El Dorado: An Adventure of the Scarlet Pimpernel. Emma Orczy
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to the theatre to-night. I am playing Camille—such a fine part! one of my greatest successes.”
“Yes, yes, I’ll come—mayhap, mayhap—but I’ll go now—glad to have seen you, citizeness. Where does your cousin lodge?” he asked abruptly.
“Here,” she replied boldly, on the spur of the moment.
“Good. Let him report himself to-morrow morning at the Conciergerie, and get his certificate of safety. It is a new decree, and you should have one, too.”
“Very well, then. Hector and I will come together, and perhaps Aunt Marie will come too. Don’t send us to maman guillotine yet awhile, citizen,” she said lightly; “you will never get such another Camille, nor yet so good a Celimene.”
She was gay, artless to the last. She accompanied Heron to the door herself, chaffing him about his escort.
“You are an aristo, citizen,” she said, gazing with well-feigned admiration on the two sleuth-hounds who stood in wait in the anteroom; “it makes me proud to see so many citizens at my door. Come and see me play Camille—come to-night, and don’t forget the green-room door—it will always be kept invitingly open for you.”
She bobbed him a curtsey, and he walked out, closely followed by his two men; then at last she closed the door behind them. She stood there for a while, her ear glued against the massive panels, listening for their measured tread down the oak staircase. At last it rang more sharply against the flagstones of the courtyard below; then she was satisfied that they had gone, and went slowly back to the boudoir.
CHAPTER X. SHADOWS
The tension on her nerves relaxed; there was the inevitable reaction. Her knees were shaking under her, and she literally staggered into the room.
But Armand was already near her, down on both his knees this time, his arms clasping the delicate form that swayed like the slender stems of narcissi in the breeze.
“Oh! you must go out of Paris at once—at once,” she said through sobs which no longer would be kept back.
“He’ll return—I know that he will return—and you will not be safe until you are back in England.”
But he could not think of himself or of anything in the future. He had forgotten Heron, Paris, the world; he could only think of her.
“I owe my life to you!” he murmured. “Oh, how beautiful you are—how brave! How I love you!”
It seemed that he had always loved her, from the moment that first in his boyish heart he had set up an ideal to worship, and then, last night, in the box of the theatre—he had his back turned toward the stage, and was ready to go—her voice had called him back; it had held him spellbound; her voice, and also her eyes.... He did not know then that it was Love which then and there had enchained him. Oh, how foolish he had been! for now he knew that he had loved her with all his might, with all his soul, from the very instant that his eyes had rested upon her.
He babbled along—incoherently—in the intervals of covering her hands and the hem of her gown with kisses. He stooped right down to the ground and kissed the arch of her instep; he had become a devotee worshipping at the shrine of his saint, who had performed a great and a wonderful miracle.
Armand the idealist had found his ideal in a woman. That was the great miracle which the woman herself had performed for him. He found in her all that he had admired most, all that he had admired in the leader who hitherto had been the only personification of his ideal. But Jeanne possessed all those qualities which had roused his enthusiasm in the noble hero whom he revered. Her pluck, her ingenuity, her calm devotion which had averted the threatened danger from him!
What had he done that she should have risked her own sweet life for his sake?
But Jeanne did not know. She could not tell. Her nerves now were somewhat unstrung, and the tears that always came so readily to her eyes flowed quite unchecked. She could not very well move, for he held her knees imprisoned in his arms, but she was quite content to remain like this, and to yield her hands to him so that he might cover them with kisses.
Indeed, she did not know at what precise moment love for him had been born in her heart. Last night, perhaps… she could not say … but when they parted she felt that she must see him again… and then today… perhaps it was the scent of the violets… they were so exquisitely sweet… perhaps it was his enthusiasm and his talk about England… but when Heron came she knew that she must save Armand’s life at all cost… that she would die if they dragged him away to prison.
Thus these two children philosophised, trying to understand the mystery of the birth of Love. But they were only children; they did not really understand. Passion was sweeping them off their feet, because a common danger had bound them irrevocably to one another. The womanly instinct to save and to protect had given the young girl strength to bear a difficult part, and now she loved him for the dangers from which she had rescued him, and he loved her because she had risked her life for him.
The hours sped on; there was so much to say, so much that was exquisite to listen to. The shades of evening were gathering fast; the room, with its pale-toned hangings and faded tapestries, was sinking into the arms of gloom. Aunt Marie was no doubt too terrified to stir out of her kitchen; she did not bring the lamps, but the darkness suited Armand’s mood, and Jeanne was glad that the gloaming effectually hid the perpetual blush in her cheeks.
In the evening air the dying flowers sent their heady fragrance around. Armand was intoxicated with the perfume of violets that clung to Jeanne’s fingers, with the touch of her satin gown that brushed his cheek, with the murmur of her voice that quivered through her tears.
No noise from the ugly outer world reached this secluded spot. In the tiny square outside a street lamp had been lighted, and its feeble rays came peeping in through the lace curtains at the window. They caught the dainty silhouette of the young girl, playing with the loose tendrils of her hair around her forehead, and outlining with a thin band of light the contour of neck and shoulder, making the satin of her gown shimmer with an opalescent glow.
Armand rose from his knees. Her eyes were calling to him, her lips were ready to yield.
“Tu m’aimes?” he whispered.
And like a tired child she sank upon his breast.
He kissed her hair, her eyes, her lips; her skin was fragrant as the flowers of spring, the tears on her cheeks glistened like morning dew.
Aunt Marie came in at last, carrying the lamp. She found them sitting side by side, like two children, hand in hand, mute with the eloquence which comes from boundless love. They were under a spell, forgetting even that they lived, knowing nothing except that they loved.
The lamp broke the spell, and Aunt Marie’s still trembling voice:
“Oh, my dear! how did you manage to rid yourself of those brutes?”
But she asked no other question, even when the lamp showed up quite clearly the glowing cheeks of Jeanne and the ardent eyes of Armand. In her heart, long since atrophied, there were a few memories, carefully put away in a secret cell, and those memories caused the old woman to understand.
Neither Jeanne nor Armand noticed what she did; the spell had been broken, but the dream lingered on; they did not see Aunt Marie putting the room tidy, and then quietly tiptoeing out by the door.
But through the dream, reality was struggling for recognition. After Armand had asked for the hundredth time: “Tu m’aimes?” and Jeanne for the hundredth time had replied mutely with her eyes, her fears for him suddenly returned.
Something had awakened her from her trance—a heavy footstep, mayhap, in the street below, the distant roll of a drum, or only the clash of steel saucepans in Aunt Marie’s kitchen. But suddenly Jeanne was alert, and with her alertness came terror for the beloved.
“Your life,” she said—for he had called her his life just then, “your life—and I was forgetting that it is still in danger… your dear, your precious life!”
“Doubly dear now,” he replied, “since I owe it to you.”
“Then