THE COMPLETE SHORT STORIES OF JOSEPH CONRAD. Джозеф Конрад

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THE COMPLETE SHORT STORIES OF JOSEPH CONRAD - Джозеф Конрад


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of famous bas-reliefs. It flowed from outside—it rose higher, in a destructive silence. And, above it, the woman of marble, composed and blind on the high pedestal, seemed to ward off the devouring night with a cluster of lights.

      He watched the rising tide of impenetrable gloom with impatience, as if anxious for the coming of a darkness black enough to conceal a shameful surrender. It came nearer. The cluster of lights went out. The girl ascended facing him. Behind her the shadow of a colossal woman danced lightly on the wall. He held his breath while she passed by, noiseless and with heavy eyelids. And on her track the flowing tide of a tenebrous sea filled the house, seemed to swirl about his feet, and rising unchecked, closed silently above his head.

      The time had come but he did not open the door. All was still; and instead of surrendering to the reasonable exigencies of life he stepped out, with a rebelling heart, into the darkness of the house. It was the abode of an impenetrable night; as though indeed the last day had come and gone, leaving him alone in a darkness that has no to-morrow. And looming vaguely below the woman of marble, livid and still like a patient phantom, held out in the night a cluster of extinguished lights.

      His obedient thought traced for him the image of an uninterrupted life, the dignity and the advantages of an uninterrupted success; while his rebellious heart beat violently within his breast, as if maddened by the desire of a certitude immaterial and precious—the certitude of love and faith. What of the night within his dwelling if outside he could find the sunshine in which men sow, in which men reap! Nobody would know. The days, the years would pass, and . . . He remembered that he had loved her. The years would pass . . . And then he thought of her as we think of the dead—in a tender immensity of regret, in a passionate longing for the return of idealized perfections. He had loved her—he had loved her—and he never knew the truth . . . The years would pass in the anguish of doubt . . . He remembered her smile, her eyes, her voice, her silence, as though he had lost her forever. The years would pass and he would always mistrust her smile, suspect her eyes; he would always misbelieve her voice, he would never have faith in her silence. She had no gift—she had no gift! What was she? Who was she? . . . The years would pass; the memory of this hour would grow faint—and she would share the material serenity of an unblemished life. She had no love and no faith for any one. To give her your thought, your belief, was like whispering your confession over the edge of the world. Nothing came back—not even an echo.

      In the pain of that thought was born his conscience; not that fear of remorse which grows slowly, and slowly decays amongst the complicated facts of life, but a Divine wisdom springing full-grown, armed and severe out of a tried heart, to combat the secret baseness of motives. It came to him in a flash that morality is not a method of happiness. The revelation was terrible. He saw at once that nothing of what he knew mattered in the least. The acts of men and women, success, humiliation, dignity, failure—nothing mattered. It was not a question of more or less pain, of this joy, of that sorrow. It was a question of truth or falsehood—it was a question of life or death.

      He stood in the revealing night—in the darkness that tries the hearts, in the night useless for the work of men, but in which their gaze, undazzled by the sunshine of covetous days, wanders sometimes as far as the stars. The perfect stillness around him had something solemn in it, but he felt it was the lying solemnity of a temple devoted to the rites of a debasing persuasion. The silence within the discreet walls was eloquent of safety but it appeared to him exciting and sinister, like the discretion of a profitable infamy; it was the prudent peace of a den of coiners—of a house of ill-fame! The years would pass—and nobody would know. Never! Not till death—not after . . .

      "Never!" he said aloud to the revealing night.

      And he hesitated. The secret of hearts, too terrible for the timid eyes of men, shall return, veiled forever, to the Inscrutable Creator of good and evil, to the Master of doubts and impulses. His conscience was born—he heard its voice, and he hesitated, ignoring the strength within, the fateful power, the secret of his heart! It was an awful sacrifice to cast all one's life into the flame of a new belief. He wanted help against himself, against the cruel decree of salvation. The need of tacit complicity, where it had never failed him, the habit of years affirmed itself. Perhaps she would help . . . He flung the door open and rushed in like a fugitive.

      He was in the middle of the room before he could see anything but the dazzling brilliance of the light; and then, as if detached and floating in it on the level of his eyes, appeared the head of a woman. She had jumped up when he burst into the room.

      For a moment they contemplated each other as if struck dumb with amazement. Her hair streaming on her shoulders glinted like burnished gold. He looked into the unfathomable candour of her eyes. Nothing within—nothing—nothing.

      He stammered distractedly.

      "I want . . . I want . . . to . . . to . . . know . . ."

      On the candid light of the eyes flitted shadows; shadows of doubt, of suspicion, the ready suspicion of an unquenchable antagonism, the pitiless mistrust of an eternal instinct of defence; the hate, the profound, frightened hate of an incomprehensible—of an abominable emotion intruding its coarse materialism upon the spiritual and tragic contest of her feelings.

      "Alvan . . . I won't bear this . . ." She began to pant suddenly, "I've a right—a right to—to—myself . . ."

      He lifted one arm, and appeared so menacing that she stopped in a fright and shrank back a little.

      He stood with uplifted hand . . . The years would pass—and he would have to live with that unfathomable candour where flit shadows of suspicions and hate . . . The years would pass—and he would never know—never trust . . . The years would pass without faith and love. . . .

      "Can you stand it?" he shouted, as though she could have heard all his thoughts.

      He looked menacing. She thought of violence, of danger—and, just for an instant, she doubted whether there were splendours enough on earth to pay the price of such a brutal experience. He cried again:

      "Can you stand it?" and glared as if insane. Her eyes blazed, too. She could not hear the appalling clamour of his thoughts. She suspected in him a sudden regret, a fresh fit of jealousy, a dishonest desire of evasion. She shouted back angrily—

      "Yes!"

      He was shaken where he stood as if by a struggle to break out of invisible bonds. She trembled from head to foot.

      "Well, I can't!" He flung both his arms out, as if to push her away, and strode from the room. The door swung to with a click. She made three quick steps towards it and stood still, looking at the white and gold panels. No sound came from beyond, not a whisper, not a sigh; not even a footstep was heard outside on the thick carpet. It was as though no sooner gone he had suddenly expired—as though he had died there and his body had vanished on the instant together with his soul. She listened, with parted lips and irresolute eyes. Then below, far below her, as if in the entrails of the earth, a door slammed heavily; and the quiet house vibrated to it from roof to foundations, more than to a clap of thunder.

      He never returned.

      THE LAGOON

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      The white man, leaning with both arms over the roof of the little house in the stern of the boat, said to the steersman—

      "We will pass the night in Arsat's clearing. It is late."

      The Malay only grunted, and went on looking fixedly at the river. The white man rested his chin on his crossed arms and gazed at the wake of the boat. At the end of the straight avenue of forests cut by the intense glitter of the river, the sun appeared unclouded and dazzling, poised low over the water that shone smoothly like a band of metal. The forests, sombre and dull, stood motionless and silent on each side of the broad stream. At the foot of big, towering trees, trunkless nipa palms rose from the mud of the bank, in bunches of leaves enormous and heavy, that hung unstirring over the brown swirl of eddies. In the stillness of the air every tree, every leaf,


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