Washington Irving: The Complete Travel Sketches and Memoirs Collection. Washington Irving
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when the lute was magical in its powers, and the minstrel inspired by love!
While all Andalusia was thus music mad, a different mood prevailed at the court of Spain. Philip V, as is well known, was a miserable hypochondriac, and subject to all kinds of fancies. Sometimes he would keep to his bed for weeks together, groaning under imaginary complaints. At other times he would insist upon abdicating his throne, to the great annoyance of his royal spouse, who had a strong relish for the splendors of a court and the glories of a crown, and guided the sceptre of her imbecile lord with an expert and steady hand.
Nothing was found to be so efficacious in dispelling the royal megrims as the power of music; the queen took care, therefore, to have the best performers, both vocal and instrumental, at hand, and retained the famous Italian singer Farinelli about the court as a kind of royal physician.
At the moment we treat of, however, a freak had come over the mind of this sapient and illustrious Bourbon that surpassed all former vagaries. After a long spell of imaginary illness, which set all the strains of Farinelli and the consultations of a whole orchestra of court fiddlers at defiance, the monarch fairly, in idea, gave up the ghost, and considered himself absolutely dead.
This would have been harmless enough, and even convenient both to his queen and courtiers, had he been content to remain in the quietude befitting a dead man; but to their annoyance he insisted upon having the funeral ceremonies performed over him, and, to their inexpressible perplexity, began to grow impatient, and to revile bitterly at them for negligence and disrespect, in leaving him unburied. What was to be done? To disobey the king’s positive commands was monstrous in the eyes of the obsequious courtiers of a punctilious court — but to obey him, and bury him alive would be downright regicide!
In the midst of this fearful dilemma a rumor reached the court, of the female minstrel who was turning the brains of all Andalusia. The queen dispatched missions in all haste to summon her to St. Ildefonso, where the court at that time resided.
Within a few days, as the queen with her maids of honor was walking in those stately gardens, intended, with their avenues and terraces and fountains, to eclipse the glories of Versailles, the far-famed minstrel was conducted into her presence. The imperial Elizabetta gazed with surprise at the youthful and unpretending appearance of the little being that had set the world madding. She was in her picturesque Andalusian dress, her silver lute in hand, and stood with modest and downcast eyes, but with a simplicity and freshness of beauty that still bespoke her “the Rose of the Alhambra.”
As usual she was accompanied by the ever-vigilant Fredegonda, who gave the whole history of her parentage and descent to the inquiring queen. If the stately Elizabetta had been interested by the appearance of Jacinta, she was still more pleased when she learnt that she was of a meritorious though impoverished line, and that her father had bravely fallen in the service of the crown. “If thy powers equal their renown,” said she, “and thou canst cast forth this evil spirit that possesses thy sovereign, thy fortunes shall henceforth be my care, and honors and wealth attend thee.”
Impatient to make trial of her skill, she led the way at once to the apartment of the moody monarch.
Jacinta followed with downcast eyes through files of guards and crowds of courtiers. They arrived at length at a great chamber hung with black. The windows were closed to exclude the light of day: a number of yellow wax tapers in silver sconces diffused a lugubrious light, and dimly revealed the figures of mutes in mourning dresses, and courtiers who glided about with noiseless step and woebegone visage. In the midst of a funeral bed or bier, his hands folded on his breast, and the tip of his nose just visible, lay extended this would-be-buried monarch.
The queen entered the chamber in silence, and pointing to a footstool in an obscure corner, beckoned to Jacinta to sit down and commence.
At first she touched her lute with a faltering hand, but gathering confidence and animation as she proceeded, drew forth such soft aerial harmony, that all present could scarce believe it mortal. As to the monarch, who had already considered himself in the world of spirits, he set it down for some angelic melody or the music of the spheres. By degrees the theme was varied, and the voice of the minstrel accompanied the instrument. She poured forth one of the legendary ballads treating of the ancient glories of the Alhambra and the achievements of the Moors. Her whole soul entered into the theme, for with the recollections of the Alhambra was associated the story of her love. The funeral chamber resounded with the animating strain. It entered into the gloomy heart of the monarch. He raised his head and gazed around: he sat up on his couch, his eye began to kindle — at length, leaping upon the floor, he called for sword and buckler.
The triumph of music, or rather of the enchanted lute, was complete; the demon of melancholy was cast forth; and, as it were, a dead man brought to life. The windows of the apartment were thrown open; the glorious effulgence of Spanish sunshine burst into the late lugubrious chamber; all eyes sought the lovely enchantress, but the lute had fallen from her hand, she had sunk upon the earth, and the next moment was clasped to the bosom of Ruyz de Alarcon.
The nuptials of the happy couple were celebrated soon afterwards with great splendor, and the Rose of the Alhambra became the ornament and delight of the court. “But hold — not so fast” — I hear the reader exclaim, “this is jumping to the end of a story at a furious rate! First let us know how Ruyz de Alarcon managed to account to Jacinta for his long neglect?” Nothing more easy; the venerable, time-honored excuse, the opposition to his wishes by a proud, pragmatical old father: besides, young people, who really like one another, soon come to an amicable understanding, and bury all past grievances when once they meet.
But how was the proud pragmatical old father reconciled to the match?
Oh! as to that, his scruples were easily overcome by a word or two from the queen; especially as dignities and rewards were showered upon the blooming favorite of royalty. Besides, the lute of Jacinta, you know, possessed a magic power, and could control the most stubborn head and hardest breast.
And what came of the enchanted lute?
Oh, that is the most curious matter of all, and plainly proves the truth of the whole story. That lute remained for some time in the family, but was purloined and carried off, as was supposed, by the great singer Farinelli, in pure jealousy. At his death it passed into other hands in Italy, who were ignorant of its mystic powers, and melting down the silver, transferred the strings to an old Cremona fiddle. The strings still retain something of their magic virtues. A word in the reader’s ear, but let it go no further — that fiddle is now bewitching the whole world — it is the fiddle of Paganini!
THE VETERAN.
Among the curious acquaintances I made in my rambles about the fortress, was a brave and battered old colonel of Invalids, who was nestled like a hawk in one of the Moorish towers. His history, which he was fond of telling, was a tissue of those adventures, mishaps, and vicissitudes that render the life of almost every Spaniard of note as varied and whimsical as the pages of Gil Blas.
He was in America at twelve years of age, and reckoned among the most signal and fortunate events of his life, his having seen General Washington. Since then he had taken a part in all the wars of his country; he could speak experimentally of most of the prisons and dungeons of the Peninsula; had been lamed of one leg, crippled in his hands, and so cut up and carbonadoed that he was a kind of walking monument of the troubles of Spain, on which there was a scar for every battle and broil, as every year of captivity was notched upon the tree of Robinson Crusoe. The greatest misfortune of the brave old cavalier, however, appeared to have been his having commanded at Malaga during a time of peril and confusion, and been made a general by the inhabitants, to protect them from the invasion of the French. This had entailed upon him a number of just claims upon government, that I feared would employ him until his dying day in writing and printing petitions and memorials, to the great disquiet of his mind, exhaustion of his purse, and penance of his friends; not one of whom could visit him without having to listen to a mortal document of half an hour in