Metamorphoses. Ovid

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Metamorphoses - Ovid


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recesses of a cave, wanting sun, and not pervious to any wind, dismal and filled with benumbing cold; and which is ever without fire, and ever abounding with darkness.

      EXPLANATION.

      Cicero tells us, that there were several persons in ancient times named Mercury. The probability is, that one of them fell in love with Herse, one of the daughters of Cecrops, king of Athens; and that Aglauros becoming jealous of her, this tradition was built upon facts of so ordinary a nature.

      FABLE XIII.

      Pallas commands Envy to make Aglauros jealous of her sister Herse. Envy obeys the request of the Goddess; and Aglauros, stung with that passion, continues obstinate in opposing Mercury’s passage to her sister’s apartment, for which the God changes her into a statue.

      And that these causes of mischief may not wander through too wide a space, she places her sister before her eyes, and the fortunate marriage of that sister, and the God under his beauteous appearance, and aggravates each particular. By this, the daughter of Cecrops being irritated, is gnawed by a secret grief, and groans, tormented by night, tormented by day, and wastes away in extreme wretchedness, with a slow consumption, as ice smitten upon by a sun often clouded. She burns at the good fortune of the happy Herse, no otherwise than as when fire is placed beneath thorny reeds, which do not send forth flames, and burn with a gentle heat. Often does she wish to die, that she may not be a witness to any such thing; often, to tell the matters, as criminal, to her severe father. At last, she sat herself down in the front of the threshold, in order to exclude the God when he came; to whom, as he proffered blandishments and entreaties, and words of extreme kindness, she said, “Cease all this; I shall not remove myself hence, until thou art repulsed.” “Let us stand to that agreement,” says the active Cyllenian God; and he opens the carved door with his wand. But in her, as she endeavors to arise, the parts which we bend in sitting cannot be moved, through their numbing weight. She, indeed, struggles to raise herself, with her body, upright; but the joints of her knees are stiff, and a chill runs through her nails, and her veins are pallid, through the loss of blood.

      And as the disease of an incurable cancer is wont to spread in all directions, and to add the uninjured parts to the tainted; so, by degrees, did a deadly chill enter her breast, and stop the passages of life, and her respiration. She did not endeavor to speak; but if she had endeavored, she had no passage for her voice. Stone had now possession of her neck; her face was grown hard, and she sat, a bloodless statue. Nor was the stone white; her mind had stained it.

      EXPLANATION.

      Pausanias, in his Attica, somewhat varies this story, and says that the daughters of Cecrops, running mad, threw themselves from the top of a tower. It is very probable that on the introduction of the worship of Pallas, or Minerva, into Attica, these daughters of Cecrops may have hesitated to encourage the innovation, and the story was promulgated that the Goddess had in that manner punished their impiety. This seems the more likely, from the fact mentioned by Pausanias that Pandrosos, the third daughter of Cecrops, had, after her death, a temple built in honor of her, near that of Minerva, because she had continued faithful to that Goddess, and had not disobeyed her, as her sisters had done. The reputation and good fame of Herse and Aglauros had, however, been restored by the time of Herodotus, since he informs us that they both had their temples at Athens.

      FABLE XIV.

      Jupiter assumes the shape of a Bull, and carrying off Europa, swims with her on his back to the isle of Crete.

      Thus he spoke; and already were the bullocks, driven from the mountain, making for the shore named, where the daughter of the great king, attended by Tyrian virgins, was wont to amuse herself. Majesty and love but ill accord, nor can they continue in the same abode. The father and the ruler of the Gods, whose right hand is armed with the three-forked flames, who shakes the world with his nod, laying aside the dignity of empire, assumes the appearance of a bull; and mixing with the oxen, he lows, and, in all his beauty, walks about upon the shooting grass. For his color is that of snow, which neither the soles of hard feet have trodden upon, nor the watery South wind melted. His neck swells with muscles; dewlaps hang from between his shoulders. His horns are small indeed, but such as you might maintain were made with the hand, and more transparent than a bright gem. There is nothing threatening in his forehead; nor is his eye formidable; his countenance expresses peace.

      The daughter of Agenor is surprised that he is so beautiful, and that he threatens no attack; but although so gentle, she is at first afraid to touch him. By and by she approaches him, and holds out flowers to his white mouth. The lover rejoices, and till his hoped-for pleasure comes, he gives kisses to her hands; scarcely, oh, scarcely, does he defer the rest. And now he plays with her, and skips upon the green grass; and now he lays his snow-white side upon the yellow sand. And, her fear now removed by degrees, at one moment he gives his breast to be patted by the hand of the virgin; at another, his horns to be wreathed with new-made garlands. The virgin of royal birth even ventured to sit down upon the back of the bull, not knowing upon whom she was pressing. Then the God, by degrees moving from the land, and from the dry shore, places the fictitious hoofs of his feet in the waves near the brink. Then he goes still further, and carries his prize over


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