THE COMPLETE SHORT STORIES OF JOSEPH CONRAD. Джозеф Конрад
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"She jumped to her feet, snatched up the child, and stood still. He spoke to her, and his passionate remonstrances only increased her fear of that strange man. I believe he spoke to her for a long time, entreating, wondering, pleading, ordering, I suppose. She says she bore it as long as she could. And then a gust of rage came over him.
"He sat up and called out terribly one word—some word. Then he got up as though he hadn't been ill at all, she says. And as in fevered dismay, indignation, and wonder he tried to get to her round the table, she simply opened the door and ran out with the child in her arms. She heard him call twice after her down the road in a terrible voice—and fled.... Ah! but you should have seen stirring behind the dull, blurred glance of these eyes the spectre of the fear which had hunted her on that night three miles and a half to the door of Foster's cottage! I did the next day.
"And it was I who found him lying face down and his body in a puddle, just outside the little wicket-gate.
"I had been called out that night to an urgent case in the village, and on my way home at daybreak passed by the cottage. The door stood open. My man helped me to carry him in. We laid him on the couch. The lamp smoked, the fire was out, the chill of the stormy night oozed from the cheerless yellow paper on the wall. 'Amy!' I called aloud, and my voice seemed to lose itself in the emptiness of this tiny house as if I had cried in a desert. He opened his eyes. 'Gone!' he said distinctly. 'I had only asked for water—only for a little water....'
"He was muddy. I covered him up and stood waiting in silence, catching a painfully gasped word now and then. They were no longer in his own language. The fever had left him, taking with it the heat of life. And with his panting breast and lustrous eyes he reminded me again of a wild creature under the net; of a bird caught in a snare. She had left him. She had left him—sick—helpless—thirsty. The spear of the hunter had entered his very soul. 'Why?' he cried in the penetrating and indignant voice of a man calling to a responsible Maker. A gust of wind and a swish of rain answered.
"And as I turned away to shut the door he pronounced the word 'Merciful!' and expired.
"Eventually I certified heart-failure as the immediate cause of death. His heart must have indeed failed him, or else he might have stood this night of storm and exposure, too. I closed his eyes and drove away. Not very far from the cottage I met Foster walking sturdily between the dripping hedges with his collie at his heels.
"'Do you know where your daughter is?' I asked.
"'Don't I!' he cried. 'I am going to talk to him a bit. Frightening a poor woman like this.'
"'He won't frighten her any more,' I said. 'He is dead.'
"He struck with his stick at the mud.
"'And there's the child.'
"Then, after thinking deeply for a while—"'I don't know that it isn't for the best.'
"That's what he said. And she says nothing at all now. Not a word of him. Never. Is his image as utterly gone from her mind as his lithe and striding figure, his carolling voice are gone from our fields? He is no longer before her eyes to excite her imagination into a passion of love or fear; and his memory seems to have vanished from her dull brain as a shadow passes away upon a white screen. She lives in the cottage and works for Miss Swaffer. She is Amy Foster for everybody, and the child is 'Amy Foster's boy.' She calls him Johnny—which means Little John.
"It is impossible to say whether this name recalls anything to her. Does she ever think of the past? I have seen her hanging over the boy's cot in a very passion of maternal tenderness. The little fellow was lying on his back, a little frightened at me, but very still, with his big black eyes, with his fluttered air of a bird in a snare. And looking at him I seemed to see again the other one—the father, cast out mysteriously by the sea to perish in the supreme disaster of loneliness and despair."
TO-MORROW
What was known of Captain Hagberd in the little seaport of Colebrook was not exactly in his favour. He did not belong to the place. He had come to settle there under circumstances not at all mysterious—he used to be very communicative about them at the time—but extremely morbid and unreasonable. He was possessed of some little money evidently, because he bought a plot of ground, and had a pair of ugly yellow brick cottages run up very cheaply. He occupied one of them himself and let the other to Josiah Carvil—blind Carvil, the retired boat-builder—a man of evil repute as a domestic tyrant.
These cottages had one wall in common, shared in a line of iron railing dividing their front gardens; a wooden fence separated their back gardens. Miss Bessie Carvil was allowed, as it were of right, to throw over it the tea-cloths, blue rags, or an apron that wanted drying.
"It rots the wood, Bessie my girl," the captain would remark mildly, from his side of the fence, each time he saw her exercising that privilege.
She was a tall girl; the fence was low, and she could spread her elbows on the top. Her hands would be red with the bit of washing she had done, but her forearms were white and shapely, and she would look at her father's landlord in silence—in an informed silence which had an air of knowledge, expectation and desire.
"It rots the wood," repeated Captain Hagberd. "It is the only unthrifty, careless habit I know in you. Why don't you have a clothes line out in your back yard?"
Miss Carvil would say nothing to this—she only shook her head negatively. The tiny back yard on her side had a few stone-bordered little beds of black earth, in which the simple flowers she found time to cultivate appeared somehow extravagantly overgrown, as if belonging to an exotic clime; and Captain Hagberd's upright, hale person, clad in No. 1 sail-cloth from head to foot, would be emerging knee-deep out of rank grass and the tall weeks on his side of the fence. He appeared, with the colour and uncouth stiffness of the extraordinary material in which he chose to clothe himself—"for the time being," would be his mumbled remark to any observation on the subject—like a man roughened out of granite, standing in a wilderness not big enough for a decent billiard-room. A heavy figure of a man of stone, with a red handsome face, a blue wandering eye, and a great white beard flowing to his waist and never trimmed as far as Colebrook knew.
Seven years before, he had seriously answered, "Next month, I think," to the chaffing attempt to secure his custom made by that distinguished local wit, the Colebrook barber, who happened to be sitting insolently in the tap-room of the New Inn near the harbour, where the captain had entered to buy an ounce of tobacco. After paying for his purchase with three half-pence extracted from the corner of a handkerchief which he carried in the cuff of his sleeve, Captain Hagberd went out. As soon as the door was shut the barber laughed. "The old one and the young one will be strolling arm in arm to get shaved in my place presently. The tailor shall be set to work, and the barber, and the candlestick maker; high old times are coming for Colebrook, they are coming, to be sure. It used to be 'next week,' now it has come to 'next month,' and so on—soon it will be next spring, for all I know."
Noticing a stranger listening to him with a vacant grin, he explained, stretching out his legs cynically, that this queer old Hagberd, a retired coasting-skipper, was waiting for the return of a son of his. The boy had been driven away from home, he shouldn't wonder; had run away to sea and had never been heard of since. Put to rest in Davy Jones's locker this many a day, as likely as not. That old man came flying to Colebrook three years ago all in black broadcloth (had lost his wife lately then), getting out of a third-class smoker as if the devil had been at his heels; and the only thing that brought him down was a letter—a hoax probably. Some joker had written to him about a seafaring man with some such name who was supposed to be hanging about some girl or other, either in Colebrook or in the neighbourhood. "Funny, ain't it?" The old chap had been advertising in the London papers for Harry Hagberd, and offering rewards for any sort of likely information. And the barber would go on to describe with sardonic gusto, how that stranger in mourning had been seen exploring the country, in carts, on foot, taking everybody into his confidence, visiting all the inns and alehouses for