THE ELEMENT ENCYCLOPEDIA OF FAIRIES: An A-Z of Fairies, Pixies, and other Fantastical Creatures. Lucy Cooper
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Woe’s me! woe’s me!
The acorn’s not yet
Fallen from the tree,
That’s to grow the wood,
That’s to make the cradle
That’s to rock the bairn,
That’s to grow to the man,
That’s to lay me.
Woe’s me! Woe’s me!
However, the servants knew that the way to lay a brownie was to pay for its services in non-perishable goods such as clothes. So they left out a green cloak and hood for the Cauld Lad of Hilton. He dressed in them at midnight and frisked about in them until dawn, singing:
Here’s a cloak and here’s a hood,
The Cauld Lad of Hilton shall do no more good!
As the sun rose, he vanished, never to be seen again.
Ceasg
(Pronounced keeask.) A Scottish mermaid. Half-woman, half-grilse (a young salmon), she is also known as maighdean na tuinne, “maiden of the wave.” Her top half is that of a beautiful woman, while below the waist she has the tail of grilse. She may grant three wishes to anyone who catches her.
There are stories of marriage between ceasgs and humans. The male offspring of these unions are said to grow up to be excellent sea captains.
Like most sea maidens, the ceasg is also believed to have a darker, dangerous side. This is described in a story in J. F. Campbell and George Henderson’s The Celtic Dragon Myth (1911), in which the hero is swallowed by a ceasg.
An idea common to tales from the Scottish Highlands is that of the separable soul. Ceasgs are believed to keep their souls separately from their bodies, hidden in an egg or in a box. To destroy a ceasg, one must find and destroy her soul.
Ceni
See Zemi.
Changeling
In fairy lore throughout Europe and other parts of the world one of the fairies’ favorite tricks was to steal a human child, or sometimes a nursing mother, and take them away to fairyland. They replaced the human either with one of their own kind, known as a changeling, or with a stock or fetch, a “doll” representing the stolen child or woman, which by means of fairy glamor was given the semblance of life. The stock or fetch could take the form of a piece of wood or a bundle of grass and sticks, fashioned in the likeness of the abducted human.
Fairy changelings were sometimes sick or weak fairy children whom the fairies placed in the care of a human family so that they might have a better chance of survival. At other times they were elderly fairies who were being given the opportunity to live out their old age in comfort, cosseted and doted on by their new “parents.”
Typically, changelings were described as sickly, wizened, or otherwise abnormal in appearance, either never gaining the power of speech or displaying unsettlingly advanced language skills. In many tales, they had insatiable appetites and cried constantly. Occasionally, there were tales of parents who treated the changeling kindly in the hope that their own child would likewise be cared for. More often, suspected changelings were subjected to cruel tests and ordeals in an attempt to drive away the fairy and secure the return of the healthy human child. In many tales, these included dunkings in holy wells, beatings, or leaving the supposed changeling unattended in the woods, on a hillside, beneath a church stile, on a manure pile, or in an otherwise inhospitable environment. Sadly, many human children born with physical abnormalities or wasting diseases or who otherwise did not fit the norm endured sometimes fatal cruelties at the hands of parents and communities who labeled them as changelings.
Various reasons are given as to why fairies coveted human babies, ranging from the sinister to the benign. At the darker end of the spectrum, it was said that fairies had to pay a tithe or tribute to hell (as in the ballad of Tam Lin) and rather than spill fairy blood, they paid in the blood of humans. Alternatively, humans were taken to fairyland as slaves and put to work as servants or smiths. Beautiful golden-haired children were most prized by the fairies. Some said that they were sought after to improve the fairy stock; others simply that fairies thought these fair-haired children were particularly attractive and doted upon them like pets.
Nursing mothers were frequently sought to suckle fairy offspring. According to some tales, it seems that fairies wanted human milk to give their fairy children a human soul. An account in R. H. Cromek’s Remains of Galloway and Nithsdale Song (1812) relates the case of a nursing mother who was blessed and rewarded by a fairy for allowing her child to feed on human milk.
Various methods were employed to trick a changeling into revealing its identity. In many tales across Europe it is the mother’s unusual use of eggshells that compels the changeling to give itself away. In a German tale the mother cracks an egg in half and sets it on the stove to boil, forcing the changeling to exclaim from the cradle, “Well, I am as old as the Westerwald, but I’ve never seen anyone cooking with an eggshell!” As the changeling laughs, it shoots up the chimney and the human child is restored to the cradle.
Many Celtic changeling tales involve the “brewery of eggshell,” in which eggshells are set upon the hearth on the pretext of brewing beer in them. This strange behavior prompts the changeling to pass comment, uttering words to the effect: “I remember seeing an acorn having an oak, and I remember seeing a hen having an egg, but I don’t remember seeing anybody brew beer in the shell of a hen’s egg.”
Variations on this theme include an Icelandic tale in which a woman constructs a spoon handle out of twigs that is so long it pokes out of the top of the chimney, and a Danish tale in which the mother makes black pudding using an entire pig. This prompts the changeling to remark, “A pudding with hide! And a pudding with hair! A pudding with eyes! And a pudding with bones in it! Thrice have I seen a young wood spring upon Tiis Lake, but never yet have I seen such a pudding! The Devil will stay no longer!” It runs away, never to return.
In other tales, it is an old fairy changeling’s desire for music, merriment, and dancing that gives it away. There are many Celtic tales in which a traveling tailor plays an integral role in unmasking the changeling. Typically, the father goes out to work and the mother goes out on an errand, leaving the tailor to watch the “baby” as he works. When the two of them are left alone, the tailor begins to whistle as he stitches, at which the creature in the cradle jumps up with a glint in its beady eyes and demands that the astonished tailor strikes up a tune on the fiddle or pipes so that it might dance. In some versions it is the changeling itself who takes up an instrument and plays a lively tune, sometimes insisting on a dram of whisky to accompany the revels. When the parents return, the little creature returns to the crib, where it resumes its crying and wailing. The tailor informs the parents of their child’s true identity and they drive out the changeling by building a blazing fire and placing it upon it so that it is sent up the chimney and the true human baby returned in its place.
Throwing the changeling on the fire isn’t always sufficient to bring back the