The Complete Short Stories of Nathaniel Hawthorne: 120+ Titles in One Edition (Illustrated Edition). Nathaniel Hawthorne

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The Complete Short Stories of Nathaniel Hawthorne: 120+ Titles in One Edition (Illustrated Edition) - Nathaniel Hawthorne


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buck and hurls a snowdrift at the shrinking form of Spring, yet step by step he is compelled to retreat northward, and spends the summer month within the Arctic circle.

      Such fantasies, intermixed among graver toils of mind, have made the winter’s day pass pleasantly. Meanwhile, the storm has raged without abatement, and now, as the brief afternoon declines, is tossing denser volumes to and fro about the atmosphere. On the window-sill there is a layer of snow reaching halfway up the lowest pane of glass. The garden is one unbroken bed. Along the street are two or three spots of uncovered earth where the gust has whirled away the snow, heaping it elsewhere to the fence-tops or piling huge banks against the doors of houses. A solitary passenger is seen, now striding mid-leg deep across a drift, now scudding over the bare ground, while his cloak is swollen with the wind. And now the jingling of bells — a sluggish sound responsive to the horse’s toilsome progress through the unbroken drifts — announces the passage of a sleigh with a boy clinging behind and ducking his head to escape detection by the driver. Next comes a sledge laden with wood for some unthrifty housekeeper whom winter has surprised at a cold hearth. But what dismal equipage now struggles along the uneven street? A sable hearse bestrewn with snow is bearing a dead man through the storm to his frozen bed. Oh how dreary is a burial in winter, when the bosom of Mother Earth has no warmth for her poor child!

      Evening — the early eve of December — begins to spread its deepening veil over the comfortless scene. The firelight gradually brightens and throws my flickering shadow upon the walls and ceiling of the chamber, but still the storm rages and rattles against the windows. Alas! I shiver and think it time to be disconsolate, but, taking a farewell glance at dead Nature in her shroud, I perceive a flock of snowbirds skimming lightsomely through the tempest and flitting from drift to drift as sportively as swallows in the delightful prime of summer. Whence come they? Where do they build their nests and seek their food? Why, having airy wings, do they not follow summer around the earth, instead of making themselves the playmates of the storm and fluttering on the dreary verge of the winter’s eve? I know not whence they come, nor why; yet my spirit has been cheered by that wandering flock of snowbirds.

      THE SEVEN VAGABONDS

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      Rambling on foot in the spring of my life and the summer of the year, I came one afternoon to a point which gave me the choice of three directions. Straight before me the main road extended its dusty length to Boston; on the left a branch went toward the sea, and would have lengthened my journey a trifle of twenty or thirty miles, while by the right-hand path I might have gone over hills and lakes to Canada, visiting in my way the celebrated town of Stamford. On a level spot of grass at the foot of the guide-post appeared an object which, though locomotive on a different principle, reminded me of Gulliver’s portable mansion among the Brobdignags. It was a huge covered wagon — or, more properly, a small house on wheels — with a door on one side and a window shaded by green blinds on the other. Two horses munching provender out of the baskets which muzzled them were fastened near the vehicle. A delectable sound of music proceeded from the interior, and I immediately conjectured that this was some itinerant show halting at the confluence of the roads to intercept such idle travellers as myself. A shower had long been climbing up the western sky, and now hung so blackly over my onward path that it was a point of wisdom to seek shelter here.

      “Halloo! Who stands guard here? Is the doorkeeper asleep?” cried I, approaching a ladder of two or three steps which was let down from the wagon.

      The music ceased at my summons, and there appeared at the door, not the sort of figure that I had mentally assigned to the wandering showman, but a most respectable old personage whom I was sorry to have addressed in so free a style. He wore a snuff-colored coat and smallclothes, with white top-boots, and exhibited the mild dignity of aspect and manner which may often be noticed in aged schoolmasters, and sometimes in deacons, selectmen or other potentates of that kind. A small piece of silver was my passport within his premises, where I found only one other person, hereafter to be described.

      “This is a dull day for business,” said the old gentleman as he ushered me in; “but I merely tarry here to refresh the cattle, being bound for the camp-meeting at Stamford.”

      Perhaps the movable scene of this narrative is still peregrinating New England, and may enable the reader to test the accuracy of my description. The spectacle — for I will not use the unworthy term of “puppet-show” — consisted of a multitude of little people assembled on a miniature stage. Among them were artisans of every kind in the attitudes of their toil, and a group of fair ladies and gay gentlemen standing ready for the dance; a company of foot-soldiers formed a line across the stage, looking stern, grim and terrible enough to make it a pleasant consideration that they were but three inches high; and conspicuous above the whole was seen a Merry Andrew in the pointed cap and motley coat of his profession. All the inhabitants of this mimic world were motionless, like the figures in a picture, or like that people who one moment were alive in the midst of their business and delights and the next were transformed to statues, preserving an eternal semblance of labor that was ended and pleasure that could be felt no more. Anon, however, the old gentleman turned the handle of a barrel-organ, the first note of which produced a most enlivening effect upon the figures and awoke them all to their proper occupations and amusements. By the selfsame impulse the tailor plied his needle, the blacksmith’s hammer descended upon the anvil and the dancers whirled away on feathery tiptoes; the company of soldiers broke into platoons, retreated from the stage, and were succeeded by a troop of horse, who came prancing onward with such a sound of trumpets and trampling of hoofs as might have startled Don Quixote himself; while an old toper of inveterate ill-habits uplifted his black bottle and took off a hearty swig. Meantime, the Merry Andrew began to caper and turn somersets, shaking his sides, nodding his head and winking his eyes in as lifelike a manner as if he were ridiculing the nonsense of all human affairs and making fun of the whole multitude beneath him. At length the old magician (for I compared the showman to Prospero entertaining his guests with a masque of shadows) paused that I might give utterance to my wonder.

      “What an admirable piece of work is this!” exclaimed I, lifting up my hands in astonishment.

      Indeed, I liked the spectacle and was tickled with the old man’s gravity as he presided at it, for I had none of that foolish wisdom which reproves every occupation that is not useful in this world of vanities. If there be a faculty which I possess more perfectly than most men, it is that of throwing myself mentally into situations foreign to my own and detecting with a cheerful eye the desirable circumstances of each. I could have envied the life of this gray-headed showman, spent as it had been in a course of safe and pleasurable adventure in driving his huge vehicle sometimes through the sands of Cape Cod and sometimes over the rough forest-roads of the north and east, and halting now on the green before a village meetinghouse and now in a paved square of the metropolis. How often must his heart have been gladdened by the delight of children as they viewed these animated figures, or his pride indulged by haranguing learnedly to grown men on the mechanical powers which produced such wonderful effects, or his gallantry brought into play — for this is an attribute which such grave men do not lack — by the visits of pretty maidens! And then with how fresh a feeling must he return at intervals to his own peculiar home! “I would I were assured of as happy a life as his,” thought I.

      Though the showman’s wagon might have accommodated fifteen or twenty spectators, it now contained only himself and me and a third person, at whom I threw a glance on entering. He was a neat and trim young man of two or three and twenty; his drab hat and green frock-coat with velvet collar were smart, though no longer new, while a pair of green spectacles that seemed needless to his brisk little eyes gave him something of a scholarlike and literary air. After allowing me a sufficient time to inspect the puppets, he advanced with a bow and drew my attention to some books in a corner of the wagon. These he forthwith began to extol with an amazing volubility of well-sounding words and an ingenuity of praise that won him my heart as being myself one of the most merciful of critics. Indeed, his stock required some considerable powers of commendation in the salesman. There were several ancient friends of mine — the novels of those happy days when


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