Crime and Punishment & Other Great Novels of Dostoevsky. Fyodor Dostoevsky
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one the Father Librarian, and the other Father Paissy, a very learned man, so they said, in delicate health, though not old. There was also a tall young man, who looked about two and twenty, standing in the corner throughout the interview. He had a broad, fresh face, and clever, observant, narrow brown eyes, and was wearing ordinary dress. He was a divinity student, living under the protection of the monastery. His expression was one of unquestioning, but self-respecting, reverence. Being in a subordinate and dependent position, and so not on an equality with the guests, he did not greet them with a bow.
Father Zossima was accompanied by a novice, and by Alyosha. The two monks rose and greeted him with a very deep bow, touching the ground with their fingers; then kissed his hand. Blessing them, the elder replied with as deep a reverence to them, and asked their blessing. The whole ceremony was performed very seriously and with an appearance of feeling, not like an everyday rite. But Miusov fancied that it was all done with intentional impressiveness. He stood in front of the other visitors. He ought — he had reflected upon it the evening before — from simple politeness, since it was the custom here, to have gone up to receive the elder’s blessing, even if he did not kiss his hand. But when he saw all this bowing and kissing on the part of the monks he instantly changed his mind. With dignified gravity he made a rather deep, conventional bow, and moved away to a chair. Fyodor Pavlovitch did the same, mimicking Miusov like an ape. Ivan bowed with great dignity and courtesy, but he too kept his hands at his sides, while Kalganov was so confused that he did not bow at all. The elder let fall the hand raised to bless them, and bowing to them again, asked them all to sit down. The blood rushed to Alyosha’s cheeks. He was ashamed. His forebodings were coming true.
Father Zossima sat down on a very old-fashioned mahogany sofa, covered with leather, and made his visitors sit down in a row along the opposite wall on four mahogany chairs, covered with shabby black leather. The monks sat, one at the door and the other at the window. The divinity student, the novice, and Alyosha remained standing. The cell was not very large and had a faded look. It contained nothing but the most necessary furniture, of coarse and poor quality. There were two pots of flowers in the window, and a number of holy pictures in the corner. Before one huge ancient ikon of the virgin a lamp was burning. Near it were two other holy pictures in shining settings, and, next them, carved cherubim, china eggs, a Catholic cross of ivory, with a Mater Dolorosa embracing it, and several foreign engravings from the great Italian artists of past centuries. Next to these costly and artistic engravings were several of the roughest Russian prints of saints and martyrs, such as are sold for a few farthings at all the fairs. On the other walls were portraits of Russian bishops, past and present.
Miusov took a cursory glance at all these “conventional” surroundings and bent an intent look upon the elder. He had a high opinion of his own insight a weakness excusable in him as he was fifty, an age at which a clever man of the world of established position can hardly help taking himself rather seriously. At the first moment he did not like Zossima. There was, indeed, something in the elder’s face which many people besides Miusov might not have liked. He was a short, bent, little man, with very weak legs, and though he was only sixty-five, he looked at least ten years older. His face was very thin and covered with a network of fine wrinkles, particularly numerous about his eyes, which were small, light-coloured, quick, and shining like two bright points. He had a sprinkling of grey hair about his temples. His pointed beard was small and scanty, and his lips, which smiled frequently, were as thin as two threads. His nose was not long, but sharp, like a bird’s beak.
“To all appearances a malicious soul, full of petty pride,” thought Miusov. He felt altogether dissatisfied with his position.
A cheap little clock on the wall struck twelve hurriedly, and served to begin the conversation.
“Precisely to our time,” cried Fyodor Pavlovitch, “but no sign of my son, Dmitri. I apologise for him, sacred elder!” (Alyosha shuddered all over at “sacred elder”.) “I am always punctual myself, minute for minute, remembering that punctuality is the courtesy of kings. . . .
“But you are not a king, anyway,” Miusov muttered, losing his self-restraint at once.
