The Villa in Italy: Escape to the Italian sun with this captivating, page-turning mystery. Elizabeth Edmondson
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here. And you can show me how you do it. I wish they taught you really useful stuff like that at school, instead of wanting you to arrange flowers and manage household accounts.’
‘We didn’t do those things at my school,’ said Marjorie. ‘I expect it was a very different kind of school from yours. I went to the local girls’ secondary.’
‘You probably learnt more than I did,’ said Delia cheerfully. ‘I bet you can spell, which is more than Jessica can, let me tell you. She’s a rotten speller.’
‘Was yours a boarding school?’ Marjorie asked, emboldened by her cocktail.
‘Yes. Northern and bleak. Jessica was there, too; that’s where we became friends. It was simply ghastly.’
George was sipping at his cocktail. ‘Don’t you like it?’ Marjorie asked. ‘Can I mix you something different?’
‘On the contrary, I am savouring it. It is an alchemy that you make among the bottles, I think. Also, I am interested in hearing about schools. I wasn’t educated in England, you see.’
‘I thought you weren’t English,’ said Marjorie.
‘I was brought up in Denmark. My mother is Danish. But I was educated abroad, at a Catholic school.’
‘Are you Catholic?’ Marjorie said. ‘I thought scientists were obliged to be atheists.’
‘You can be brought up a Catholic and then give it up as soon as you’re grown up,’ Delia said. ‘I was brought up a Methodist, but nothing would get me into a church now.’
‘The best thing to be is C of E, like me,’ Jessica said. ‘It means you can believe or not believe exactly what you want. And how odd that we should talk about religion, have you noticed that English people never do?’
Delia laughed. ‘My mother told me that I shouldn’t talk about feet, death or religion at the dinner table.’
George raised his eyebrows. ‘What an extraordinary collection of forbidden topics. How very English. But why ever should you wish to talk about feet at the dinner table?’
‘You can talk about horses’ feet—hooves, I should say,’ said Jessica. ‘Any talk of animals is fine. What a dull lot we are.’
‘We can talk about religion here because it’s Italy,’ Marjorie said.
How obvious it was. Italy was a country steeped in religion. Not that it probably had many more truly religious people than anywhere else in Europe, yet religion was all around them. ‘The Vatican and the pope and so on, and all the paintings. One associates Italy with religion. And then, when we’re abroad and the sun’s shining, all kinds of things come out of the woodwork, as it were. Don’t you think so?’
Her words were greeted with silence, as the others thought about it.
‘Our hostess had connections with the Vatican,’ Marjorie went on.
‘How do you know?’ said Jessica.
‘There are photographs of three different popes.’
‘It doesn’t mean she ever met them.’
‘They’re signed, with her name on them.’
‘You call her our hostess as though she were still here.’
‘I think of her like that.’
‘Are there any cardinals?’ said Delia. ‘I dislike clergymen on principle, but I adore paintings of cardinals, as long as they’re kitted out in those gorgeous robes. They always seem to be more theatrical than ecclesiastical.’
‘As it happens, there are several paintings of cardinals,’ George said. ‘I noticed them particularly, even though Benedetta was rushing us along on her tour of the rest of the house. There is one magnificent one in the drawing room, a portrait painted in profile, did you not notice it? The cardinal is touching a large gold ring which he wears on his smallest finger; I believe it is the same ring that is displayed in the glass case in the entrance hall. His picture faces the one of Beatrice Malaspina. I didn’t notice it at first because her portrait is so striking. Then there are others that hang in the passageway beyond the dining room. I, too, very much like paintings of cardinals. These are not very respectful of the cardinals’ dignity, however, there is one where he is striding along, his cloak swirling about his feet, and peeping out from underneath are little devils. Perhaps Beatrice Malaspina was not such a devoted Catholic as the pope photographs might suggest.’
‘Private and public,’ said Marjorie. ‘Quite different, of course. The outward forms and inward truth.’
George gave her a searching look, then turned to Delia. ‘I shall show you the cardinals, Delia, after dinner, to which, I have to say, I am looking forward; with such delicious smells coming from the kitchen I find I am hungry. It seems odd that you and I only arrived here this morning, Marjorie, it feels as though we have been here much longer than that.’
‘I know what you mean,’ said Delia. ‘It’s our first day, really, for last night with that sandy gale we hardly knew where we were. It’s a very welcoming sort of house, I think.’
Jessica laughed. ‘Not like your pa’s house, then.’ She explained to the others, ‘Delia’s father’s house is about the same size as the Villa Dante, but Lord, what a difference!’
‘It is bleak,’ said Delia. ‘It’s just right for my father, though. He has a bleak nature, so he and the house suit one another.’
‘What does your father do?’ George asked, and then apologised. ‘How rude of me, to be so inquisitive, and to ask personal questions.’
Delia shrugged. ‘I don’t mind questions. It’s probably the same thing in the air that made us talk about religion. My father’s in manufacturing.’
Not just rich landed gentry then. More a grinder of the faces of the poor, and Marjorie’s mind was off at the mill, toiling hands, in clogs and shawls, mean, sooty streets, brass bands…Factories, full of dangerous machinery…Not so much of a toff as all that, then, thought Marjorie. Bet her mother is, though. Delia didn’t behave like the daughter of parents who’d climbed up from the gutter. He’d probably inherited some vast concern from his father; rich as anything, those northerners who made beer or mustard or sauces. Manufacturing what? There was a caginess there, as though Delia didn’t care to say exactly what he manufactured. Well, Marjorie didn’t mind being thought rude.
‘What does he manufacture?’ she asked. ‘Don’t tell me he’s an armament king, like in Bernard Shaw.’
‘Not at all,’ said Delia. ‘Textiles. The closest he came to anything to do with the war was making parachute silk.’
Jessica jumped in. ‘Are there any armament kings left? Aren’t they obsolete now, with our new blow-the-world-to-bits bombs?’
Whatever had Jessica said, to cause such a look of pain on George’s face? Marjorie looked at him intently. ‘I know what kind of scientist you are. You’re an atom scientist,’ she said.
He looked taken aback. ‘I’m a physicist…yes, you could call me an atom scientist. It is what the press like to call us. My field is isotopes.’
Isotopes? Did isotopes have anything to do with making the bomb? Probably. Then he was that kind of atom scientist. And one with a conscience by the look of it, poor man. She’d often wished she had a gift for science, a clear, cerebral world, so much easier, surely, than her own field, she’d always thought. Now, looking at George, she realised that was a facile judgement. Haunted; he was a haunted man.
A gong sounded, making them all jump. Then Benedetta’s chivvying voice, the tone unmistakable, even if the words meant little to them.
‘Dinner, I think,’ said George, attempting a smile.