Wilhelm Meister's Apprenticeship and Travels, Vol. I (of 2). Johann Wolfgang von Goethe
Читать онлайн книгу.
about the court-yards and gardens, smote fearfully upon each other's shields and heads: many flaws of discord rose among us, but none that lasted.
"This diversion greatly entertained my fellows; but scarcely had it been twice or thrice repeated, when it ceased to content me. The aspect of so many harnessed figures naturally stimulated in my mind those ideas of chivalry, which for some time, since I had commenced the reading of old romances, were filling my imagination.
"Koppen's translation of 'Jerusalem Delivered' at length fell into my hands, and gave these wandering thoughts a settled direction. The whole poem, it is true, I could not read; but there were passages which I learned by heart, and the images expressed in these hovered round me. Particularly was I captivated with Clorinda, and all her deeds and bearing. The masculine womanhood, the peaceful completeness of her being, had a greater influence upon my mind, just beginning to unfold itself, than the factitious charms of Armida; though the garden of that enchantress was by no means an object of my contempt.
"But a hundred and a hundred times, while walking in the evenings on the balcony which stretches along the front of the house, and looking over the neighborhood, as the quivering splendor streamed up at the horizon from the departed sun, and the stars came forth, and night pressed forward from every cleft and hollow, and the small, shrill tone of the cricket tinkled through the solemn stillness, – a hundred and a hundred times have I repeated to myself the history of the mournful duel between Tancred and Clorinda.
"However strongly I inclined by nature to the party of the Christians, I could not help declaring for the Paynim heroine with all my heart when she engaged to set on fire the great tower of the besiegers. And when Tancred in the darkness met the supposed knight, and the strife began between them under that veil of gloom, and the two battled fiercely, I could never pronounce the words, —
"'But now the sure and fated hour is nigh:
Clorinda's course is ended, – she must die;' —
without tears rushing into my eyes, which flowed plentifully when the hapless lover, plunging his sword into her breast, opened the departing warrior's helmet, recognized the lady of his heart, and, shuddering, brought water to baptize her.
"How my heart ran over when Tancred struck with his sword that tree in the enchanted wood; when blood flowed from the gash, and a voice sounded in his ears, that now again he was wounding Clorinda; that Destiny had marked him out ever unwittingly to injure what he loved beyond all else.
"The recital took such hold of my imagination, that what I had read of the poem began dimly, in my mind, to conglomerate into a whole; wherewith I was so taken that I could not but propose to have it some way represented. I meant to have Tancred and Rinaldo acted; and, for this purpose, two coats of mail, which I had before manufactured, seemed expressly suitable. The one, formed of dark-gray paper with scales, was to serve for the solemn Tancred; the other, of silver and gilt paper, for the magnificent Rinaldo. In the vivacity of my anticipations, I told the whole project to my comrades, who felt quite charmed with it, except that they could not well comprehend how so glorious a thing could be exhibited, and, above all, exhibited by them.
"Such scruples I easily set aside. Without hesitation, I took upon me, in idea, the management of two rooms in the house of a neighboring playmate; not calculating that his venerable aunt would never give them up, or considering how a theatre could be made of them, whereof I had no settled notion, except that it was to be fixed on beams, to have side-scenes made of parted folding-screens, and on the floor a large piece of cloth. From what quarter these materials and furnishings were to come, I had not determined.
"So far as concerned the forest, we fell upon a good expedient. We betook ourselves to an old servant of one of our families, who had now become a woodman, with many entreaties that he would get us a few young firs and birches; which actually arrived more speedily than we had reason to expect. But, in the next place, great was our embarrassment as to how the piece should be got up before the trees were withered. Now was the time for prudent counsel. We had no house, no scenery, no curtain: the folding-screens were all we had.
"In this forlorn condition we again applied to the lieutenant, giving him a copious description of all the glorious things we meant to do. Little as he understood us, he was very helpful: he piled all the tables he could get in the house or neighborhood, one above the other, in a little room: to these he fixed our folding-screens, and made a back-view with green curtains, sticking up our trees along with it.
"At length the appointed evening came: the candles were lit, the maids and children were sitting in their places, the piece was to go forward, the whole corps of heroes was equipped and dressed, – when each for the first time discovered that he knew not what he was to say. In the heat of invention, being quite immersed in present difficulties, I had forgotten the necessity of each understanding what and where he was to speak; nor, in the midst of our bustling preparations, had it once occurred to the rest; each believing he could easily enact a hero, easily so speak and bear himself, as became the personage into whose world I had transplanted him. They all stood wonder-struck, asking, What was to come first? I alone, having previously got ready Tancred's part, entered solus on the scene, and began reciting some verses of the epic. But as the passage soon changed into narrative, and I, while speaking, was at once transformed into a third party, and the bold Godfredo, when his turn came, would not venture forth, I was at last obliged to take leave of my spectators under peals of laughter, – a disaster which cut me to the heart. Thus had our undertaking proved abortive; but the company still kept their places, still wishing to see something. All of us were dressed: I screwed my courage up, and determined, foul or fair, to give them David and Goliath. Some of my companions had before this helped me to exhibit the puppet-play; all of them had often seen it; we shared the characters among us; each promised to do his best; and one small, grinning urchin painted a black beard upon his chin, and undertook, if any lacuna should occur, to fill it with drollery as harlequin, – an arrangement to which, as contradicting the solemnity of the piece, I did not consent without extreme reluctance; and I vowed within myself, that, if once delivered out of this perplexity, I would think long and well before risking the exhibition of another play."
CHAPTER VIII
Mariana, overpowered with sleep, leaned upon her lover, who clasped her close to him, and proceeded in his narrative; while the old damsel prudently sipped up the remainder of the wine.
"The embarrassment," he said, "into which, along with my companions, I had fallen, by attempting to act a play that did not anywhere exist, was soon forgotten. My passion for representing each romance I read, each story that was told me, would not yield before the most unmanageable materials. I felt convinced that whatever gave delight in narrative must produce a far deeper impression when exhibited: I wanted to have every thing before my eyes, every thing brought forth upon the stage. At school, when the elements of general history were related to us, I carefully marked the passages where any person had been slain or poisoned in a singular way; and my imagination, glancing rapidly along the exposition and intrigue, hastened to the interesting fifth act. Indeed, I actually began to write some plays from the end backwards, without, however, in any of them reaching the beginning.
"At the same time, partly by inclination, partly by the counsel of my good friends, who had caught the fancy of acting plays, I read a whole wilderness of theatrical productions, as chance put them into my hands. I was still in those happy years when all things please us, when number and variety yield us abundant satisfaction. Unfortunately, too, my taste was corrupted by another circumstance. Any piece delighted me especially, in which I could hope to give delight; there were few which I did not peruse in this agreeable delusion: and my lively conceptive power enabling me to transfer myself into all the characters, seduced me to believe that I might likewise represent them all. Hence, in the distribution of the parts, I commonly selected such as did not fit me, and always more than one part, if I could by any means accomplish more.
"In their games, children can make all things out of any: a staff becomes a musket, a splinter of wood a sword, any bunch of cloth a puppet, any crevice a chamber. Upon this principle was our private theatre got up. Totally unacquainted with the measure of our strength, we undertook all: we stuck at no quid pro quo, and felt convinced that every one would take us for what we gave ourselves