The Complete Short Stories of Nathaniel Hawthorne: 120+ Titles in One Edition (Illustrated Edition). Nathaniel Hawthorne

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The Complete Short Stories of Nathaniel Hawthorne: 120+ Titles in One Edition (Illustrated Edition) - Nathaniel Hawthorne


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      “Precisely what I said before, Mr. Brown,” answered Peter Goldthwaite. “And, as for castles in the air, mine may not be as magnificent as that sort of architecture, but perhaps as substantial, Mr. Brown, as the very respectable brick block with drygoods stores, tailors’ shops and banking-rooms on the lower floor, and lawyers’ offices in the second story, which you are so anxious to substitute.”

      “And the cost, Peter? Eh?” said Mr. Brown as he withdrew in something of a pet. “That, I suppose, will be provided for offhand by drawing a check on Bubble Bank?”

      John Brown and Peter Goldthwaite had been jointly known to the commercial world between twenty and thirty years before under the firm of Goldthwaite & Brown; which copartnership, however, was speedily dissolved by the natural incongruity of its constituent parts. Since that event, John Brown, with exactly the qualities of a thousand other John Browns, and by just such plodding methods as they used, had prospered wonderfully and become one of the wealthiest John Browns on earth. Peter Goldthwaite, on the contrary, after innumerable schemes which ought to have collected all the coin and paper currency of the country into his coffers, was as needy a gentleman as ever wore a patch upon his elbow. The contrast between him and his former partner may be briefly marked, for Brown never reckoned upon luck, yet always had it, while Peter made luck the main condition of his projects, and always missed it. While the means held out his speculations had been magnificent, but were chiefly confined of late years to such small business as adventures in the lottery. Once he had gone on a gold-gathering expedition somewhere to the South, and ingeniously contrived to empty his pockets more thoroughly than ever, while others, doubtless, were filling theirs with native bullion by the handful. More recently he had expended a legacy of a thousand or two of dollars in purchasing Mexican scrip, and thereby became the proprietor of a province; which, however, so far as Peter could find out, was situated where he might have had an empire for the same money — in the clouds. From a search after this valuable real estate Peter returned so gaunt and threadbare that on reaching New England the scarecrows in the cornfields beckoned to him as he passed by. “They did but flutter in the wind,” quoth Peter Goldthwaite. No, Peter, they beckoned, for the scarecrows knew their brother.

      At the period of our story his whole visible income would not have paid the tax of the old mansion in which we find him. It was one of those rusty, mossgrown, many-peaked wooden houses which are scattered about the streets of our elder towns, with a beetle-browed second story projecting over the foundation, as if it frowned at the novelty around it. This old paternal edifice, needy as he was, and though, being centrally situated on the principal street of the town, it would have brought him a handsome sum, the sagacious Peter had his own reasons for never parting with, either by auction or private sale. There seemed, indeed, to be a fatality that connected him with his birthplace; for, often as he had stood on the verge of ruin, and standing there even now, he had not yet taken the step beyond it which would have compelled him to surrender the house to his creditors. So here he dwelt with bad luck till good should come.

      Here, then, in his kitchen — the only room where a spark of fire took off the chill of a November evening — poor Peter Goldthwaite had just been visited by his rich old partner. At the close of their interview, Peter, with rather a mortified look, glanced downward at his dress, parts of which appeared as ancient as the days of Goldthwaite & Brown. His upper garment was a mixed surtout, woefully faded, and patched with newer stuff on each elbow; beneath this he wore a threadbare black coat, some of the silk buttons of which had been replaced with others of a different pattern; and, lastly, though he lacked not a pair of gray pantaloons, they were very shabby ones, and had been partially turned brown by the frequent toasting of Peter’s shins before a scanty fire. Peter’s person was in keeping with his goodly apparel. Gray-headed, hollow-eyed, pale-cheeked and lean-bodied, he was the perfect picture of a man who had fed on windy schemes and empty hopes till he could neither live on such unwholesome trash nor stomach more substantial food. But, withal, this Peter Goldthwaite, crack-brained simpleton as, perhaps, he was, might have cut a very brilliant figure in the world had he employed his imagination in the airy business of poetry instead of making it a demon of mischief in mercantile pursuits. After all, he was no bad fellow, but as harmless as a child, and as honest and honorable, and as much of the gentleman which Nature meant him for, as an irregular life and depressed circumstances will permit any man to be.

