Doctor Pascal. Эмиль Золя
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this hour. Good-by until Sunday.”
She went away quite at her ease, after smiling at her son, who stood before her silent and respectful. It was an attitude that he had long since adopted, to avoid an explanation which he felt must be cruel, and which he had always feared. He knew her, he was willing to pardon her everything, in his broad tolerance as a scientist, who made allowance for heredity, environment, and circumstances. And, then, was she not his mother? That ought to have sufficed, for, in spite of the frightful blows which his researches inflicted upon the family, he preserved a great affection for those belonging to him.
When his mother was no longer there, his anger burst forth, and fell upon Clotilde. He had turned his eyes away from Martine, and fixed them on the young girl, who did not turn hers away, however, with a courage which accepted the responsibility of her act.
“You! you!” he said at last.
He seized her arm, and pressed it until she cried. But she continued to look him full in the face, without quailing before him, with the indomitable will of her individuality, of her selfhood. She was beautiful and provoking, with her tall, slender figure, robed in its black blouse; and her exquisite, youthful fairness, her straight forehead, her finely cut nose, her firm chin, took on something of a warlike charm in her rebellion.
“You, whom I have made, you who are my pupil, my friend, my other mind, to whom I have given a part of my heart and of my brain! Ah, yes! I should have kept you entirely for myself, and not have allowed your stupid good God to take the best part of you!”
“Oh, monsieur, you blaspheme!” cried Martine, who had approached him, in order to draw upon herself a part of his anger.
But he did not even see her. Only Clotilde existed for him. And he was as if transfigured, stirred up by so great a passion that his handsome face, crowned by his white hair, framed by his white beard, flamed with youthful passion, with an immense tenderness that had been wounded and exasperated.
“You, you!” he repeated in a trembling voice.
“Yes, I! Why then, master, should I not love you better than you love me? And why, if I believe you to be in peril, should I not try to save you? You are greatly concerned about what I think; you would like well to make me think as you do!”
She had never before defied him in this way.
“But you are a little girl; you know nothing!”
“No, I am a soul, and you know no more about souls than I do!”
He released her arm, and waved his hand vaguely toward heaven, and then a great silence fell—a silence full of grave meaning, of the uselessness of the discussion which he did not wish to enter upon. Thrusting her aside rudely, he crossed over to the middle window and opened the blinds, for the sun was declining, and the room was growing dark. Then he returned.
But she, feeling a need of air and space, went to the open window. The burning rain of sparks had ceased, and there fell now, from on high, only the last shiver of the overheated and paling sky; and from the still burning earth ascended warm odors, with the freer respiration of evening. At the foot of the terrace was the railroad, with the outlying dependencies of the station, of which the buildings were to be seen in the distance; then, crossing the vast arid plain, a line of trees marked the course of the Viorne, beyond which rose the hills of Sainte-Marthe, red fields planted with olive trees, supported on terraces by walls of uncemented stones and crowned by somber pine woods—broad amphitheaters, bare and desolate, corroded by the heats of summer, of the color of old baked brick, which this fringe of dark verdure, standing out against the background of the sky, bordered above. To the left opened the gorges of the Seille, great yellow stones that had broken away from the soil, and lay in the midst of blood-colored fields, dominated by an immense band of rocks like the wall of a gigantic fortress; while to the right, at the very entrance to the valley through which flowed the Viorne, rose, one above another, the discolored pink-tiled roofs of the town of Plassans, the compact and confused mass of an old town, pierced by the tops of ancient elms, and dominated by the high tower of St. Saturnin, solitary and serene at this hour in the limpid gold of sunset.
“Ah, my God!” said Clotilde slowly, “one must be arrogant, indeed, to imagine that one can take everything in one’s hand and know everything!”
Pascal had just mounted on the chair to assure himself that not one of his packages was missing. Then he took up the fragment of marble, and replaced it on the shelf, and when he had again locked the press with a vigorous turn of the hand, he put the key into his pocket.
“Yes,” he replied; “try not to know everything, and above all, try not to bewilder your brain about what we do not know, what we shall doubtless never know!”
Martine again approached Clotilde, to lend her her support, to show her that they both had a common cause. And now the doctor perceived her, also, and felt that they were both united in the same desire for conquest. After years of secret attempts, it was at last open war; the savant saw his household turn against his opinions, and menace them with destruction. There is no worse torture than to have treason in one’s own home, around one; to be trapped, dispossessed, crushed, by those whom you love, and who love you!
Suddenly this frightful idea presented itself to him.
“And yet both of you love me!” he cried.
He saw their eyes grow dim with tears; he was filled with an infinite sadness, on this tranquil close of a beautiful day. All his gaiety, all his kindness of heart, which came from his intense love of life, were shaken by it.
“Ah, my dear! and you, my poor girl,” he said, “you are doing this for my happiness, are you not? But, alas, how unhappy we are going to be!”
II.
On the following morning Clotilde was awake at six o’clock. She had gone to bed angry with Pascal; they were at variance with each other. And her first feeling was one of uneasiness, of secret distress, an instant need of making her peace, so that she might no longer have upon her heart the heavy weight that lay there now.
Springing quickly out of bed, she went and half opened the shutters of both windows. The sun, already high, sent his light across the chamber in two golden bars. Into this drowsy room that exhaled a sweet odor of youth, the bright morning brought with it fresh, cheerful air; but the young girl went back and sat down on the edge of the bed in a thoughtful attitude, clad only in her scant nightdress, which made her look still more slender, with her long tapering limbs, her strong, slender body, with its round throat, round neck, round and supple arms; and her adorable neck and throat, of a milky whiteness, had the exquisite softness and smoothness of white satin. For a long time, at the ungraceful age between twelve and eighteen, she had looked awkwardly tall, climbing trees like a boy. Then, from the ungainly hoyden had been evolved this charming, delicate and lovely creature.
With absent gaze she sat looking at the walls of the chamber. Although La Souleiade dated from the last century, it must have been refurnished under the First Empire, for it was hung with an old-fashioned printed calico, with a pattern representing busts of the Sphinx, and garlands of oak leaves. Originally of a bright red, this calico had faded to a pink—an undecided pink, inclining to orange. The curtains of the two windows and of the bed were still in existence, but it had been necessary to clean them, and this had made them still paler. And this faded purple, this dawnlike tint, so delicately soft, was in truth exquisite. As for the bed, covered with the same stuff, it had come down from so remote an antiquity that it had been replaced by another bed found in an adjoining room; another Empire bed, low and very broad, of massive mahogany, ornamented with brasses, its four square pillars adorned also with busts of the Sphinx, like those on the wall. The rest of the furniture matched, however—a press, with whole doors and pillars; a chest of drawers with a marble top, surrounded by a railing; a tall and massive cheval-glass, a large lounge with straight