“Yes; that’s true. I’m not a king, and, would you believe it, Pyotr Alexandrovitch, I was aware of that myself. But, there! I always say the wrong thing. Your reverence,” he cried, with sudden pathos, “you behold before you a buffoon in earnest! I introduce myself as such. It’s an old habit, alas! And if I sometimes talk nonsense out of place it’s with an object, with the object of amusing people and making myself agreeable. One must be agreeable, mustn’t one? I was seven years ago in a little town where I had business, and I made friends with some merchants there. We went to the captain of police because we had to see him about something, and to ask him to dine with us. He was a tall, fat, fair, sulky man, the most dangerous type in such cases. It’s their liver. I went straight up to him, and with the ease of a man of the world, you know, ‘Mr. Ispravnik,’ said I, ‘be our Napravnik.’ ‘What do you mean by Napravnik?’ said he. I saw, at the first half-second, that it had missed fire. He stood there so glum. ‘I wanted to make a joke,’ said I, ‘for the general diversion, as Mr. Napravnik is our well-known Russian orchestra conductor and what we need for the harmony of our undertaking is someone of that sort.’ And I explained my comparison very reasonably, didn’t I? ‘Excuse me,’ said he, ‘I am an Ispravnik, and I do not allow puns to be made on my calling.’ He turned and walked away. I followed him, shouting, ‘Yes, yes, you are an Ispravnik, not a Napravnik.’ ‘No,’ he said, ‘since you called me a Napravnik I am one.’ And would you believe it, it ruined our business! And I’m always like that, always like that. Always injuring myself with my politeness. Once, many years ago, I said to an influential person: ‘Your wife is a ticklish lady,’ in an honourable sense, of the moral qualities, so to speak. But he asked me, ‘Why, have you tickled her?’ I thought I’d be polite, so I couldn’t help saying, ‘Yes,’ and he gave me a fine tickling on the spot. Only that happened long ago, so I’m not ashamed to tell the story. I’m always injuring myself like that.”
“You’re doing it now,” muttered Miusov, with disgust.
Father Zossima scrutinised them both in silence.
“Am I? Would you believe it, I was aware of that, too, Pyotr Alexandrovitch, and let tell you, indeed, I foresaw I should as soon as I began to speak. And do you know I foresaw, too, that you’d be the first to remark on it. The minute I see my joke isn’t coming off, your reverence, both my cheeks feel as though they were drawn down to the lower jaw and there is almost a spasm in them. That’s been so since I was young, when I had to make jokes for my living in noblemen’s families. I am an inveterate buffoon, and have been from birth up, your reverence, it’s as though it were a craze in me. I dare say it’s a devil within me. But only a little one. A more serious one would have chosen another lodging. But not your soul, Pyotr Alexandrovitch; you’re not a lodging worth having either. But I do believe — I believe in God, though I have had doubts of late. But now I sit and await words of wisdom. I’m like the philosopher, Diderot, your reverence. Did you ever hear, most Holy Father, how Diderot went to see the Metropolitan Platon, in the time of the Empress Catherine? He went in and said straight out, ‘There is no God.’ To which the great bishop lifted up his finger and answered, ‘The fool has said in his heart there is no God and he fell down at his feet on the spot. ‘I believe,’ he cried, ‘and will be christened.’ And so he was. Princess Dashkov was his godmother, and Potyomkin his godfather.”
“Fyodor Pavlovitch, this is unbearable! You know you’re telling lies and that that stupid anecdote isn’t true. Why are you playing the fool?” cried Miusov in a shaking voice.
“I suspected all my life that it wasn’t true,” Fyodor Pavlovitch cried with conviction. “But I’ll tell you the whole truth, gentlemen. Great elder! Forgive me, the last thing about Diderot’s christening I made up just now. I never thought of it before. I made it up to add piquancy. I play the fool, Pyotr Alexandrovitch, to make myself agreeable. Though I really don’t know myself, sometimes, what I do it for. And as for Diderot, I heard as far as ‘the fool hath said in his heart’ twenty times from the gentry about here when I was young. I heard your aunt, Pyotr Alexandrovitch, tell the story. They all believe to this day that the infidel Diderot came to dispute about