El Dorado: An Adventure of the Scarlet Pimpernel. Emma Orczy
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attribute of her young, wholly unsophisticated girlhood. The citizen was goodly to look at; he was kneeling at her feet, and his lips were pressed against her hand.
Armand was young and he was an idealist. I do not for a moment imagine that just at this moment he was deeply in love. The stronger feeling had not yet risen up in him; it came later when tragedy encompassed him and brought passion to sudden maturity. Just now he was merely yielding himself up to the intoxicating moment, with all the abandonment, all the enthusiasm of the Latin race. There was no reason why he should not bend the knee before this exquisite little cameo, that by its very presence was giving him an hour of perfect pleasure and of aesthetic joy.
Outside the world continued its hideous, relentless way; men butchered one another, fought and hated. Here in this small old-world salon, with its faded satins and bits of ivory-tinted lace, the outer universe had never really penetrated. It was a tiny world—quite apart from the rest of mankind, perfectly peaceful and absolutely beautiful.
If Armand had been allowed to depart from here now, without having been the cause as well as the chief actor in the events that followed, no doubt that Mademoiselle Lange would always have remained a charming memory with him, an exquisite bouquet of violets pressed reverently between the leaves of a favourite book of poems, and the scent of spring flowers would in after years have ever brought her dainty picture to his mind.
He was murmuring pretty words of endearment; carried away by emotion, his arm stole round her waist; he felt that if another tear came like a dewdrop rolling down her cheek he must kiss it away at its very source. Passion was not sweeping them off their feet—not yet, for they were very young, and life had not as yet presented to them its most unsolvable problem.
But they yielded to one another, to the springtime of their life, calling for Love, which would come presently hand in hand with his grim attendant, Sorrow.
Even as Armand’s glowing face was at last lifted up to hers asking with mute lips for that first kiss which she already was prepared to give, there came the loud noise of men’s heavy footsteps tramping up the old oak stairs, then some shouting, a woman’s cry, and the next moment Madame Belhomme, trembling, wide-eyed, and in obvious terror, came rushing into the room.
“Jeanne! Jeanne! My child! It is awful! It is awful! Mon Dieu—mon Dieu! What is to become of us?”
She was moaning and lamenting even as she ran in, and now she threw her apron over her face and sank into a chair, continuing her moaning and her lamentations.
Neither Mademoiselle nor Armand had stirred. They remained like graven images, he on one knee, she with large eyes fixed upon his face. They had neither of them looked on the old woman; they seemed even now unconscious of her presence. But their ears had caught the sound of that measured tramp of feet up the stairs of the old house, and the halt upon the landing; they had heard the brief words of command:
“Open, in the name of the people!”
They knew quite well what it all meant; they had not wandered so far in the realms of romance that reality—the grim, horrible reality of the moment—had not the power to bring them back to earth.
That peremptory call to open in the name of the people was the prologue these days to a drama which had but two concluding acts: arrest, which was a certainty; the guillotine, which was more than probable. Jeanne and Armand, these two young people who but a moment ago had tentatively lifted the veil of life, looked straight into each other’s eyes and saw the hand of death interposed between them: they looked straight into each other’s eyes and knew that nothing but the hand of death would part them now. Love had come with its attendant, Sorrow; but he had come with no uncertain footsteps. Jeanne looked on the man before her, and he bent his head to imprint a glowing kiss upon her hand.
“Aunt Marie!”
It was Jeanne Lange who spoke, but her voice was no longer that of an irresponsible child; it was firm, steady and hard. Though she spoke to the old woman, she did not look at her; her luminous brown eyes rested on the bowed head of Armand St. Just.
“Aunt Marie!” she repeated more peremptorily, for the old woman, with her apron over her head, was still moaning, and unconscious of all save an overmastering fear.
“Open, in the name of the people!” came in a loud harsh voice once more from the other side of the front door.
“Aunt Marie, as you value your life and mine, pull yourself together,” said Jeanne firmly.
“What shall we do? Oh! what shall we do?” moaned Madame Belhomme. But she had dragged the apron away from her face, and was looking with some puzzlement at meek, gentle little Jeanne, who had suddenly become so strange, so dictatorial, all unlike her habitual somewhat diffident self.
“You need not have the slightest fear, Aunt Marie, if you will only do as I tell you,” resumed Jeanne quietly; “if you give way to fear, we are all of us undone. As you value your life and mine,” she now repeated authoritatively, “pull yourself together, and do as I tell you.”
The girl’s firmness, her perfect quietude had the desired effect. Madame Belhomme, though still shaken up with sobs of terror, made a great effort to master herself; she stood up, smoothed down her apron, passed her hand over her ruffled hair, and said in a quaking voice:
“What do you think we had better do?”
“Go quietly to the door and open it.”
“But—the soldiers—”
“If you do not open quietly they will force the door open within the next two minutes,” interposed Jeanne calmly. “Go quietly and open the door. Try and hide your fears, grumble in an audible voice at being interrupted in your cooking, and tell the soldiers at once that they will find mademoiselle in the boudoir. Go, for God’s sake!” she added, whilst suppressed emotion suddenly made her young voice vibrate; “go, before they break open that door!”
Madame Belhomme, impressed and cowed, obeyed like an automaton. She turned and marched fairly straight out of the room. It was not a minute too soon. From outside had already come the third and final summons:
“Open, in the name of the people!”
After that a crowbar would break open the door.
Madame Belhomme’s heavy footsteps were heard crossing the ante-chamber. Armand still knelt at Jeanne’s feet, holding her trembling little hand in his.
“A love-scene,” she whispered rapidly, “a love-scene—quick—do you know one?”
And even as he had tried to rise she held him back, down on his knees.
He thought that fear was making her distracted.
“Mademoiselle—” he murmured, trying to soothe her.
“Try and understand,” she said with wonderful calm, “and do as I tell you. Aunt Marie has obeyed. Will you do likewise?”
“To the death!” he whispered eagerly.
“Then a love-scene,” she entreated. “Surely you know one. Rodrigue and Chimene! Surely—surely,” she urged, even as tears of anguish rose into her eyes, “you must—you must, or, if not that, something else. Quick! The very seconds are precious!”
They were indeed! Madame Belhomme, obedient as a frightened dog, had gone to the door and opened it; even her well-feigned grumblings could now be heard and the rough interrogations from the soldiery.
“Citizeness Lange!” said a gruff voice.
“In her boudoir, quoi!”
Madame Belhomme, braced up apparently by fear, was playing her part remarkably well.
“Bothering good citizens! On baking day, too!” she went on grumbling and muttering.
“Oh, think—think!” murmured Jeanne now in an agonised whisper, her hot little hand grasping his so tightly that her nails were driven into his flesh. “You must know something, that will do—anything—for dear life’s sake.... Armand!”
His name—in the tense excitement of this terrible moment—had escaped her lips.
All