The Complete Works of Nathaniel Hawthorne (With Illustrations). Nathaniel Hawthorne
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had built it, and lived there, long ago, and held his levees in a great room where now slept twenty Irish bedfellows; and died in Fauntleroy’s chamber, which his embroidered and white-wigged ghost still haunted. Tattered hangings, a marble hearth, traversed with many cracks and fissures, a richly carved oaken mantelpiece, partly hacked away for kindling-stuff, a stuccoed ceiling, defaced with great, unsightly patches of the naked laths, — such was the chamber’s aspect, as if, with its splinters and rags of dirty splendor, it were a kind of practical gibe at this poor, ruined man of show.
At first, and at irregular intervals, his relatives allowed Fauntleroy a little pittance to sustain life; not from any love, perhaps, but lest poverty should compel him, by new offences, to add more shame to that with which he had already stained them. But he showed no tendency to further guilt. His character appeared to have been radically changed (as, indeed, from its shallowness, it well might) by his miserable fate; or, it may be, the traits now seen in him were portions of the same character, presenting itself in another phase. Instead of any longer seeking to live in the sight of the world, his impulse was to shrink into the nearest obscurity, and to be unseen of men, were it possible, even while standing before their eyes. He had no pride; it was all trodden in the dust. No ostentation; for how could it survive, when there was nothing left of Fauntleroy, save penury and shame! His very gait demonstrated that he would gladly have faded out of view, and have crept about invisibly, for the sake of sheltering himself from the irksomeness of a human glance. Hardly, it was averred, within the memory of those who knew him now, had he the hardihood to show his full front to the world. He skulked in corners, and crept about in a sort of noonday twilight, making himself gray and misty, at all hours, with his morbid intolerance of sunshine.
In his torpid despair, however, he had done an act which that condition of the spirit seems to prompt almost as often as prosperity and hope. Fauntleroy was again married. He had taken to wife a forlorn, meek-spirited, feeble young woman, a seamstress, whom he found dwelling with her mother in a contiguous chamber of the old gubernatorial residence. This poor phantom — as the beautiful and noble companion of his former life had done brought him a daughter. And sometimes, as from one dream into another, Fauntleroy looked forth out of his present grimy environment into that past magnificence, and wondered whether the grandee of yesterday or the pauper of to-day were real. But, in my mind, the one and the other were alike impalpable. In truth, it was Fauntleroy’s fatality to behold whatever he touched dissolve. After a few years, his second wife (dim shadow that she had always been) faded finally out of the world, and left Fauntleroy to deal as he might with their pale and nervous child. And, by this time, among his distant relatives, — with whom he had grown a weary thought, linked with contagious infamy, and which they were only too willing to get rid of, — he was himself supposed to be no more.
The younger child, like his elder one, might be considered as the true offspring of both parents, and as the reflection of their state. She was a tremulous little creature, shrinking involuntarily from all mankind, but in timidity, and no sour repugnance. There was a lack of human substance in her; it seemed as if, were she to stand up in a sunbeam, it would pass right through her figure, and trace out the cracked and dusty windowpanes upon the naked floor. But, nevertheless, the poor child had a heart; and from her mother’s gentle character she had inherited a profound and still capacity of affection. And so her life was one of love. She bestowed it partly on her father, but in greater part on an idea.
