El Dorado: An Adventure of the Scarlet Pimpernel. Emma Orczy
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just yet, and here the good demon Chance had given him an opportunity for obtaining what he wanted.
He waited quietly until the fall of the curtain at the end of Act II.; then, as Armand, with a sigh of delight, leaned back in his chair, and closing his eyes appeared to be living the last half-hour all over again, de Batz remarked with well-assumed indifference:
“Mlle. Lange is a promising young actress. Do you not think so, my friend?”
“She has a perfect voice—it was exquisite melody to the ear,” replied Armand. “I was conscious of little else.”
“She is a beautiful woman, nevertheless,” continued de Batz with a smile. “During the next act, my good St. Just, I would suggest that you open your eyes as well as your ears.”
Armand did as he was bidden. The whole appearance of Mlle. Lange seemed in harmony with her voice. She was not very tall, but eminently graceful, with a small, oval face and slender, almost childlike figure, which appeared still more so above the wide hoops and draped panniers of the fashions of Moliere’s time.
Whether she was beautiful or not the young man hardly knew. Measured by certain standards, she certainly was not so, for her mouth was not small, and her nose anything but classical in outline. But the eyes were brown, and they had that half-veiled look in them—shaded with long lashes that seemed to make a perpetual tender appeal to the masculine heart: the lips, too, were full and moist, and the teeth dazzling white. Yes!—on the whole we might easily say that she was exquisite, even though we did not admit that she was beautiful.
Painter David has made a sketch of her; we have all seen it at the Musee Carnavalet, and all wondered why that charming, if irregular, little face made such an impression of sadness.
There are five acts in “Le Misanthrope,” during which Celimene is almost constantly on the stage. At the end of the fourth act de Batz said casually to his friend:
“I have the honour of personal acquaintanceship with Mlle. Lange. An you care for an introduction to her, we can go round to the green room after the play.”
Did prudence then whisper, “Desist”? Did loyalty to the leader murmur, “Obey”? It were indeed difficult to say. Armand St. Just was not five-and-twenty, and Mlle. Lange’s melodious voice spoke louder than the whisperings of prudence or even than the call of duty.
He thanked de Batz warmly, and during the last half-hour, while the misanthropical lover spurned repentant Celimene, he was conscious of a curious sensation of impatience, a tingling of his nerves, a wild, mad longing to hear those full moist lips pronounce his name, and have those large brown eyes throw their half-veiled look into his own.
CHAPTER IV. MADEMOISELLE LANGE
The green-room was crowded when de Batz and St. Just arrived there after the performance. The older man cast a hasty glance through the open door. The crowd did not suit his purpose, and he dragged his companion hurriedly away from the contemplation of Mlle. Lange, sitting in a far corner of the room, surrounded by an admiring throng, and by innumerable floral tributes offered to her beauty and to her success.
De Batz without a word led the way back towards the stage. Here, by the dim light of tallow candles fixed in sconces against the surrounding walls, the scene-shifters were busy moving drop-scenes, back cloths and wings, and paid no heed to the two men who strolled slowly up and down silently, each wrapped in his own thoughts.
Armand walked with his hands buried in his breeches pockets, his head bent forward on his chest; but every now and again he threw quick, apprehensive glances round him whenever a firm step echoed along the empty stage or a voice rang clearly through the now deserted theatre.
“Are we wise to wait here?” he asked, speaking to himself rather than to his companion.
He was not anxious about his own safety; but the words of de Batz had impressed themselves upon his mind: “Heron and his spies we have always with us.”
From the green-room a separate foyer and exit led directly out into the street. Gradually the sound of many voices, the loud laughter and occasional snatches of song which for the past half-hour had proceeded from that part of the house, became more subdued and more rare. One by one the friends of the artists were leaving the theatre, after having paid the usual banal compliments to those whom they favoured, or presented the accustomed offering of flowers to the brightest star of the night.
The actors were the first to retire, then the older actresses, the ones who could no longer command a court of admirers round them. They all filed out of the greenroom and crossed the stage to where, at the back, a narrow, rickety wooden stairs led to their so-called dressing-rooms—tiny, dark cubicles, ill-lighted, unventilated, where some half-dozen of the lesser stars tumbled over one another while removing wigs and grease-paint.
Armand and de Batz watched this exodus, both with equal impatience. Mlle. Lange was the last to leave the green-room. For some time, since the crowd had become thinner round her, Armand had contrived to catch glimpses of her slight, elegant figure. A short passage led from the stage to the green-room door, which was wide open, and at the corner of this passage the young man had paused from time to time in his walk, gazing with earnest admiration at the dainty outline of the young girl’s head, with its wig of powdered curls that seemed scarcely whiter than the creamy brilliance of her skin.
De Batz did not watch Mlle. Lange beyond casting impatient looks in the direction of the crowd that prevented her leaving the green-room. He did watch Armand, however—noted his eager look, his brisk and alert movements, the obvious glances of admiration which he cast in the direction of the young actress, and this seemed to afford him a considerable amount of contentment.
The best part of an hour had gone by since the fall of the curtain before Mlle. Lange finally dismissed her many admirers, and de Batz had the satisfaction of seeing her running down the passage, turning back occasionally in order to bid gay “good-nights” to the loiterers who were loath to part from her. She was a child in all her movements, quite unconscious of self or of her own charms, but frankly delighted with her success. She was still dressed in the ridiculous hoops and panniers pertaining to her part, and the powdered peruke hid the charm of her own hair; the costume gave a certain stilted air to her unaffected personality, which, by this very sense of contrast, was essentially fascinating.
In her arms she held a huge sheaf of sweet-scented narcissi, the spoils of some favoured spot far away in the South. Armand thought that never in his life had he seen anything so winsome or so charming.
Having at last said the positively final adieu, Mlle. Lange with a happy little sigh turned to run down the passage.
She came face to face with Armand, and gave a sudden little gasp of terror. It was not good these days to come on any loiterer unawares.
But already de Batz had quickly joined his friend, and his smooth, pleasant voice, and podgy, beringed hand extended towards Mlle. Lange, were sufficient to reassure her.
“You were so surrounded in the green-room, mademoiselle,” he said courteously, “I did not venture to press in among the crowd of your admirers. Yet I had the great wish to present my respectful congratulations in person.”
“Ah! c’est ce cher de Batz!” exclaimed mademoiselle gaily, in that exquisitely rippling voice of hers. “And where in the world do you spring from, my friend?
“Hush-sh-sh!” he whispered, holding her small bemittened hand in his, and putting one finger to his lips with an urgent entreaty for discretion; “not my name, I beg of you, fair one.”
“Bah!” she retorted lightly, even though her full lips trembled now as she spoke and belied her very words. “You need have no fear whilst you are in this part of the house. It is an understood thing that the Committee of General Security does not send its spies behind the curtain of a theatre. Why, if all of us actors and actresses were sent to the guillotine there would be no play on the morrow. Artistes are not replaceable in a few hours; those that are in existence must perforce be spared, or the citizens who govern us now would not know where to spend their evenings.”
But though she spoke so airily and with her accustomed gaiety, it was easily perceived