      As Peter stood on the uneven bricks of his hearth looking round at the disconsolate old kitchen his eyes began to kindle with the illumination of an enthusiasm that never long deserted him. He raised his hand, clenched it and smote it energetically against the smoky panel over the fireplace.

      “The time is come,” said he; “with such a treasure at command, it were folly to be a poor man any longer. Tomorrow morning I will begin with the garret, nor desist till I have torn the house down.”

      Deep in the chimney-corner, like a witch in a dark cavern, sat a little old woman mending one of the two pairs of stockings wherewith Peter Goldthwaite kept his toes from being frostbitten. As the feet were ragged past all darning, she had cut pieces out of a cast-off flannel petticoat to make new soles. Tabitha Porter was an old maid upward of sixty years of age, fifty-five of which she had sat in that same chimney-corner, such being the length of time since Peter’s grandfather had taken her from the almshouse. She had no friend but Peter, nor Peter any friend but Tabitha; so long as Peter might have a shelter for his own head, Tabitha would know where to shelter hers, or, being homeless elsewhere, she would take her master by the hand and bring him to her native home, the almshouse. Should it ever be necessary, she loved him well enough to feed him with her last morsel and clothe him with her under-petticoat. But Tabitha was a queer old woman, and, though never infected with Peter’s flightiness, had become so accustomed to his freaks and follies that she viewed them all as matters of course. Hearing him threaten to tear the house down, she looked quietly up from her work.

      “Best leave the kitchen till the last, Mr. Peter,” said she.

      “The sooner we have it all down, the better,” said Peter Goldthwaite. “I am tired to death of living in this cold, dark, windy, smoky, creaking, groaning, dismal old house. I shall feel like a younger man when we get into my splendid brick mansion, as, please Heaven, we shall by this time next autumn. You shall have a room on the sunny side, old Tabby, finished and furnished as best may suit your own notions.”

      “I should like it pretty much such a room as this kitchen,” answered Tabitha. “It will never be like home to me till the chimney-corner gets as black with smoke as this, and that won’t be these hundred years. How much do you mean to lay out on the house, Mr. Peter?”

      “What is that to the purpose?” exclaimed Peter, loftily. “Did not my great-grand-uncle, Peter Goldthwaite, who died seventy years ago, and whose namesake I am, leave treasure enough to build twenty such?”

      “I can’t say but he did, Mr. Peter,” said Tabitha, threading her needle.

      Tabitha well understood that Peter had reference to an immense hoard of the precious metals which was said to exist somewhere in the cellar or walls, or under the floors, or in some concealed closet or other out-of-the-way nook of the old house. This wealth, according to tradition, had been accumulated by a former Peter Goldthwaite whose character seems to have borne a remarkable similitude to that of the Peter of our story. Like him, he was a wild projector, seeking to heap up gold by the bushel and the cartload instead of scraping it together coin by coin. Like Peter the second, too, his projects had almost invariably failed, and, but for the magnificent success of the final one, would have left him with hardly a coat and pair of breeches to his gaunt and grizzled person. Reports were various as to the nature of his fortunate speculation, one intimating that the ancient Peter had made the gold by alchemy; another, that he had conjured it out of people’s pockets by the black art; and a third — still more unaccountable — that the devil had given him free access to the old provincial treasury. It was affirmed, however, that some secret impediment had debarred him from the enjoyment of his riches, and that he had a motive for concealing them from his heir, or, at any rate, had died without disclosing the place of deposit. The present Peter’s father had faith enough in the story to cause the cellar to be dug over. Peter himself chose to consider the legend as an indisputable truth, and amid his many troubles


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