The Boys' Life of Mark Twain. Albert Bigelow Paine
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abuse an animal, except when his tendency to mischief ran away with him, as in the "pain-killer" incident. He had a real passion for cats. Each summer he carried his cat to the farm in a basket, and it always had a place by him at the table. He loved flowers—not as a boy botanist or gardener, but as a companion who understood their thoughts. He pitied dead leaves and dry weeds because their lives were ended and they would never know summer again or grow glad with another spring. Even in that early time he had that deeper sympathy which one day would offer comfort to humanity and make every man his friend.
But we are drifting away from Sam Clemens's school-days. They will not trouble us much longer now. More than anything in the world Sam detested school, and he made any excuse to get out of going. It is hard to say just why, unless it was the restraint and the long hours of confinement.
The Square in Hannibal, where stood the school of Mr. Cross, was a grove in those days, with plum-trees and hazel-bushes and grape-vines. When spring came, the children gathered flowers at recess, climbed trees, and swung in the vines. It was a happy place enough, only—it was school. To Sam Clemens, the spelling-bee every Friday afternoon was the one thing that made it worth while. Sam was a leader at spelling—it was one of his gifts—he could earn compliments even from Mr. Cross, whose name, it would seem, was regarded as descriptive. Once in a moment of inspiration Sam wrote on his late:
"Cross by name and Cross by nature,
Cross jumped over an Irish potato."
John Briggs thought this a great effort, and urged the author to write it on the blackboard at noon. Sam hesitated.
"Oh, pshaw!" said John, "I wouldn't be afraid to do it."
"I dare you to do it," said Sam.
This was enough. While Mr. Cross was at dinner John wrote in a large hand the fine couplet. The teacher returned and called the school to order. He looked at the blackboard, then, searchingly, at John Briggs. The handwriting was familiar.
"Did you do that?" he asked, ominously.
It was a time for truth.
"Yes, sir," said John.
"Come here!" And John came and paid handsomely for his publishing venture. Sam Clemens expected that the author would be called for next; but perhaps Mr. Cross had exhausted himself on John. Sam did not often escape. His back kept fairly warm from one "flailing" to the next.
Yet he usually wore one of the two medals offered in that school—the medal for spelling. Once he lost it by leaving the first "r" out of February. Laura Hawkins was on the floor against him, and he was a gallant boy. If it had only been Huck Brown he would have spelled that and all the other months backward, to show off. There were moments of triumph that almost made school worth while; the rest of the time it was prison and servitude.
But then one day came freedom. Judge Clemens, who, in spite of misfortune, had never lost faith in humanity, indorsed a large note for a neighbor, and was obliged to pay it. Once more all his property was taken away. Only a few scanty furnishings were rescued from the wreck. A St. Louis cousin saved the home, but the Clemens family could not afford to live in it. They moved across the street and joined housekeeping with another family.
Judge Clemens had one hope left. He was a candidate for the clerkship of the surrogate court, a good office, and believed his election sure. His business misfortunes had aroused wide sympathy. He took no chances, however, and made a house-to house canvas of the district, regardless of the weather, probably undermining his health. He was elected by a large majority, and rejoiced that his worries were now at an end. They were, indeed, over. At the end of February he rode to the county seat to take the oath of office. He returned through a drenching storm and reached home nearly frozen. Pneumonia set in, and a few days later he was dying. His one comfort now was the Tennessee land. He said it would make them all rich and happy. Once he whispered:
"Cling to the land; cling to the land and wait. Let nothing beguile it away from you."
He was a man who had rarely displayed affection for his children. But presently he beckoned to Pamela, now a lovely girl of nineteen, and, putting his arm around her neck, kissed her for the first time in years.
"Let me die," he said.
He did not speak again. A little more, and his worries had indeed ended.
The hard struggle of an upright, impractical man had come to a close.
This was in March, 1847. John Clemens had lived less than forty-nine
years.
The children were dazed. They had loved their father and honored his nobility of purpose. The boy Sam was overcome with remorse. He recalled his wildness and disobedience—a thousand things trifling enough at the time, but heartbreaking now. Boy and man, Samuel Clemens was never spared by remorse. Leading him into the room where his father lay, his mother said some comforting words and asked him to make her a promise.
He flung himself into her arms, sobbing: "I will promise anything, if you won't make me go to school! Anything!"
After a moment his mother said: "No, Sammy, you need not go to school any more. Only promise me to be a better boy. Promise not to break my heart!"
He gave his promise to be faithful and industrious and upright, like his father. Such a promise was a serious matter, and Sam Clemens, underneath all, was a serious lad. He would not be twelve until November, but his mother felt that he would keep his word.
Orion Clemens returned to St. Louis, where he was receiving a salary of ten dollars a week—high wage for those days—out of which he could send three dollars weekly to the family. Pamela, who played the guitar and piano very well, gave music lessons, and so helped the family fund. Pamela Clemens, the original of Cousin Mary, in "Tom Sawyer," was a sweet and noble girl. Henry was too young to work, but Sam was apprenticed to a printer named Ament, who had recently moved to Hannibal and bought a weekly paper, "The Courier." Sam agreed with his mother that the printing trade offered a chance for further education without attending school, and then, some day, there might be wages.
VII.
THE APPRENTICE
The terms of Samuel Clemens's apprenticeship were the usual thing for that day: board and clothes—"more board than clothes, and not much of either," Mark Twain used to say.
"I was supposed to get two suits of clothes a year, but I didn't get them. I got one suit and took the rest out in Ament's old garments, which didn't fit me in any noticeable way. I was only about half as big as he was, and when I had on one of his shirts I felt as if I had on a circus-tent. I had to turn the trousers up to my ears to make them short enough."
Another apprentice, a huge creature, named Wales McCormick, was so large that Ament's clothes were much too small for him. The two apprentices, fitted out with their employer's cast-off garments, were amusing enough, no doubt. Sam and Wales ate in the kitchen at first, but later at the family table with Mr. and Mrs. Ament and Pet McMurry, a journeyman printer. McMurry was a happy soul, as one could almost guess from his name. He had traveled far and learned much. What the two apprentices did not already know, Pet McMurry could teach them. Sam Clemens had promised to be a good boy, and he was so, by the standards of boyhood. He was industrious, regular at his work, quick to learn, kind, and truthful. Angels could hardly be more than that in a printing-office. But when food was scarce, even an angel—a young printer-angel—could hardly resist slipping down the cellar stairs at night, for raw potatoes, onions, and apples, which they cooked in the office, where the boys slept on a pallet on the floor. Wales had a wonderful way of cooking a potato which his fellow apprentice never forgot.
How one wishes for a photograph of Sam Clemens at that period! But in those days there were only daguerreotypes, and they were expensive things. There is a letter, though, written long afterward, by Pet McMurry to Mark Twain, which contains