Bouvard and Pécuchet, part 2. Gustave Flaubert
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is wrong.”
“Why is it wrong?”
Could it be that the children had no idea of justice? Perhaps so.
And the same evening, Pécuchet, with Bouvard sitting at his right, and facing the two pupils with some notes in his hand, began a course of lectures on morality.
“This science teaches us to exercise control over our actions.
“They have two motives – pleasure and interest, and a third, more imperious – duty.
“Duties are divided into two classes: first, duties towards ourselves, which consist in taking care of our bodies, protecting ourselves against all injury.” (They understood this perfectly.) “Secondly, duties towards others; that is to say, to be always loyal, good-natured, and even fraternal, the human race being only one single family. A thing often pleases us which is injurious to our fellows; interest is a different thing from good, for good is in itself irreducible.” (The children did not comprehend.) He put off the sanction of duties until the next occasion.
In the entire lecture, according to Bouvard, he had not defined “good.”
“Why do you wish to define it? We feel it.”
So, then, the lessons of morality would suit only moral people – and Pécuchet’s course did not go further.
They made their pupils read little tales tending to inspire them with the love of virtue. They plagued Victor to death.
In order to strike his imagination, Pécuchet suspended from the walls of his apartment representations of the lives of the good person and the bad person respectively. The first, Adolphe, embraced his mother, studied German, assisted a blind man, and was admitted into the Polytechnic School. The bad person, Eugène, began by disobeying his father, had a quarrel in a café, beat his wife, fell down dead drunk, smashed a cupboard – and a final picture represented him in jail, where a gentleman, accompanied by a young lad, pointed him out, saying, “You see, my son, the dangers of misconduct.”
But for the children, the future had no existence. In vain were their minds saturated with the maxim that “work is honourable,” and that “the rich are sometimes unhappy.” They had known workmen in no way honoured, and had recollections of the château, where life seemed good. The pangs of remorse were depicted for them with so much exaggeration that they smelled humbug, and after that became distrustful. Attempts were then made to govern their conduct by a sense of honour, the idea of public opinion, and the sentiment of glory, by holding up to their admiration great men; above all, men who made themselves useful, like Belzunce, Franklin, and Jacquard. Victor displayed no longing to resemble them.
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