El Dorado: An Adventure of the Scarlet Pimpernel. Emma Orczy
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that he even refuses to satisfy the first cravings of my just curiosity.”
“Citizen St. Just will tell you nothing now, mademoiselle,” rejoined de Batz with his good-humoured laugh; “it is my presence, I assure you, which is setting a seal upon his lips. He is, believe me, aching to confide in you, to share in your enthusiasm, and to see your beautiful eyes glowing in response to his ardour when he describes to you the exploits of that prince of heroes. En tete-a-tete one day, you will, I know, worm every secret out of my discreet friend Armand.”
Mademoiselle made no comment on this—that is to say, no audible comment—but she buried the whole of her face for a few seconds among the flowers, and Armand from amongst those flowers caught sight of a pair of very bright brown eyes which shone on him with a puzzled look.
She said nothing more about the Scarlet Pimpernel or about England just then, but after awhile she began talking of more indifferent subjects: the state of the weather, the price of food, the discomforts of her own house, now that the servants had been put on perfect equality with their masters.
Armand soon gathered that the burning questions of the day, the horrors of massacres, the raging turmoil of politics, had not affected her very deeply as yet. She had not troubled her pretty head very much about the social and humanitarian aspect of the present seething revolution. She did not really wish to think about it at all. An artiste to her finger-tips, she was spending her young life in earnest work, striving to attain perfection in her art, absorbed in study during the day, and in the expression of what she had learnt in the evenings.
The terrors of the guillotine affected her a little, but somewhat vaguely still. She had not realised that any dangers could assail her whilst she worked for the artistic delectation of the public.
It was not that she did not understand what went on around her, but that her artistic temperament and her environment had kept her aloof from it all. The horrors of the Place de la Revolution made her shudder, but only in the same way as the tragedies of M. Racine or of Sophocles which she had studied caused her to shudder, and she had exactly the same sympathy for poor Queen Marie Antoinette as she had for Mary Stuart, and shed as many tears for King Louis as she did for Polyeucte.
Once de Batz mentioned the Dauphin, but mademoiselle put up her hand quickly and said in a trembling voice, whilst the tears gathered in her eyes:
“Do not speak of the child to me, de Batz. What can I, a lonely, hard-working woman, do to help him? I try not to think of him, for if I did, knowing my own helplessness, I feel that I could hate my countrymen, and speak my bitter hatred of them across the footlights; which would be more than foolish,” she added naively, “for it would not help the child, and I should be sent to the guillotine. But oh sometimes I feel that I would gladly die if only that poor little child-martyr were restored to those who love him and given back once more to joy and happiness. But they would not take my life for his, I am afraid,” she concluded, smiling through her tears. “My life is of no value in comparison with his.”
Soon after this she dismissed her two visitors. De Batz, well content with the result of this evening’s entertainment, wore an urbane, bland smile on his rubicund face. Armand, somewhat serious and not a little in love, made the hand-kiss with which he took his leave last as long as he could.
“You will come and see me again, citizen St. Just?” she asked after that preliminary leave-taking.
“At your service, mademoiselle,” he replied with alacrity.
“How long do you stay in Paris?”
“I may be called away at any time.”
“Well, then, come to-morrow. I shall be free towards four o’clock. Square du Roule. You cannot miss the house. Any one there will tell you where lives citizeness Lange.”
“At your service, mademoiselle,” he replied.
The words sounded empty and meaningless, but his eyes, as they took final leave of her, spoke the gratitude and the joy which he felt.
CHAPTER V. THE TEMPLE PRISON
It was close on midnight when the two friends finally parted company outside the doors of the theatre. The night air struck with biting keenness against them when they emerged from the stuffy, overheated building, and both wrapped their caped cloaks tightly round their shoulders. Armand—more than ever now—was anxious to rid himself of de Batz. The Gascon’s platitudes irritated him beyond the bounds of forbearance, and he wanted to be alone, so that he might think over the events of this night, the chief event being a little lady with an enchanting voice and the most fascinating brown eyes he had ever seen.
Self-reproach, too, was fighting a fairly even fight with the excitement that had been called up by that same pair of brown eyes. Armand for the past four or five hours had acted in direct opposition to the earnest advice given to him by his chief; he had renewed one friendship which had been far better left in oblivion, and he had made an acquaintance which already was leading him along a path that he felt sure his comrade would disapprove. But the path was so profusely strewn with scented narcissi that Armand’s sensitive conscience was quickly lulled to rest by the intoxicating fragrance.
Looking neither to right nor left, he made his way very quickly up the Rue Richelieu towards the Montmartre quarter, where he lodged.
De Batz stood and watched him for as long as the dim lights of the street lamps illumined his slim, soberly-clad figure; then he turned on his heel and walked off in the opposite direction.
His florid, pock-marked face wore an air of contentment not altogether unmixed with a kind of spiteful triumph.
“So, my pretty Scarlet Pimpernel,” he muttered between his closed lips, “you wish to meddle in my affairs, to have for yourself and your friends the credit and glory of snatching the golden prize from the clutches of these murderous brutes. Well, we shall see! We shall see which is the wiliest—the French ferret or the English fox.”
He walked deliberately away from the busy part of the town, turning his back on the river, stepping out briskly straight before him, and swinging his gold-beaded cane as he walked.
The streets which he had to traverse were silent and deserted, save occasionally where a drinking or an eating house had its swing-doors still invitingly open. From these places, as de Batz strode rapidly by, came sounds of loud voices, rendered raucous by outdoor oratory; volleys of oaths hurled irreverently in the midst of impassioned speeches; interruptions from rowdy audiences that vied with the speaker in invectives and blasphemies; wordy war-fares that ended in noisy vituperations; accusations hurled through the air heavy with tobacco smoke and the fumes of cheap wines and of raw spirits.
De Batz took no heed of these as he passed, anxious only that the crowd of eating-house politicians did not, as often was its wont, turn out pele-mele into the street, and settle its quarrel by the weight of fists. He did not wish to be embroiled in a street fight, which invariably ended in denunciations and arrests, and was glad when presently he had left the purlieus of the Palais Royal behind him, and could strike on his left toward the lonely Faubourg du Temple.
From the dim distance far away came at intervals the mournful sound of a roll of muffled drums, half veiled by the intervening hubbub of the busy night life of the great city. It proceeded from the Place de la Revolution, where a company of the National Guard were on night watch round the guillotine. The dull, intermittent notes of the drum came as a reminder to the free people of France that the watchdog of a vengeful revolution was alert night and day, never sleeping, ever wakeful, “beating up game for the guillotine,” as the new decree framed to-day by the Government of the people had ordered that it should do.
From time to time now the silence of this lonely street was broken by a sudden cry of terror, followed by the clash of arms, the inevitable volley of oaths, the call for help, the final moan of anguish. They were the ever-recurring brief tragedies which told of denunciations, of domiciliary search, of sudden arrests, of an agonising desire for life and for freedom—for life under these same horrible conditions of brutality and of servitude, for freedom to breathe, if only a day or two longer, this air, polluted by filth and by blood.
De Batz, hardened to these scenes, paid no heed to