I

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      It was on the very stroke of five when Cleek, answering an urgent message from headquarters, strolled into the bar parlour of "The Fiddle and Horseshoe," which, as you may possibly know, stands near to the Green in a somewhat picturesque by-path between Shepherd's Bush and Acton, and found Narkom in the very act of hanging up his hat and withdrawing his gloves preparatory to ordering tea.

      "My dear Cleek, what a model of punctuality you are," said the superintendent, as he came forward and shook hands with him. "You would put Father Time himself to the blush with your abnormal promptness. Do make yourself comfortable for a moment or two while I go and order tea. I've only just arrived. Shan't be long, old chap."

      "Pray don't hurry yourself upon my account, Mr. Narkom," replied Cleek, as he tossed his hat and gloves upon a convenient table and strolled leisurely to the window and looked out on the quaint, old-fashioned arbour-bordered bowling green, all steeped in sunshine and zoned with the froth of pear and apple blooms, thick-piled above the time-stained brick of the enclosing wall. "These quaint old inns, which the march of what we are pleased to call 'progress' is steadily crowding off the face of the land, are always deeply interesting to me; I love them. What a day! What a picture! What a sky! As blue as what Dollops calls the 'Merry Geranium Sea.' I'd give a Jew's eye for a handful of those apple blossoms, they are divine!"

      Narkom hastened from the room without replying. The strain of poetry underlying the character of this strange, inscrutable man, his amazing love of Nature, his moments of almost womanish weakness and sentiment, astonished and mystified him. It was as if a hawk had acquired the utterly useless trick of fluting like a nightingale, and being himself wholly without imagination, he could not comprehend it in the smallest degree.

      When he returned a few minutes later, however, the idealist seemed to have simmered down into the materialist, the extraordinary to have become merged in the ordinary, for he found his famous ally no longer studying the beauties of Nature, but giving his whole attention to the sordid commonplaces of man. He was standing before a glaringly printed bill, one of many that were tacked upon the walls, which set forth in amazing pictures and double-leaded type the wonders that were to be seen daily and nightly at Olympia, where, for a month past, "Van Zant's Royal Belgian Circus and World-famed Menagerie" had been holding forth to "Crowded and delighted audiences." Much was made of two "star turns" upon this lurid bill: "Mademoiselle Marie de Zanoni, the beautiful and peerless bare-back equestrienne, the most daring lady rider in the universe," for the one; and, for the other, "Chevalier Adrian di Roma, king of the animal world, with his great aggregation of savage and ferocious wild beasts, including the famous man-eating African lion, Nero, the largest and most ferocious animal of its species in captivity." And under this latter announcement there was a picture of a young and handsome man, literally smothered with medals, lying at full length, with his arms crossed and his head in the wide-open jaws of a snarling, wild-eyed lion.

      "My dear chap, you really do make me believe that there actually is such a thing as instinct," said Narkom, as he came in. "Fancy your selecting that particular bill out of all the others in the room! What an abnormal individual you are!"

      "Why? Has it anything to do with the case you have in hand?"

      "Anything to do with it? My dear fellow, it is 'the case.' I can't imagine what drew your attention to it."

      "Can't you?" said Cleek, with a half smile. Then he stretched forth his hand and touched the word "Nero" with the tip of his forefinger. "That did. Things awaken a man's memory occasionally, Mr. Narkom, and—— Tell me, isn't that the beast there was such a stir about in the newspapers a fortnight or so ago, the lion that crushed the head of a man in full view of the audience?"

      "Yes," replied Narkom, with a slight shudder. "Awful thing, wasn't it? Gave me the creeps to read about it. The chap who was killed, poor beggar, was a mere boy, not twenty, son of the Chevalier di Roma himself. There was a great stir about it. Talk of the authorities forbidding the performance, and all that sort of thing. They never did, however, for on investigation—— Ah, the tea at last, thank fortune. Come, sit down, my dear fellow, and we'll talk whilst we refresh ourselves. Landlady, see that we are not disturbed, will you, and that nobody is admitted but the parties I mentioned?"

      "Clients?" queried Cleek, as the door closed and they were alone together.

      "Yes. One, Mdlle. Zelie, the 'chevalier's' only daughter, a slack-wire artist; the other, Signor Scarmelli, a trapeze performer, who is the lady's fiance."

      "Ah, then our friend the chevalier is not so young as the picture on the bill would have us believe he is."

      "No, he is not. As a matter of fact, he is considerably past forty, and is, or rather, was, up to six months ago, a widower, with three children, two sons and a daughter."

      "I suppose," said Cleek, helping himself to a buttered scone, "I am to infer from what you say that at the period mentioned, six months ago, the intrepid gentleman showed his courage yet more forcibly by taking a second wife? Young or old?"

      "Young," said Narkom in reply. "Very young, not yet four-and-twenty, in fact, and very, very beautiful. That is she who is 'featured' on the bill as the star of the equestrian part of the program: 'Mdlle. Marie de Zanoni.' So far as I have been able to gather, the affair was a love match. The lady, it appears, had no end of suitors, both in and out of the profession; it has even been hinted that she could, had she been so minded, have married an impressionable young Austrian nobleman of independent means who was madly in love with her; but she appears to have considered it preferable to become 'an old man's darling,' so to speak, and to have selected the middle-aged chevalier rather than some one whose age is nearer her own."

      "Nothing new in that, Mr. Narkom. Young women before Mdlle. Marie de Zanoni's day have been known to love elderly men sincerely: young Mrs. Bawdrey, in the case of 'The Nine-fingered Skeleton,' is an example of that. Still, such marriages are not common, I admit, so when they occur one naturally looks to see if there may not be 'other considerations' at the bottom of the attachment. Is the chevalier well-to-do? Has he expectations of any kind?"

      "To the contrary; he has nothing but the salary he earns, which is by no means so large as the public imagines; and as he comes of a long line of circus performers, all of whom died early and poor, 'expectations,' as you put it, do not enter into the affair at all. Apparently the lady did marry him for love of him, as she professes and as he imagines; although, if what I hear is true, it would appear that she has lately outgrown that love. It seems that a Romeo more suitable to her age has recently joined the show in the person of a rider called Signor Antonio Martinelli; that he has fallen desperately in love with her, and that——"

      He bit off his words short and rose to his feet. The door had opened suddenly to admit a young man and a young woman, who entered in a state of nervous excitement. "Ah, my dear Mr. Scarmelli, you and Miss Zelie are most welcome," continued the superintendent. "My friend and I were this moment talking