The Younger Set. Chambers Robert William

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The Younger Set - Chambers Robert William


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after his cigar burnt bitter, he sat with eyes fixed on the blaze. When the flames at last began to flicker and subside, his lids fluttered, then drooped; but he had lost all reckoning of time when he opened them again to find Miss Erroll in furs and ball-gown kneeling on the hearth and heaping kindling on the coals, and her pretty little Alsatian maid beside her, laying a log across the andirons.

      "Upon my word!" he murmured, confused; then rising quickly, "Is that you, Miss Erroll? What time is it?"

      "Four o'clock in the morning, Captain Selwyn," she said, straightening up to her full height. "This room is icy; are you frozen?"

      Chilled through, he stood looking about in a dazed way, incredulous of the hour and of his own slumber.

      "I was conversing with Kit-Ki a moment ago," he protested, in such a tone of deep reproach that Eileen laughed while her maid relieved her of furs and scarf.

      "Susanne, just unhook those two that I can't manage; light the fire in my bedroom; et merci bien, ma petite!"

      The little maid vanished; Kit-Ki, who had been unceremoniously spilled from Selwyn's knees, sat yawning, then rose and walked noiselessly to the hearth.

      "I don't know how I happened to do it," he muttered, still abashed by his plight.

      "We rekindled the fire for your benefit," she said; "you had better use it before you retire." And she seated herself in the arm-chair, stretching out her ungloved hands to the blaze—smooth, innocent hands, so soft, so amazingly fresh and white.

      He moved a step forward into the warmth, stood a moment, then reached forward for a chair and drew it up beside hers.

      "Do you mean to say you are not sleepy?" he asked.

      "I? No, not in the least. I will be to-morrow, though."

      "Did you have a good time?"

      "Yes—rather."

      "Wasn't it gay?"

      "Gay? Oh, very."

      Her replies were unusually short—almost preoccupied. She was generally more communicative.

      "You danced a lot, I dare say," he ventured.

      "Yes—a lot," studying the floor.

      "Decent partners?"

      "Oh, yes."

      "Who was there?"

      She looked up at him. "You were not there," she said, smiling.

      "No; I cut it. But I did not know you were going; you said nothing about it."

      "Of course, you would have stayed if you had known, Captain Selwyn?" She was still smiling.

      "Of course," he replied.

      "Would you really?"

      "Why, yes."

      There was something not perfectly familiar to him in the girl's bright brevity, in her direct personal inquiry; for between them, hitherto, the gaily impersonal had ruled except in moments of lightest badinage.

      "Was it an amusing dinner?" she asked, in her turn.

      "Rather." Then he looked up at her, but she had stretched her slim silk-shod feet to the fender, and her head was bent aside, so that he could see only the curve of the cheek and the little close-set ear under its ruddy mass of gold.

      "Who was there?" she asked, too, carelessly.

      For a moment he did not speak; under his bronzed cheek the flat muscles stirred. Had some meddling, malicious fool ventured to whisper an unfit jest to this young girl? Had a word—or a smile and a phrase cut in two—awakened her to a sorry wisdom at his expense? Something had happened; and the idea stirred him to wrath—as when a child is wantonly frightened or a dumb creature misused.

      "What did you ask me?" he inquired gently.

      "I asked you who was there, Captain Selwyn."

      He recalled some names, and laughingly mentioned his dinner partner's preference for Harmon. She listened absently, her chin nestling in her palm, only the close-set, perfect ear turned toward him.

      "Who led the cotillion?" he asked.

      "Jack Ruthven—dancing with Rosamund Fane."

      She drew her feet from the fender and crossed them, still turned away from him; and so they remained in silence until again she shifted her position, almost impatiently.

      "You are very tired," he said.

      "No; wide awake."

      "Don't you think it best for you to go to bed?"

      "No. But you may go."

      And, as he did not stir: "I mean that you are not to sit here because I do." And she looked around at him.

      "What has gone wrong, Eileen?" he said quietly.

      He had never before used her given name, and she flushed up.

      "There is nothing the matter, Captain Selwyn. Why do you ask?"

      "Yes, there is," he said.

      "There is not, I tell you—"

      "—And, if it is something you cannot understand," he continued pleasantly, "perhaps it might be well to ask Nina to explain it to you."

      "There is nothing to explain."

      "—Because," he went on, very gently, "one is sometimes led by malicious suggestion to draw false and unpleasant inferences from harmless facts—"

      "Captain Selwyn—"

      "Yes, Eileen."

      But she could not go on; speech and thought itself remained sealed; only a confused consciousness of being hurt remained—somehow to be remedied by something he might say—might deny. Yet how could it help her for him to deny what she herself refused to believe?—refused through sheer instinct while ignorant of its meaning.

      Even if he had done what she heard Rosamund Fane say he had done, it had remained meaningless to her save for the manner of the telling. But now—but now! Why had they laughed—why had their attitudes and manner and the disconnected phrases in French left her flushed and rigid among the idle group at supper? Why had they suddenly seemed to remember her presence—and express their abrupt consciousness of it in such furtive signals and silence?

      It was false, anyway—whatever it meant. And, anyway, it was false that he had driven away in Mrs. Ruthven's brougham. But, oh, if he had only stayed—if he had only remained!—this friend of hers who had been so nice to her from the moment he came into her life—so generous, so considerate, so lovely to her—and to Gerald!

      For a moment the glow remained, then a chill doubt crept in; would he have remained had he known she was to be there? Where did he go after the dinner? As for what they said, it was absurd. And yet—and yet—

      He sat, savagely intent upon the waning fire; she turned restlessly again, elbows close together on her knees, face framed in her hands.

      "You ask me if I am tired," she said. "I am—of the froth of life."

      His face changed instantly. "What?" he exclaimed, laughing.

      But she, very young and seriously intent, was now wrestling with the mighty platitudes of youth. First of all she desired to know what meaning life held for humanity. Then she expressed a doubt as to the necessity for human happiness; duty being her discovery as sufficient substitute.

      But he heard in her childish babble the minor murmur of an undercurrent quickening for the first time; and he listened patiently and answered gravely, touched by her irremediable loneliness.

      For Nina must remain but a substitute at best; what was wanting must remain wanting; and race and blood must interpret for itself the subtler and unasked questions of an innocence slowly awaking to a wisdom which makes us all less wise.

      So when she said that she was tired of gaiety, that she would like to study, he said that he would take up anything she chose with her. And when she spoke vaguely of a life devoted to good works—of the wiser charity, of being morally equipped to aid those who required


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