The Crab Nebula, in the constellation Taurus, looks, through binoculars, like a smoke ring. It is a star in the process of exploding. Light from its explosion first reached the earth in 1054; it was a supernova then, and so bright it shone in the daytime. Now it is not so bright, but it is still exploding. It expands at the rate of seventy million miles a day. Yet it does not budge. Its apparent size does not increase. Photographs of the Crab Nebula taken fifteen years ago seem identical to photographs of it taken yesterday. Some lichens are similar. Botanists have measured some ordinary lichens twice, at fifty-year intervals, without detecting any growth at all. And yet their cells divide; they live.

      The small ring of light was like these things—like a ridiculous lichen up in the sky, like a perfectly still explosion 4,200 light-years away: It was interesting, and lovely, and in witless motion, and it had nothing to do with anything.

      It had nothing to do with anything. The sun was too small, and too cold, and too far away, to keep the world alive. The white ring was not enough. It was feeble and worthless. It was as useless as a memory; it was as off kilter and hollow and wretched as a memory.

      When you try your hardest to recall someone’s face, or the look of a place, you see in your mind’s eye some vague and terrible sight such as this. It is dark; it is insubstantial; it is all wrong.

      The white ring and the saturated darkness made the earth and sky look as they must look in the memories of the careless dead. What I saw, what I seemed to be standing in, was all the wrecked light that the memories of the dead could shed upon the living world. We had all died in our boots on the hilltops of Yakima, and were alone in eternity. Empty space stoppered our eyes and mouths; we cared for nothing. We remembered our living days wrong. With great effort we recalled some sort of circular light in the sky, but only the outline. And then the orchard trees withered, the ground froze, the glaciers slid down the valleys and overcame the towns. If there had ever been people on earth, nobody knew it. The dead had forgotten those they had loved. Parted one from the other, they could no longer remember the faces and lands they had loved in the light. They just stood on the darkened hilltops, looking down.

       IV

      WE TEACH OUR CHILDREN one thing only, as we were taught: to wake up. We teach our children to look alive there, to join by words and activities the life of human culture on the planet’s crust. As adults we are almost all adept at waking up. We have so mastered the transition we have forgotten we ever learned it. Yet it is a transition we make a hundred times a day, as, like so many will-less dolphins, we plunge and surface, lapse and emerge. We live half our waking lives and all of our sleeping lives in some private, useless, and insensible waters we never mention or recall. Useless, I say. Valueless, I might add—until someone hauls their wealth up to the surface and into the wide-awake city, in a form that people can use.

      I do not know how we got to the restaurant. Like Roethke, “I take my waking slow.” Gradually I seemed more or less alive, and already forgetful. It was now almost nine in the morning. It was the day of a solar eclipse in central Washington, and a fine adventure for everyone. The sky was clear; there was a fresh breeze out of the north.

      The restaurant was a roadside place with tables and booths. The other eclipse-watchers were there. From our booth we could see their cars’ California license plates, their University of Washington parking stickers. Inside the restaurant we were all eating eggs or waffles; people were fairly shouting and exchanging enthusiasms, like fans after a World Series game. Did you see . . . ? Did you see . . . ? Then somebody said something that knocked me for a loop.

      A college student, a boy in a blue parka who carried a Hasselblad, said to us, “Did you see that little white ring? It looked like a Life Saver. It looked like a Life Saver up in the sky.”

      And so it did. The boy spoke well. He was a walking alarm clock. I myself had at that time no access to such a word. He could write a sentence, and I could not. I grabbed that Life Saver and rode it to the surface. And I had to laugh. I had been dumbstruck on the Euphrates River, I had been dead and gone and grieving, all over the sight of something which, if you could claw your way up to that level, you would grant looked very much like a Life Saver. It was good to be back among people so clever; it was good to have all the world’s words at the mind’s disposal, so the mind could begin its task. All those things for which we have no words are lost. The mind—the culture—has two little tools, grammar and lexicon: a decorated sand bucket and a matching shovel. With these we bluster about the continents and do all the world’s work. With these we try to save our very lives.

      There are a few more things to tell from this level, the level of the restaurant. One is the old joke about break-fast. “It can never be satisfied, the mind, never.” Wallace Stevens wrote that, and in the long run he was right. The mind wants to live forever, or to learn a very good reason why not. The mind wants the world to return its love, or its awareness; the mind wants to know all the world, and all eternity, even God. The mind’s sidekick, however, will settle for two eggs over easy. The dear, stupid body is as easily satisfied as a spaniel. And, incredibly, the simple spaniel can lure the brawling mind to its dish. It is everlastingly funny that the proud, meta-physically ambitious, clamoring mind will hush if you give it an egg.

      Further: While the mind reels in deep space, while the mind grieves or fears or exults, the workaday senses—in ignorance or idiocy, like so many computer terminals printing our market prices while the world blows up—still transcribe their little data and transmit them to the warehouse in the skull. Later, under the tranquilizing influence of fried eggs, the mind can sort through all of this data.

      The restaurant was a halfway house, a decompression chamber. There I remembered a few things more. The deepest, and most terrifying, was this: I have said that I heard screams. (I have since read that screaming, with hysteria, is a common reaction even to expected total eclipses.) People on all the hillsides, including, I think, myself, screamed when the black body of the moon detached from the sky and rolled over the sun. But something else was happening at that same instant, and it was this, I believe, that made us scream.

      The second before the sun went out we saw a wall of dark shadow come speeding at us. We no sooner saw it than it was upon us, like thunder. It roared up the valley. It slammed our hill and knocked us out. It was the monstrous swift shadow cone of the moon. I have since read that this wave of shadow moves 1,800 miles an hour. Language can give no sense of this sort of speed. It was 195 miles wide. No end was in sight. You saw only the edge. It rolled at you across the land at 1,800 miles an hour, hauling darkness behind it like plague. Seeing it, and knowing it was coming straight for you, was like feeling a slug of anesthetic shoot up your arm. If you think very fast,

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