turn his face to the wall and forget it, but that would not do. In agony he watched the thing until at last a square of moonlight gradually revealed a sight that he never forgot. In the book he says:
"I went away from there. I do not say that I went in any sort of hurry, but I simply went—that is sufficient. I went out of the window, and I carried the sash along with me. I did not need the sash, but it was handier to take it than to leave it, and so I took it. I was not scared, but I was considerable agitated."
Sam was not yet twelve, for his father was no longer living when the boy had reached that age. And how many things had crowded themselves into his few brief years! We must be content here with only a few of them. Our chapter is already too long.
Ministers and deacons did not prophesy well for Sam Clemens and his mad companions. They spoke feelingly of state prison and the gallows. But the boys were a disappointing lot. Will Bowen became a fine river-pilot. Will Pitts was in due time a leading merchant and bank president. John Briggs grew into a well-to-do and highly respected farmer. Huck Finn—which is to say, Tom Blankenship—died an honored citizen and justice of the peace in a Western town. As for Sam Clemens, we shall see what he became as the chapters pass.
[1] John Briggs died in 1907; earlier in the same year the writer of this memoir spent an afternoon with him and obtained from him most of the material for this chapter.
VI.
CLOSING SCHOOL-DAYS
Sam was at Mr. Cross's school on the Square in due time, and among the pupils were companions that appealed to his gentler side. There were the Robards boys—George, the best Latin scholar, and John, who always won the good-conduct medal, and would one day make all the other boys envious by riding away with his father to California, his curls of gold blowing in the wind.
There was Buck Brown, a rival speller, and John Garth, who would marry little Helen Kercheval, and Jimmy MacDaniel, whom it was well to know because his father kept a pastry-shop and he used to bring cakes and candy to school.
There were also a number of girls. Bettie Ormsley, Artemisia Briggs, and
Jennie Brady were among the girls he remembered in later years, and Mary
Miller, who was nearly double his age and broke his heart by getting
married one day, a thing he had not expected at all.
Yet through it all he appears, like Tom Sawyer, to have had one faithful sweetheart. In the book it is Becky Thatcher—in real life she was Laura Hawkins. The Clemens and Hawkins families lived opposite, and the children were early acquainted. The "Black Avenger of the Spanish Main" was very gentle when he was playing at house-building with little Laura, and once, when he dropped a brick on her finger, he cried the louder and longer of the two.
For he was a tender-hearted