The American. Генри Джеймс
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together and slowly raised his shoulders. “A little conversation!”
“Conversation—that’s it!” murmured Mademoiselle Noémie, who had caught the word. “The conversation of the best society.”
“Our French conversation is famous, you know,” M. Nioche ventured to continue. “It’s a great talent.”
“But isn’t it awfully difficult?” asked Newman, very simply.
“Not to a man of esprit, like monsieur, an admirer of beauty in every form!” and M. Nioche cast a significant glance at his daughter’s Madonna.
“I can’t fancy myself chattering French!” said Newman with a laugh. “And yet, I suppose that the more a man knows the better.”
“Monsieur expresses that very happily. Hélas, oui!”
“I suppose it would help me a great deal, knocking about Paris, to know the language.”
“Ah, there are so many things monsieur must want to say: difficult things!”
“Everything I want to say is difficult. But you give lessons?”
Poor M. Nioche was embarrassed; he smiled more appealingly. “I am not a regular professor,” he admitted. “I can’t nevertheless tell him that I’m a professor,” he said to his daughter.
“Tell him it’s a very exceptional chance,” answered Mademoiselle Noémie; “an homme du monde—one gentleman conversing with another! Remember what you are—what you have been!”
“A teacher of languages in neither case! Much more formerly and much less to-day! And if he asks the price of the lessons?”
“He won’t ask it,” said Mademoiselle Noémie.
“What he pleases, I may say?”
“Never! That’s bad style.”
“If he asks, then?”
Mademoiselle Noémie had put on her bonnet and was tying the ribbons. She smoothed them out, with her soft little chin thrust forward. “Ten francs,” she said quickly.
“Oh, my daughter! I shall never dare.”
“Don’t dare, then! He won’t ask till the end of the lessons, and then I will make out the bill.”
M. Nioche turned to the confiding foreigner again, and stood rubbing his hands, with an air of seeming to plead guilty which was not intenser only because it was habitually so striking. It never occurred to Newman to ask him for a guarantee of his skill in imparting instruction; he supposed of course M. Nioche knew his own language, and his appealing forlornness was quite the perfection of what the American, for vague reasons, had always associated with all elderly foreigners of the lesson-giving class. Newman had never reflected upon philological processes. His chief impression with regard to ascertaining those mysterious correlatives of his familiar English vocables which were current in this extraordinary city of Paris was, that it was simply a matter of a good deal of unwonted and rather ridiculous muscular effort on his own part. “How did you learn English?” he asked of the old man.
“When I was young, before my miseries. Oh, I was wide awake, then. My father was a great commerçant; he placed me for a year in a counting-house in England. Some of it stuck to me; but much I have forgotten!”
“How much French can I learn in a month?”
“What does he say?” asked Mademoiselle Noémie.
M. Nioche explained.
“He will speak like an angel!” said his daughter.
But the native integrity which had been vainly exerted to secure M. Nioche’s commercial prosperity flickered up again. “Dame, monsieur!” he answered. “All I can teach you!” And then, recovering himself at a sign from his daughter, “I will wait upon you at your hotel.”
“Oh yes, I should like to learn French,” Newman went on, with democratic confidingness. “Hang me if I should ever have thought of it! I took for granted it was impossible. But if you learned my language, why shouldn’t I learn yours?” and his frank, friendly laugh drew the sting from the jest. “Only, if we are going to converse, you know, you must think of something cheerful to converse about.”
“You are very good, sir; I am overcome!” said M. Nioche, throwing out his hands. “But you have cheerfulness and happiness for two!”
“Oh no,” said Newman more seriously. “You must be bright and lively; that’s part of the bargain.”
M. Nioche bowed, with his hand on his heart. “Very well, sir; you have already made me lively.”
“Come and bring me my picture then; I will pay you for it, and we will talk about that. That will be a cheerful subject!”
Mademoiselle Noémie had collected her accessories, and she gave the precious Madonna in charge to her father, who retreated backwards out of sight, holding it at arm’s-length and reiterating his obeisance. The young lady gathered her shawl about her like a perfect Parisienne, and it was with the smile of a Parisienne that she took leave of her patron.
CHAPTER II
He wandered back to the divan and seated himself on the other side, in view of the great canvas on which Paul Veronese had depicted the marriage-feast of Cana. Wearied as he was he found the picture entertaining; it had an illusion for him; it satisfied his conception, which was ambitious, of what a splendid banquet should be. In the left-hand corner of the picture is a young woman with yellow tresses confined in a golden head-dress; she is bending forward and listening, with the smile of a charming woman at a dinner-party, to her neighbor. Newman detected her in the crowd, admired her, and perceived that she too had her votive copyist—a young man with his hair standing on end. Suddenly he became conscious of the germ of the mania of the “collector;” he had taken the first step; why should he not go on? It was only twenty minutes before that he had bought the first picture of his life, and now he was already thinking of art-patronage as a fascinating pursuit. His reflections quickened his good-humor, and he was on the point of approaching the young man with another “Combien?” Two or three facts in this relation are noticeable, although the logical chain which connects them may seem imperfect. He knew Mademoiselle Nioche had asked too much; he bore her no grudge for doing so, and he was determined to pay the young man exactly the proper sum. At this moment, however, his attention was attracted by a gentleman who had come from another part of the room and whose manner was that of a stranger to the gallery, although he was equipped with neither guide-book nor opera-glass. He carried a white sun-umbrella, lined with blue silk, and he strolled in front of the Paul Veronese, vaguely looking at it, but much too near to see anything but the grain of the canvas. Opposite to Christopher Newman he paused and turned, and then our friend, who had been observing him, had a chance to verify a suspicion aroused by an imperfect view of his face. The result of this larger scrutiny was that he presently sprang to his feet, strode across the room, and, with an outstretched hand, arrested the gentleman with the blue-lined umbrella. The latter stared, but put out his hand at a venture. He was corpulent and rosy, and though his countenance, which was ornamented with a beautiful flaxen beard, carefully divided in the middle and brushed outward at the sides, was not remarkable for intensity of expression, he looked like a person who would willingly shake hands with anyone. I know not what Newman thought of his face, but he found a want of response in his grasp.
“Oh, come, come,” he said, laughing; “don’t say, now, you don’t know me—if I have not got a white parasol!”
The sound of his voice quickened the other’s memory, his face expanded to its fullest capacity, and he also broke into a laugh. “Why, Newman—I’ll be blowed! Where in the world—I declare—who would have thought? You know you have changed.”
“You haven’t!” said Newman.
“Not for the better, no doubt. When did you get here?”
“Three days ago.”
“Why didn’t you let me know?”
“I