Wilhelm Meister's Apprenticeship and Travels, Vol. I (of 2). Johann Wolfgang von Goethe

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Wilhelm Meister's Apprenticeship and Travels, Vol. I (of 2) - Johann Wolfgang von Goethe


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along with it a merry and friendly word.

      Scarcely had they reached the Mill, and ordered dinner, when a strain of music struck up before the house. It was some miners singing various pretty songs, and accompanying their clear and shrill voices with a cithern and triangle. In a short while the gathering crowd had formed a ring about them, and our company nodded approbation to them from the windows. Observing this attention, they expanded their circle, and seemed making preparation for their grandest piece. After some pause, a miner stepped forward with a mattock in his hand; and, while the others played a serious tune, he set himself to represent the action of digging.

      Ere long a peasant came from among the crowd, and, by pantomimic threats, let the former know that he must cease and remove. Our company were greatly surprised at this: they did not discover that the peasant was a miner in disguise, till he opened his mouth, and, in a sort of recitative, rebuked the other for daring to meddle with his field. The latter did not lose his composure of mind, but began to inform the husbandman about his right to break ground there; giving him withal some primary conceptions of mineralogy. The peasant, not being master of his foreign terminology, asked all manner of silly questions; whereat the spectators, as themselves more knowing, set up many a hearty laugh. The miner endeavored to instruct him, and showed him the advantage, which, in the long-run, would reach even him, if the deep-lying treasures of the land were dug out from their secret beds. The peasant, who at first had threatened his instructor with blows, was gradually pacified; and they parted good friends at last, though it was the miner chiefly that got out of this contention with honor.

      "In this little dialogue," said Wilhelm, when seated at the table, "we have a lively proof how useful the theatre might be to all ranks; what advantage even the state might procure from it, if the occupations, trades, and undertakings of men were brought upon the stage, and presented on their praiseworthy side, in that point of view in which the state itself should honor and protect them. As matters stand, we exhibit only the ridiculous side of men: the comic poet is, as it were, but a spiteful tax-gatherer, who keeps a watchful eye over the errors of his fellow-subjects, and seems gratified when he can fix any charge upon them. Might it not be a worthy and pleasing task for a statesman to survey the natural and reciprocal influence of all classes on each other, and to guide some poet, gifted with sufficient humor, in such labors as these? In this way, I am persuaded, many very entertaining, both agreeable and useful, pieces, might be executed."

      "So far," said Laertes, "as I, in wandering about the world, have been able to observe, statesmen are accustomed merely to forbid, to hinder, to refuse, but very rarely to invite, to further, to reward. They let all things go along, till some mischief happens: then they get into a rage, and lay about them."

      "A truce with state and statesmen!" said Philina: "I cannot form a notion of statesmen except in periwigs; and a periwig, wear it who will, always gives my fingers a spasmodic motion: I could like to pluck it off the venerable gentleman, to skip up and down the room with it, and laugh at the bald head."

      So, with a few lively songs, which she could sing very beautifully, Philina cut short their conversation, and urged them to a quick return homewards, that they might arrive in time for seeing the performance of the rope-dancers in the evening. On the road back she continued her lavish generosity, in a style of gayety reaching to extravagance; for at last, every coin belonging to herself or her companions being spent, she threw her straw hat from the window to a girl, and her neckerchief to an old woman, who asked her for alms.

      Philina invited both of her attendants to her own apartments, because, she said, the spectacle could be seen more conveniently from her windows than from theirs.

      On arriving, they found the stage set up, and the background decked with suspended carpets. The swing-boards were already fastened, the slack-rope fixed to posts, the tight-rope bound over trestles. The square was moderately filled with people, and the windows with spectators of some quality.

      Pickleherring, with a few insipidities, at which the lookers-on are generally kind enough to laugh, first prepared the meeting to attention and good-humor. Some children, whose bodies were made to exhibit the strangest contortions, awakened astonishment or horror; and Wilhelm could not, without the deepest sympathy, see the child he had at the first glance felt an interest in, go through her fantastic positions with considerable difficulty. But the merry tumblers soon changed the feeling into that of lively satisfaction, when they first singly, then in rows, and at last all together, vaulted up into the air, making somersets backwards and forwards. A loud clapping of hands and a strong huzza echoed from the whole assembly.

      The general attention was next directed to quite a different object. The children in succession had to mount the rope, – the learners first, that by practising they might prolong the spectacle, and show the difficulties of the art more clearly. Some men and full-grown women likewise exhibited their skill to moderate advantage; but still there was no Monsieur Narciss, no Demoiselle Landrinette.

      At last this worthy pair came forth: they issued from a kind of tent with red spread curtains, and, by their agreeable forms and glittering decorations, fulfilled the hitherto increasing hopes of the spectators. He, a hearty knave, of middle stature, with black eyes and a strong head of hair; she, formed with not inferior symmetry, – exhibited themselves successively upon the rope, with delicate movements, leaping, and singular postures. Her airy lightness, his audacity; the exactitude with which they both performed their feats of art, – raised the universal satisfaction higher at every step and spring. The stateliness with which they bore themselves, the seeming attentions of the rest to them, gave them the appearance of king and queen of the whole troop; and all held them worthy of the rank.

      The animation of the people spread to the spectators at the windows: the ladies looked incessantly at Narciss, the gentlemen at Landrinette. The populace hurrahed, the more cultivated public could not keep from clapping of the hands: Pickleherring now could scarcely raise a laugh. A few, however, slunk away when some members of the troop began to press through the crowd with their tin plates to collect money.

      "They have made their purpose good, I imagine," said Wilhelm to Philina, who was leaning over the window beside him. "I admire the ingenuity with which they have turned to advantage even the meanest parts of their performance: out of the unskilfulness of their children, and exquisiteness of their chief actors, they have made up a whole which at first excited our attention, and then gave us very fine entertainment."

      The people by degrees dispersed; and the square was again become empty, while Philina and Laertes were disputing about the forms and the skill of Narciss and Landrinette, and rallying each other on the subject at great length. Wilhelm noticed the wonderful child standing on the street near some other children at play: he showed her to Philina, who, in her lively way, immediately called and beckoned to the little one, and, this not succeeding, tripped singing down stairs, and led her up by the hand.

      "Here is the enigma," said she, as she brought her to the door. The child stood upon the threshold, as if she meant again to run off; laid her right hand on her breast, the left on her brow, and bowed deeply. "Fear nothing, my little dear," said Wilhelm, rising, and going towards her. She viewed him with a doubting look, and came a few steps nearer.

      "What is thy name?" he asked. "They call me Mignon." – "How old art thou?" – "No one has counted." – "Who was thy father?" – "The Great Devil is dead."

      "Well! this is singular enough," said Philina. They asked her a few more questions: she gave her answers in a kind of broken German, and with a strangely solemn manner; every time laying her hands on her breast and brow, and bowing deeply.

      Wilhelm could not satisfy himself with looking at her. His eyes and his heart were irresistibly attracted by the mysterious condition of this being. He reckoned her about twelve or thirteen years of age: her body was well formed, only her limbs gave promise of a stronger growth, or else announced a stunted one. Her countenance was not regular, but striking; her brow full of mystery; her nose extremely beautiful; her mouth, although it seemed too closely shut for one of her age, and though she often threw it to a side, had yet an air of frankness, and was very lovely. Her brownish complexion could scarcely be discerned through the paint. This form stamped itself deeply in Wilhelm's soul: he kept looking at her earnestly, and forgot the present scene in the multitude of his reflections. Philina waked him from his half-dream,


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