The Younger Set. Chambers Robert William
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care in the world he found so pleasant.
For a while his mind seemed to be absolutely blank; voices were voices only; he saw lights, and figures moving through a void. Then reality took shape sharply; and his pulses began again hammering out the irregular measure of suspense, though what it was that he was awaiting, what expecting, Heaven alone knew.
And after a while he found himself in the ballroom.
The younger set was arriving; he recognised several youthful people, friends of Eileen Erroll; and taking his bearings among these bright, fresh faces—amid this animated throng, constantly increased by the arrival of others, he started to find his hostess, now lost to sight in the breezy circle of silk and lace setting in from the stairs.
He heard names announced which meant nothing to him, which stirred no memory; names which sounded vaguely familiar; names which caused him to turn quickly—but seldom were the faces as familiar as the names.
He said to a girl, behind whose chair he was standing: "All the younger brothers and sisters are coming here to confound me; I hear a Miss Innis announced, but it turns out to be her younger sister—"
"By the way, do you know my name?" she asked.
"No," he said frankly, "do you know mine?"
"Of course, I do; I listened breathlessly when somebody presented you wholesale at your sister's the other day. I'm Rosamund Fane. You might as well be instructed because you're to take me in at the Orchils' next Thursday night, I believe."
"Rosamund Fane," he repeated coolly. "I wonder how we've avoided each other so consistently this winter? I never before had a good view of you, though I heard you talking to young Innis at dinner. And yet," he added, smiling, "if I had been instructed to look around and select somebody named Rosamund, I certainly should have decided on you."
"A compliment?" she asked, raising her delicate eyebrows.
"Ask yourself," he said.
"I do; and I get snubbed."
And, smiling still, he said: "Do you know the most mischievous air that Schubert ever worried us with?"
"'Rosamund,'" she said; "and—thank you, Captain Selwyn." She had coloured to the hair.
"'Rosamund,'" he nodded carelessly—"the most mischievous of melodies—" He stopped short, then coolly resumed: "That mischievous quality is largely a matter of accident, I fancy. Schubert never meant that 'Rosamund' should interfere with anybody's business."
"And—when did you first encounter the malice in 'Rosamund,' Captain Selwyn?" she asked with perfect self-possession.
He did not answer immediately; his smile had died out. Then: "The first time I really understood 'Rosamund' was when I heard Rosamund during a very delightful dinner."
She said: "If a woman keeps at a man long enough she'll extract compliments or yawns." And looking up at a chinless young man who had halted near her: "George, Captain Selwyn has acquired such a charmingly Oriental fluency during his residence in the East that I thought—if you ever desired to travel again—" She shrugged, and, glancing at Selwyn: "Have you met my husband? Oh, of course."
They exchanged a commonplace or two, then other people separated them without resistance on their part. And Selwyn found himself drifting, mildly interested in the vapid exchange of civilities which cost nobody a mental effort.
His sister, he had once thought, was certainly the most delightfully youthful matron in New York. But now he made an exception of Mrs. Fane; Rosamund Fane was much younger—must have been younger, for she still had something of that volatile freshness—that vague atmosphere of immaturity clinging to her like a perfume almost too delicate to detect. And under that the most profound capacity for mischief he had ever known of. Sauntering amiably amid the glittering groups continually forming and disintegrating under the clustered lights, he finally succeeded in reaching his hostess.
And Mrs. T. West Minster disengaged herself from the throng with intention as he approached.
No—and he was so sorry; and it was very amiable of his hostess to want him, but he was not remaining for the dance.
So much for the hostess, who stood there massive and gem-laden, her kindly and painted features tinted now with genuine emotion.
"Je m'accuse, mon fils!—but you acted like a perfect dear," she said. "Mea culpa, mea culpa; and can you forgive a very much mortified old lady who is really and truly fond of you?"
He laughed, holding her fat, ringed hands in both of his with all the attractive deference that explained his popularity. Rising excitement had sent the colour into his face and cleared his pleasant gray eyes; and he looked very young and handsome, his broad shoulders bent a trifle before the enamelled and bejewelled matron.
"Forgive you?" he repeated with a laugh of protest; "on the contrary, I thank you. Mrs. Ruthven is one of the most charming women I know, if that is what you mean?"
Looking after him as he made his way toward the cloak room: "The boy is thoroughbred," she reflected cynically; "and the only amusement anybody can get out of it will be at my expense! Rosamund is a perfect cat!"
He had sent for his cab, which, no doubt, was in line somewhere, wedged among the ranks of carriages stretching east and west along the snowy street; and he stood on the thick crimson carpet under the awning while it was being summoned. A few people like himself were not staying for the dance; others who had dined by prearrangement with other hostesses, had now begun to arrive, and the confusion grew as coach and brougham and motor came swaying up through the falling snow to deposit their jewelled cargoes of silks and laces under the vast awning picketed by policemen and lined with fur-swathed grooms and spindle-legged chauffeurs in coats of pony-skin.
The Cornelius Suydams, emerging from the house, offered Selwyn tonneau room, but he smilingly declined, having a mind for solitude and the Lenox Club. A phalanx of débutantes, opera bound, also left. Then the tide set heavily the other way, and there seemed no end to the line of arriving vehicles and guests, until he heard a name pronounced; a policeman warned back an approaching Fiat; and Selwyn saw Mrs. Ruthven, enveloped in white furs, step from the portal.
She saw him as he moved back, nodded, passed directly to her brougham, and set foot on the step. Pausing here, she looked about her, right and left, then over her shoulder straight back at Selwyn; and as she stood in silence evidently awaiting him, it became impossible for him any longer to misunderstand without a public affront to her.
When he started toward her she spoke to her maid, and the latter moved aside with a word to the groom in waiting.
"My maid will dismiss your carriage," she said pleasantly when he halted beside her. "There is one thing more which I must say to you."
Was this what he had expected hazard might bring to him?—was this the prophecy of his hammering pulses?
"Please hurry before people come out," she added, and entered the brougham.
"I can't do this," he muttered.
"I've sent away my maid," she said. "Nobody has noticed; those are servants out there. Will you please come before anybody arriving or departing does notice?"
And, as he did not move: "Are you going to make me conspicuous by this humiliation before servants?"
He said something between his set teeth and entered the brougham.
"Do you know what you've done?" he demanded harshly.
"Yes; nothing yet. But you would have done enough to stir this borough if you had delayed another second."
"Your maid saw—"
"My maid is my maid."
He leaned back in his corner, gray eyes narrowing.
"Naturally," he said, "you are the one to be considered, not the man in the case."
"Thank you. Are you the man in the case?"
"There is no case," he said coolly.
"Then why worry about me?"
He folded his arms, sullenly at bay; yet had no