The Complete Travelogues of Mark Twain - 5 Books in One Edition. Mark Twain
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to make a Roman holiday sounds well for the first seventeen or eighteen hundred thousand times one sees it in print, but after that it begins to grow tiresome. I find it in all the books concerning Rome — and here latterly it reminds me of Judge Oliver. Oliver was a young lawyer, fresh from the schools, who had gone out to the deserts of Nevada to begin life. He found that country, and our ways of life, there, in those early days, different from life in New England or Paris. But he put on a woollen shirt and strapped a navy revolver to his person, took to the bacon and beans of the country, and determined to do in Nevada as Nevada did. Oliver accepted the situation so completely that although he must have sorrowed over many of his trials, he never complained — that is, he never complained but once. He, two others, and myself, started to the new silver mines in the Humboldt mountains — he to be Probate Judge of Humboldt county, and we to mine. The distance was two hundred miles. It was dead of winter. We bought a two-horse wagon and put eighteen hundred pounds of bacon, flour, beans, blasting-powder, picks and shovels in it; we bought two sorry-looking Mexican “plugs,” with the hair turned the wrong way and more corners on their bodies than there are on the mosque of Omar; we hitched up and started. It was a dreadful trip. But Oliver did not complain. The horses dragged the wagon two miles from town and then gave out. Then we three pushed the wagon seven miles, and Oliver moved ahead and pulled the horses after him by the bits.
We complained, but Oliver did not. The ground was frozen, and it froze our backs while we slept; the wind swept across our faces and froze our noses. Oliver did not complain. Five days of pushing the wagon by day and freezing by night brought us to the bad part of the journey — the Forty Mile Desert, or the Great American Desert, if you please. Still, this mildest-mannered man that ever was, had not complained. We started across at eight in the morning, pushing through sand that had no bottom; toiling all day long by the wrecks of a thousand wagons, the skeletons of ten thousand oxen; by wagon-tires enough to hoop the Washington Monument to the top, and ox-chains enough to girdle Long Island; by human graves; with our throats parched always, with thirst; lips bleeding from the alkali dust; hungry, perspiring, and very, very weary — so weary that when we dropped in the sand every fifty yards to rest the horses, we could hardly keep from going to sleep — no complaints from Oliver: none the next morning at three o’clock, when we got across, tired to death.
Awakened two or three nights afterward at midnight, in a narrow canon, by the snow falling on our faces, and appalled at the imminent danger of being “snowed in,” we harnessed up and pushed on till eight in the morning, passed the “Divide” and knew we were saved. No complaints. Fifteen days of hardship and fatigue brought us to the end of the two hundred miles, and the Judge had not complained. We wondered if any thing could exasperate him. We built a Humboldt house.
It is done in this way. You dig a square in the steep base of the mountain, and set up two uprights and top them with two joists. Then you stretch a great sheet of “cotton domestic” from the point where the joists join the hillside down over the joists to the ground; this makes the roof and the front of the mansion; the sides and back are the dirt walls your digging has left. A chimney is easily made by turning up one corner of the roof. Oliver was sitting alone in this dismal den, one night, by a sagebrush fire, writing poetry; he was very fond of digging poetry out of himself — or blasting it out when it came hard. He heard an animal’s footsteps close to the roof; a stone or two and some dirt came through and fell by him. He grew uneasy and said “Hi! — clear out from there, can’t you!” — from time to time. But by and by he fell asleep where he sat, and pretty soon a mule fell down the chimney! The fire flew in every direction, and Oliver went over backwards. About ten nights after that, he recovered confidence enough to go to writing poetry again. Again he dozed off to sleep, and again a mule fell down the chimney. This time, about half of that side of the house came in with the mule. Struggling to get up, the mule kicked the candle out and smashed most of the kitchen furniture, and raised considerable dust. These violent awakenings must have been annoying to Oliver, but he never complained. He moved to a mansion on the opposite side of the canon, because he had noticed the mules did not go there. One night about eight o’clock he was endeavoring to finish his poem, when a stone rolled in — then a hoof appeared below the canvas — then part of a cow — the after part. He leaned back in dread, and shouted “Hooy! hooy! get out of this!” and the cow struggled manfully — lost ground steadily — dirt and dust streamed down, and before Oliver could get well away, the entire cow crashed through on to the table and made a shapeless wreck of every thing!
Then, for the first time in his life, I think, Oliver complained. He said,
“This thing is growing monotonous!”
Then he resigned his judgeship and left Humboldt county. “Butchered to make a Roman holyday” has grown monotonous to me.
In this connection I wish to say one word about Michael Angelo Buonarotti. I used to worship the mighty genius of Michael Angelo — that man who was great in poetry, painting, sculpture, architecture — great in every thing he undertook. But I do not want Michael Angelo for breakfast — for luncheon — for dinner — for tea — for supper — for between meals. I like a change, occasionally. In Genoa, he designed every thing; in Milan he or his pupils designed every thing; he designed the Lake of Como; in Padua, Verona, Venice, Bologna, who did we ever hear of, from guides, but Michael Angelo? In Florence, he painted every thing, designed every thing, nearly, and what he did not design he used to sit on a favorite stone and look at, and they showed us the stone. In Pisa he designed every thing but the old shot-tower, and they would have attributed that to him if it had not been so awfully out of the perpendicular. He designed the piers of Leghorn and the custom house regulations of Civita Vecchia. But, here — here it is frightful. He designed St. Peter’s; he designed the Pope; he designed the Pantheon, the uniform of the Pope’s soldiers, the Tiber, the Vatican, the Coliseum, the Capitol, the Tarpeian Rock, the Barberini Palace, St. John Lateran, the Campagna, the Appian Way, the Seven Hills, the Baths of Caracalla, the Claudian Aqueduct, the Cloaca Maxima — the eternal bore designed the Eternal City, and unless all men and books do lie, he painted every thing in it! Dan said the other day to the guide, “Enough, enough, enough! Say no more! Lump the whole thing! say that the Creator made Italy from designs by Michael Angelo!”
I never felt so fervently thankful, so soothed, so tranquil, so filled with a blessed peace, as I did yesterday when I learned that Michael Angelo was dead.
But we have taken it out of this guide. He has marched us through miles of pictures and sculpture in the vast corridors of the Vatican; and through miles of pictures and sculpture in twenty other palaces; he has shown us the great picture in the Sistine Chapel, and frescoes enough to frescoe the heavens — pretty much all done by Michael Angelo. So with him we have played that game which has vanquished so many guides for us — imbecility and idiotic questions. These creatures never suspect — they have no idea of a sarcasm.
He shows us a figure and says: “Statoo brunzo.” (Bronze statue.)
We look at it indifferently and the doctor asks: “By Michael Angelo?”
“No — not know who.”
Then he shows us the ancient Roman Forum. The doctor asks: “Michael Angelo?”
A stare from the guide. “No — thousan’ year before he is born.”
Then an Egyptian obelisk. Again: “Michael Angelo?”
“Oh, mon dieu, genteelmen! Zis is two thousan’ year before he is born!”
He grows so tired of that unceasing question sometimes, that he dreads to show us any thing at all. The wretch has tried all the ways he can think of to make us comprehend that Michael Angelo is only responsible for the creation of a part of the world, but somehow he has not succeeded yet. Relief for overtasked eyes and brain from study and sightseeing is necessary, or we shall become idiotic sure enough. Therefore this guide must continue to suffer. If he does not enjoy it, so much the worse for him. We do.
In this place I may as well jot down a chapter concerning those necessary nuisances, European guides. Many a man has wished in his heart he could do without his