Chapter 19

       The Mouth of Marilyn Monroe

       Table of Content

      The car sped through the deserted streets, past shadowy mosques from which dazzling minarets lanced up towards the three-quarter moon, under the ruined Aqueduct and across the Ataturk Boulevard and north of the barred entrances to the Grand Bazaar. At the Column of Constantine the car turned right, through mean twisting streets that smelled of garbage, and finally debouched into a long ornamental square in which three stone columns fired themselves like a battery of space-rockets into the spangled sky.

      'Slow,' said Kerim softly. They crept round the square under the shadow of the lime trees. Down a street on the east side, the lighthouse below the Seraglio Palace gave them a great yellow wink.

      'Stop.'

      The car pulled up in the darkness under the limes. Kerim reached for the door handle. 'We shan't be long, James. You sit up front in the driver's seat and if a policeman comes along just say "Ben Bey Kerim'in ortagiyim". Can you remember that? It means "I am Kerim Bey's partner". They'll leave you alone.'

      Bond snorted. 'Thanks very much. But you'll be surprised to hear I'm coming with you. You're bound to get into trouble without me. Anyway I'm damned if I'm going to sit here trying to bluff policemen. The worst of learning one good phrase is that it sounds as if one knew the language. The policeman will come back with a barrage of Turkish and when I can't answer he'll smell a rat. Don't argue, Darko.'

      'Well, don't blame me if you don't like this.' Kerim's voice was embarrassed. 'It's going to be a straight killing in cold blood. In my country you let sleeping dogs lie, but when they wake up and bite, you shoot them. You don't offer them a duel. All right?'

      'Whatever you say,' said Bond. 'I've got one bullet left in case you miss.'

      'Come on then,' said Kerim reluctantly. 'We've got quite a walk. The other two will be going another way.'

      Kerim took a long walking-stick from the chauffeur, and a leather case. He slung them over his shoulder and they started off down the street into the yellow wink of the lighthouse. Their footsteps echoed hollowly back at them from the iron-shuttered shop frontages. There was not a soul in sight, not a cat, and Bond was glad he was not walking alone down this long street towards the distant baleful eye.

      From the first, Istanbul had given him the impression of a town where, with the night, horror creeps out of the stones. It seemed to him a town the centuries had so drenched in blood and violence that, when daylight went out, the ghosts of its dead were its only population. His instinct told him, as it has told other travellers, that Istanbul was a town he would be glad to get out of alive.

      They came to a narrow stinking alley that dived steeply down the hill to their right. Kerim turned into it and started gingerly down its cobbled surface. 'Watch your feet,' he said softly. 'Garbage is a polite word for what my charming people throw into their streets.'

      The moon shone whitely down the moist river of cobbles. Bond kept his mouth shut and breathed through his nose. He put his feet down one after the other, flat-footedly, and with his knees bent, as if he was walking down a snow-slope. He thought of his bed in the hotel and of the comfortable cushions of the car under the sweetly smelling lime trees, and he wondered how many more kinds of dreadful stench he was going to run into during his present assignment.

      They stopped at the bottom of the alley. Kerim turned to him with a broad white grin. He pointed upwards at a towering block of black shadow. 'Mosque of Sultan Ahmet. Famous Byzantine frescoes. Sorry I haven't got time to show you more of the beauties of my country.' Without waiting for Bond's reply, he cut off to the right and along a dusty boulevard, lined with cheap shops, that sloped down towards the distant glint that was the Sea of Marmara. For ten minutes they walked in silence. Then Kerim slowed and beckoned Bond into the shadows.

      'This will be a simple operation,' he said softly. 'Krilencu lives down there, beside the railway line.' He gestured vaguely towards a cluster of red and green lights at the end of the boulevard. 'He hides out in a shack behind a bill-hoarding. There is a front door to the shack. Also a trapdoor to the street through the hoarding. He thinks no one knows of this. My two men will go in at the front door. He will slip out through the hoarding. Then I shoot him. All right?'

      'If you say so.'

      They walked on down the boulevard, keeping close to the wall. After ten minutes, they came in sight of the twenty-foot-high hoarding that formed a facing wall to the T intersection at the bottom of the street. The moon was behind the hoarding and its face in the shadow. Now Kerim walked even more carefully, putting each foot softly in front of him. About a hundred yards from the hoarding the shadows ended and the moon blazed whitely down on the intersection. Kerim stopped in the last dark doorway and stationed Bond in front of him, up against his chest. 'Now we must wait,' he whispered. Bond heard Kerim fiddling behind him. There came a soft plop as the lid of the leather case came off. A thin, heavy steel tube, about two feet long, with a bulge at each end, was pressed into Bond's hand. 'Sniperscope. German model,' whispered Kerim. 'Infra-red lens. Sees in the dark. Have a look at that big film advertisement over there. That face. Just below the nose. You'll see the outline of a trapdoor. In direct line down from the signal box.'

      Bond rested his forearm against the door jamb and raised the tube to his right eye. He focused it on the patch of black shadow opposite. Slowly the black dissolved into grey. The outline of a huge woman's face and some lettering appeared. Now Bond could read the lettering. It said: NIYAGARA. MARILYN MONROE VE JOSEPH COTTEN and underneath, the cartoon feature, BONZO FUTBOLOU. Bond inched the glass down the vast pile of Marilyn Monroe's hair, and the