The Parisians — Complete. Эдвард Бульвер-Литтон
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passion for show are sapping the noblest elements of the old French manhood. Public opinion stamps with no opprobrium a minister or favourite who profits by a job; and I fear you will find that jobbing pervades all your administrative departments.”
“All very true,” said De Breze, with a shrug of the shoulders and in a tone of levity that seemed to ridicule the assertion he volunteered; “Virtue and Honour banished from courts and salons and the cabinet of authors ascend to fairer heights in the attics of ouvriers.”
“The ouvriers, ouvriers of Paris!” cried this terrible German.
“Ay, Monsieur le Comte, what can you say against our ouvriers? A German count cannot condescend to learn anything about ces petites gens.”
“Monsieur,” replied the German, “in the eyes of a statesman there are no petites gens, and in those of a philosopher no petites choses. We in Germany have too many difficult problems affecting our working classes to solve, not to have induced me to glean all the information I can as to the ouvriers of Paris. They have among them men of aspirations as noble as can animate the souls of philosophers and poets, perhaps not the less noble because common-sense and experience cannot follow their flight; but as a body the ouvriers of Paris have not been elevated in political morality by the benevolent aim of the Emperor to find them ample work and good wages independent of the natural laws that regulate the markets of labour. Accustomed thus to consider the State bound to maintain them, the moment the State fails in that impossible task, they will accommodate their honesty to a rush upon property under the name of social reform.
“Have you not noticed how largely increased within the last few years is the number of those who cry out, ‘La Propriete, cest le vol’? Have you considered the rapid growth of the International Association? I do not say that for all these evils—the Empire is exclusively responsible. To a certain degree they are found in all rich communities, especially where democracy is more or less in the ascendant. To a certain extent they exist in the large towns of Germany; they are conspicuously increasing in England; they are acknowledged to be dangerous in the United States of America; they are, I am told on good authority, making themselves visible with the spread of civilization in Russia. But under the French Empire they have become glaringly rampant, and I venture to predict that the day is not far off when the rot at work throughout all layers and strata of French society will insure a fall of the fabric at the sound of which the world will ring.
“There is many a fair and stately tree which continues to throw out its leaves and rear its crest till suddenly the wind smites it, and then, and not till then, the trunk which seems so solid is found to be but the rind to a mass of crumbled powder.”
“Monsieur le Comte,” said the Vicomte, “you are a severe critic and a lugubrious prophet; but a German is so safe from revolution that he takes alarm at the stir of movement which is the normal state of the French esprit.”
“French esprit may soon evaporate into Parisian betise. As to Germany being safe from revolution, allow me to repeat a saying of Goethe’s-but has Monsieur le Vicomte ever heard of Goethe?”
“Goethe, of course,—tres joli ecrivain.”
“Goethe said to some one who was making much the same remark as yourself, ‘We Germans are in a state of revolution now, but we do things so slowly that it will be a hundred years before we Germans shall find it out; but when completed, it will be the greatest revolution society has yet seen, and will last like the other revolutions that, beginning, scarce noticed, in Germany, have transformed the world.’”
“Diable, Monsieur le Comte! Germans transformed the world! What revolutions do you speak of?”
“The invention of gunpowder, the invention of printing, and the expansion of a monk’s quarrel with his Pope into the Lutheran revolution.”
Here the German paused, and asked the Vicomte to introduce him to Vane, which De Breze did by the title of Count von Rudesheim. On hearing Vane’s name, the Count inquired if he were related to the orator and statesman, George Graham Vane, whose opinions, uttered in Parliament, were still authoritative among German thinkers. This compliment to his deceased father immensely gratified but at the same time considerably surprised the Englishman. His father, no doubt, had been a man of much influence in the British House of Commons,—a very weighty speaker, and, while in office, a first-rate administrator; but Englishmen know what a House of Commons reputation is,—how fugitive, how little cosmopolitan; and that a German count should ever have heard of his father delighted but amazed him. In stating himself to be the son of George Graham Vane, he intimated not only the delight but the amaze, with the frank savoir vivre which was one of his salient characteristics.
“Sir,” replied the German, speaking in very correct English, but still with his national accent, “every German reared to political service studies England as the school for practical thought distinct from impracticable theories. Long may you allow us to do so! Only excuse me one remark,—never let the selfish element of the practical supersede the generous element. Your father never did so in his speeches, and therefore we admired him. At the present day we don’t so much care to study English speeches; they may be insular,—they are not European. I honour England; Heaven grant that you may not be making sad mistakes in the belief that you can long remain England if you cease to be European.” Herewith the German bowed, not uncivilly,—on the contrary, somewhat ceremoniously,—and disappeared with a Prussian Secretary of Embassy, whose arm he linked in his own, into a room less frequented.
“Vicomte, who and what is your German count?” asked Vane.
“A solemn pedant,” answered the lively Vicomte,—“a German count, que voulez-vous de plus?”
CHAPTER VII
A LITTLE later Graham found himself alone amongst the crowd. Attracted by the sound of music, he had strayed into one of the rooms whence it came, and in which, though his range of acquaintance at Paris was for an Englishman large and somewhat miscellaneous, he recognized no familiar countenance. A lady was playing the pianoforte—playing remarkably well—with accurate science, with that equal lightness and strength of finger which produces brilliancy of execution; but to appreciate her music one should be musical one’s self. It wanted the charm that fascinates the uninitiated. The guests in the room were musical connoisseurs,—a class with whom Graham Vane had nothing in common. Even if he had been more capable of enjoying the excellence of the player’s performance, the glance he directed towards her would have sufficed to chill him into indifference. She was not young, and with prominent features and puckered skin, was twisting her face into strange sentimental grimaces, as if terribly overcome by the beauty and pathos of her own melodies. To add to Vane’s displeasure, she was dressed in a costume wholly antagonistic to his views of the becoming,—in a Greek jacket of gold and scarlet, contrasted by a Turkish turban.
Muttering “What she-mountebank have we here?” he sank into a chair behind the door, and fell into an absorbed revery. From this he was aroused by the cessation of the music and the hum of subdued approbation by which it was followed. Above the hum swelled the imposing voice of M. Louvier as he rose from a seat on the other side of the piano, by which his bulky form had been partially concealed.
“Bravo! perfectly played! excellent! Can we not persuade your charming young countrywoman to gratify us even by a single song?” Then turning aside and addressing some one else invisible to Graham he said, “Does that tyrannical doctor still compel you to silence, Mademoiselle?”
A voice so sweetly modulated that if there were any sarcasm in the words it was lost in the softness of pathos, answered, “Nay, Monsieur Louvier, he rather overtasks the words at my command in thankfulness to those who like yourself, so kindly regard me as something else than a singer.”
It was not the she-mountebank who thus spoke. Graham rose and looked round with instinctive curiosity. He met the face that he said had haunted him. She too had risen, standing near the piano, with one hand tenderly resting on the she-mountebank’s scarlet and gilded shoulder,—the face that haunted him, and yet with a difference. There was