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there find for his own literary efforts, and of the treasures of the Vatican library. These, he says, and not the long-abandoned hope of Medicean protection, were the real baits which attracted him, when he was asked to go as Ferrarese ambassador to Rome.

But the ruins within and outside Rome awakened not only archæological zeal and patriotic enthusiasm, but an elegiac or sentimental melancholy. In Petrarch and Boccaccio we find touches of this feeling (pp. 177, 181). Poggio (p. 181) often visited the temple of Venus and Rome, in the belief that it was that of Castor and Pollux, where the senate used so often to meet, and would lose himself in memories of the great orators Crassus, Hortensius, Cicero. The language of Pius II., especially in describing Tivoli, has a thoroughly sentimental ring,430 and soon afterwards (1467) appeared the first pictures of ruins, with, a commentary by Polifilo.431 Ruins of mighty arches and colonnades, half hid in plane-trees, laurels, cypresses, and brushwood, figure in his pages. In the sacred legends it became the custom, we can hardly say how, to lay the scene of the birth of Christ in the ruins of a magnificent palace.432 That artificial ruins became afterwards a necessity of landscape gardening, is only a practical consequence of this feeling.

      CHAPTER III.

      THE OLD AUTHORS

      BUT the literary bequests of antiquity, Greek as well as Latin, were of far more importance than the architectural, and indeed than all the artistic remains which it had left. They were held in the most absolute sense to be the springs of all knowledge. The literary conditions of that age of great discoveries have been often set forth; no more can be here attempted than to point out a few less-known features of the picture.433

      Great as was the influence of the old writers on the Italian mind in the fourteenth century and before, yet that influence was due rather to the wide diffusion of what had long been known, than to the discovery of much that was new. The most popular Latin poets, historians, orators, and letter-writers, together with a number of Latin translations of single works of Aristotle, Plutarch, and a few other Greek authors, constituted the treasure from which a few favoured individuals in the time of Petrarch and Boccaccio drew their inspiration. The former, as is well known, owned and kept with religious care a Greek Homer, which he was unable to read. A complete Latin translation of the ‘Iliad’ and ‘Odyssey,’ though a very bad one, was made at Petrarch’s suggestion and with Boccaccio’s help by a Calabrian Greek, Leonzio Pilato.434 But with the fifteenth century began the long list of new discoveries, the systematic creation of libraries by means of copies, and the rapid multiplication of translations from the Greek.435

      Had it not been for the enthusiasm of a few collectors of that age, who shrank from no effort or privation in their researches, we should certainly possess only a small part of the literature, especially that of the Greeks, which is now in our hands. Pope Nicholas V., when only a simple monk, ran deeply into debt through buying manuscripts or having them copied. Even then he made no secret of his passion for the two great interests of the Renaissance, books and buildings.436 As Pope he kept his word. Copyists wrote and spies searched for him through half the world. Perotto received 500 ducats for the Latin translation of Polybius; Guarino, 1,000 gold florins for that of Strabo, and he would have been paid 500 more but for the death of the Pope. Filelfo was to have received 10,000 gold florins for a metrical translation of Homer, and was only prevented by the Pope’s death from coming from Milan to Rome. Nicholas left a collection of 5,000, or, according to another way of calculating, of 9,000 volumes,437 for the use of the members of the Curia, which became the foundation of the library of the Vatican. It was to be preserved in the palace itself, as its noblest ornament, like the library of Ptolemy Philadelphus at Alexandria. When the plague (1450) drove him and his court to Fabriano, whence then, as now, the best paper was procured, he took his translators and compilers with him, that he might run no risk of losing them.

      The Florentine Niccolò Niccoli,438 a member of that accomplished circle of friends which surrounded the elder Cosimo de Medici, spent his whole fortune in buying books. At last, when his money was all gone, the Medici put their purse at his disposal for any sum which his purpose might require. We owe to him the completion of Ammianus Marcellinus, of the ‘De Oratore’ of Cicero, the text of Lucretius which still has most authority, and other works; he persuaded Cosimo to buy the best manuscript of Pliny from a monastery at Lübeck. With noble confidence he lent his books to those who asked for them, allowed all comers to study them in his own house, and was ready to converse with the students on what they had read. His collection of 800 volumes, valued at 6,000 gold florins, passed after his death, through Cosimo’s intervention, to the monastery of San Marco, on the condition that it should be accessible to the public, and is now one of the jewels of the Laurentian library.

      Of the two great book-finders, Guarino and Poggio, the latter,439 on the occasion of the Council of Constanz and acting partly as the agent of Niccoli, searched industriously among the abbeys of South Germany. He there discovered six orations of Cicero, and the first complete Quintilian, that of St. Gall, now at Zürich; in thirty-two days he is said to have copied the whole of it in a beautiful handwriting. He was able to make important additions to Silius Italicus, Manilius, Lucretius, Valerius, Flaccus, Asconius, Pedianus, Columella, Celsus, Aulus, Gellius, Statius, and others; and with the help of Lionardo Aretino he unearthed the last twelve comedies of Plautus, as well as the Verrine orations, the ‘Brutus’ and the ‘De Oratore’ of Cicero.

      The famous Greek, Cardinal Bessarion,440 in whom patriotism was mingled with a zeal for letters, collected, at a great sacrifice (30,000 gold florins), 600 manuscripts of pagan and Christian authors. He then looked round for some receptacle where they could safely lie until his unhappy country, if she ever regained her freedom, could reclaim her lost literature. The Venetian government declared itself ready to erect a suitable building, and to this day the library of St. Mark retains a part of these treasures.441

      The formation of the celebrated Medicean library has a history of its own, into which we cannot here enter. The chief collector for Lorenzo Magnifico was Johannes Lascaris. It is well known that the collection, after the plundering in the year 1494, had to be recovered piecemeal by the Cardinal Giovanni Medici, afterwards Leo X.

      The library of Urbino,442 now in the Vatican, was wholly the work of the great Frederick of Montefeltro (p. 44 sqq.). As a boy he had begun to collect; in after years he kept thirty or forty ‘scrittori’ employed in various places, and spent in the course of time no less than 30,000 ducats on the collection. It was systematically extended and completed, chiefly by the help of Vespasiano, and his account of it forms an ideal picture of a library of the Renaissance. At Urbino there were catalogues of the libraries of the Vatican, of St. Mark at Florence, of the Visconti at Pavia, and even of the library at Oxford. It was noted with pride that in richness and completeness none could rival Urbino. Theology and the Middle Ages were perhaps most fully represented. There was a complete Thomas Aquinas, a complete Albertus Magnus, a complete Buenaventura. The collection, however, was a many-sided one, and included every work on medicine which was then to be had. Among the ‘moderns’ the great writers of the fourteenth century—Dante and Boccaccio, with their complete works—occupied the first place. Then followed twenty-five select humanists, invariably with both their Latin and Italian writings and with all their translations. Among the Greek manuscripts the Fathers of the Church far outnumbered the rest; yet in the list of the classics we find all the works of Sophocles, all of Pindar, and all of Menander. The last must have quickly disappeared from Urbino,443 else the philologists would have soon edited it. There were men, however, in this book-collecting age who raised a warning voice against the

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