The Element Encyclopedia of Secret Signs and Symbols: The Ultimate A–Z Guide from Alchemy to the Zodiac. Adele Nozedar

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The Element Encyclopedia of Secret Signs and Symbols: The Ultimate A–Z Guide from Alchemy to the Zodiac - Adele  Nozedar


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is constructed of checkered tiles of black and white. These colors represent the duality of opposites; night and day, dark and light, male and female, fire and water, Earth and air, and all the other manifestations of this concept. In

      Ancient Egypt, the colors were used as a reminder of the need to unify spirit and matter.

      16. GAOTU

      Abbreviated words, initials, and acronyms form a large part of Masonic ritual, since the pronunciation of certain words is believed to dilute their power and abbreviations are used instead. The abbreviation of GAOTU stands for Great Architect of the Universe, which in turn refers to God. Here there is a parallel to the nature of God as the builder or designer of the macrocosm, and the role of the Freemason as the designer of the microcosm.

      GUNGNIR

      This is the magical weapon known as Odin’s Spear or Javelin. Like Mjolnir, the magical hammer belonging to Odin, Gungnir—whose name means “The Unwavering One”—has two very practical qualities that render it an essential tool in the arsenal of the powerful thunder god; it always hit its mark, and it always returns, like a boomerang, back to the thrower. As well as being a sacred object, there is a runic symbol, Gar, that also represents the Gungnir.

      HALO

      The halo, aureole, or aura all refer to an emanation of light, generally depicted appearing around the head. The halo is a symbol of spiritual sanctity or of divine grace, used in Christian iconography, for example, in pictures of saints. Although the halo is the sign that a person is blessed by the Divine, some people claim that they can actually see this phenomenon, and that the many colors of the aura that surrounds the entire body can be used as a diagnostic tool.

      HAND OF FATIMA

      Also known as the Khamsa, the Hand of Fatima is named for Fatima Zahra, the daughter of Mohammed. It is a very ancient symbol, often used as a talisman, and in the Middle East it is ubiquitous, appearing in houses, shops, in taxis, and hotels. The hand is not really shaped like a normal human hand, but has two balanced thumbs and no little finger. The eye in its palm wards off the evil eye, so the Hand of Fatima is a double symbol of protection since the palm, held up, is a forbidding gesture. Khamsa actually means “five” and has relevance for both Muslims and Jews. Peace activists have adopted the Hand of Fatima in recent years; a reminder that the two faiths have many commonly shared beliefs.

      HAND OF GLORY

      If magical charms have more efficacy the harder they are to construct or come by, then the Hand of Glory must be powerful indeed. Noticeably absent from New Age emporia, the Hand of Glory was popular with thieves during the sixteenth century. It was a light, or candle, made from the severed hand of a hanged convict. After this grisly relic was mummified by being embalmed in oils and special herbs, it was turned into a candle using tallow also made from a hanged corpse.

      The Hand of Glory was the favored tool of thieves because, once alight, it was said to render household members unconscious. Therefore the thief could go about his nefarious activities undisturbed.

      HEX SYMBOLS

      In the south-eastern part of Pennsylvania lives a population of European settlers, primarily from the Rhine area. These people come from different religious communities including Lutheran, Moravian, Quakers, Mennonites, and others. Some of these groups, despite their deeply held religious beliefs, are united by one thing; a thriving belief in witchcraft, also known as Hexerie, from the German, Hexe, meaning “witch.”

      Despite their godliness, these are a very superstitious people. One of the popularly held beliefs is that a cross, drawn on the door-latch, will prevent the Devil from entering the house.

      HERALDRY

      The symbols and signs of heraldry act as a sort of historical shorthand, encoding the attributes of the families to whom the heraldic crests belong. The various coats of arms, still in use today, originated in the need to be able to identify opposing armies and single combatants. This necessity dates back to the time of hand-to-hand combat, almost 1000 years ago, although soldiers of much earlier times painted images on their shields that held significance for them, personally, as well as being a sign of identity. Although the blazes, escutcheons, badges, mottos, and crests may at first appear to be a dense forest of impenetrable symbols, their secrets can be interpreted easily. This entry does not pretend to be an exhaustive analysis of the elaborate heraldic codes, but gives a general overview of some of the most commonly used emblems.

      THE GREAT SEAL OF THE UNITED STATES OF AMERICA

      The Great Seal that is featured on the United States dollar bill contains many heraldic attributes. Here are some features to look out for.

      1. Shape—the shield versus the lozenge

      Since women didn’t go to war, women’s heraldic designs are depicted on a lozenge-shaped framework (which looks like a diamond tipped onto one point), as opposed to the shield of the male. The lozenge itself, suggestive of the vesica piscis, is a feminine symbol. Although the shield shapes vary, the difference between the two shapes is easily recognizable. Similarly, members of the noncombative clergy use the lozenge or oval shape.

      2. Color

      The colors used within heraldry are called tinctures. There are also fields of patterns known as furs, the most common of which is called “ermine,” and resembles the fur of the ermine stoat; the other is called “vair” and comes from a variegated gray-blue colored squirrel. The names of the colors are different, too, retaining their archaic (primarily French) origins.

      Gold = Or

      Silver = Argent

      Red = Gules

      Blue = Azure

      Purple = Purpure

      Green = Vert

      Black = Sable

      In order that they may remain as clear and visible as possible, a color is rarely laid on top of another color, and the same rule applies to the metallics.

      3. Divisions

      The shield, or lozenge, can be divided in a number of ways. Split in half horizontally it is called “party per fess.” Vertically, it becomes “party per pale.” When it is divided diagonally from left to right, it is “party per bend.” The opposite direction gives “party per sinister.” The “field” of the lozenge or shield can also be split with a saltire cross, or a “normal” one. It can be divided by a chevron, or into three with a Y-shape. There are other variations; lines can also be wavy or curved.

      4. Charges

      A charge is, effectively, a picture. It can be any object, a symbol, an animal, a plant. Exotic creatures have a large part to play in heraldry; unicorns and dragons join their more realistic counterparts, boars, lions, eagles. The symbolism of these creatures is explored elsewhere in this book, but there may also be a specific link belonging to a family coat of arms,


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