For Fauntleroy, as they sat by their cheerless fireside, — which was no fireside, in truth, but only a rusty stove, — had often talked to the little girl about his former wealth, the noble loveliness of his first wife, and the beautiful child whom she had given him. Instead of the fairy tales which other parents tell, he told Priscilla this. And, out of the loneliness of her sad little existence, Priscilla’s love grew, and tended upward, and twined itself perseveringly around this unseen sister; as a grapevine might strive to clamber out of a gloomy hollow among the rocks, and embrace a young tree standing in the sunny warmth above. It was almost like worship, both in its earnestness and its humility; nor was it the less humble — though the more earnest — because Priscilla could claim human kindred with the being whom she, so devoutly loved. As with worship, too, it gave her soul the refreshment of a purer atmosphere. Save for this singular, this melancholy, and yet beautiful affection, the child could hardly have lived; or, had she lived, with a heart shrunken for lack of any sentiment to fill it, she must have yielded to the barren miseries of her position, and have grown to womanhood characterless and worthless. But now, amid all the sombre coarseness of her father’s outward life, and of her own, Priscilla had a higher and imaginative life within. Some faint gleam thereof was often visible upon her face. It was as if, in her spiritual visits to her brilliant sister, a portion of the latter’s brightness had permeated our dim Priscilla, and still lingered, shedding a faint illumination through the cheerless chamber, after she came back.
As the child grew up, so pallid and so slender, and with much unaccountable nervousness, and all the weaknesses of neglected infancy still haunting her, the gross and simple neighbors whispered strange things about Priscilla. The big, red, Irish matrons, whose innumerable progeny swarmed out of the adjacent doors, used to mock at the pale Western child. They fancied — or, at least, affirmed it, between jest and earnest — that she was not so solid flesh and blood as other children, but mixed largely with a thinner element. They called her ghost-child, and said that she could indeed vanish when she pleased, but could never, in her densest moments, make herself quite visible. The sun at midday would shine through her; in the first gray of the twilight, she lost all the distinctness of her outline; and, if you followed the dim thing into a dark corner, behold! she was not there. And it was true that Priscilla had strange ways; strange ways, and stranger words, when she uttered any words at all. Never stirring out of the old governor’s dusky house, she sometimes talked of distant places and splendid rooms, as if she had just left them. Hidden things were visible to her (at least so the people inferred from obscure hints escaping unawares out of her mouth), and silence was audible. And in all the world there was nothing so difficult to be endured, by those who had any dark secret to conceal, as the glance of Priscilla’s timid and melancholy eyes.
Her peculiarities were the theme of continual gossip among the other inhabitants of the gubernatorial mansion. The rumor spread thence into a wider circle. Those who knew old Moodie, as he was now called, used often to jeer him, at the very street-corners, about his daughter’s gift of second-sight and prophecy. It was a period when science (though mostly through its empirical professors) was bringing forward, anew, a hoard of facts and imperfect theories, that had partially won credence in elder times, but which modern scepticism had swept away as rubbish. These things were now tossed up again, out of the surging ocean of human thought and experience. The story of Priscilla’s preternatural manifestations, therefore, attracted a kind of notice of which it would have been deemed wholly unworthy a few years earlier. One day a gentleman ascended the creaking staircase, and inquired which was old Moodie’s chamber door. And, several times, he came again. He was a marvellously handsome man, — still youthful, too, and fashionably dressed. Except that Priscilla, in those days, had no beauty, and, in the languor of her existence, had not yet blossomed into womanhood, there would have been rich food for scandal in these visits; for the girl was unquestionably their sole object, although her father was supposed always to be present. But, it must likewise be added, there was something about Priscilla that calumny could not meddle with; and thus far was she privileged, either by the preponderance of what was spiritual, or the thin and watery blood that left her cheek so pallid.
Yet, if the busy tongues of the neighborhood spared Priscilla in one way, they made themselves amends by renewed and wilder babble on another score. They averred that the strange gentleman was a wizard, and that he had taken advantage of Priscilla’s lack of earthly substance to subject her to himself, as his familiar spirit, through whose medium he gained cognizance of whatever happened, in regions near or remote. The boundaries of his power were defined by the verge of the pit of Tartarus on the one hand, and the third sphere of the celestial world on the other. Again, they declared their suspicion that the wizard, with all his show of manly beauty, was really an aged and wizened figure, or else that his semblance of a human body was only a necromantic, or perhaps a mechanical contrivance, in which a demon walked about. In proof of it, however, they could merely instance a gold band around his upper teeth, which had once been visible to several old