Bring Up the Bodies. Hilary Mantel
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my forefather bore at Agincourt, the cup my forefather was given by John of Gaunt his own hand. If in the late wars of York and Lancaster, their fathers and grandfathers picked the wrong side, they keep quiet about it. A generation on, lapses must be forgiven, reputations remade; otherwise England cannot go forward, she will keep spiralling backwards into the dirty past.
He has no ancestors, of course: not the kind you’d boast about. There was once a noble family called Cromwell, and when he came up in the king’s service the heralds had urged him for the sake of appearances to adopt their coat of arms; but I am none of theirs, he had said politely, and I do not want their achievements. He had run away from his father’s fists when he was no older than fifteen; crossed the Channel, taken service in the French king’s army. He had been fighting since he could walk; and if you’re going to fight, why not be paid for it? There are more lucrative trades than soldiering, and he found them. So he decided not to hurry home.
And now, when his titled hosts want advice on the placement of a fountain, or a group of the Three Graces dancing, the king tells them, Cromwell here is your man; Cromwell, he has seen how they do things in Italy, and what will do for them will do for Wiltshire. Sometimes the king departs a place with just his riding household, the queen left behind with her ladies and musicians, as Henry and his favoured few hunt hard across the country. And that is how they come to Wolf Hall, where old Sir John Seymour is waiting to welcome them, in the midst of his flourishing family.
‘I don’t know, Cromwell,’ old Sir John says. He takes his arm, genial. ‘All these falcons named for dead women … don’t they dishearten you?’
‘I’m never disheartened, Sir John. The world is too good to me.’
‘You should marry again, and have another family. Perhaps you will find a bride while you are with us. In the forest of Savernake there are many fresh young women.’
I still have Gregory, he says, looking back over his shoulder for his son; he is always somehow anxious about Gregory. ‘Ah,’ Seymour says, ‘boys are very well, but a man needs daughters too, daughters are a consolation. Look at Jane. Such a good girl.’
He looks at Jane Seymour, as her father directs him. He knows her well from the court, as she was lady-in-waiting to Katherine, the former queen, and to Anne, the queen that is now; she is a plain young woman with a silvery pallor, a habit of silence, and a trick of looking at men as if they represent an unpleasant surprise. She is wearing pearls, and white brocade embroidered with stiff little sprigs of carnations. He recognises considerable expenditure; leave the pearls aside, you couldn’t turn her out like that for much under thirty pounds. No wonder she moves with gingerly concern, like a child who’s been told not to spill something on herself.
The king says, ‘Jane, now we see you at home with your people, are you less shy?’ He takes her mouse-paw in his vast hand. ‘At court we never get a word from her.’
Jane is looking up at him, blushing from her neck to her hairline. ‘Did you ever see such a blush?’ Henry asks. ‘Never unless with a little maid of twelve.’
‘I cannot claim to be twelve,’ Jane says.
At supper the king sits next to Lady Margery, his hostess. She was a beauty in her day, and by the king’s exquisite attention you would think she was one still; she has had ten children, and six of them are living, and three are in this room. Edward Seymour, the heir, has a long head, a serious expression, a clean fierce profile: a handsome man. He is well-read if not scholarly, applies himself wisely to any office he is given; he has been to war, and while he is waiting to fight again he acquits himself well in the hunting field and tilt yard. The cardinal, in his day, marked him out as better than the usual run of Seymours; and he himself, Thomas Cromwell, has sounded him out and found him in every respect the king’s man. Tom Seymour, Edward’s younger brother, is noisy and boisterous and more of interest to women; when he comes into the room, virgins giggle, and young matrons dip their heads and examine him from under their lashes.
Old Sir John is a man of notorious family feeling. Two, three years back, the gossip at court was all of how he had tupped his son’s wife, not once in the heat of passion but repeatedly since she was a bride. The queen and her confidantes had spread the story about the court. ‘We’ve worked it out at 120 times,’ Anne had sniggered. ‘Well, Thomas Cromwell has, and he’s quick with figures. We suppose they abstained on a Sunday for shame’s sake, and eased off in Lent.’ The traitor wife gave birth to two boys, and when her conduct came to light Edward said he would not have them for his heirs, as he could not be sure if they were his sons or his half-brothers. The adulteress was locked up in a convent, and soon obliged him by dying; now he has a new wife, who cultivates a forbidding manner and keeps a bodkin in her pocket in case her father-in-law gets too close.
But it is forgiven, it is forgiven. The flesh is frail. This royal visit seals the old fellow’s pardon. John Seymour has 1,300 acres including his deer park, most of the rest under sheep and worth two shilling per acre per year, bringing him in a clear twenty-five per cent on what the same acreage would make under the plough. The sheep are little black-faced animals interbred with Welsh mountain stock, gristly mutton but good enough wool. When at their arrival, the king (he is in bucolic vein) says, ‘Cromwell, what would that beast weigh?’ he says, without picking it up, ‘Thirty pounds, sir.’ Francis Weston, a young courtier, says with a sneer, ‘Master Cromwell used to be a shearsman. He wouldn’t be wrong.’
The king says, ‘We would be a poor country without our wool trade. That Master Cromwell knows the business is not to his discredit.’
But Francis Weston smirks behind his hand.
Tomorrow Jane Seymour is to hunt with the king. ‘I thought it was gentlemen only,’ he hears Weston whisper. ‘The queen would be angry if she knew.’ He murmurs, make sure she doesn’t know then, there’s a good boy.
‘At Wolf Hall we are all great hunters,’ Sir John boasts, ‘my daughters too, you think Jane is timid but put her in the saddle and I assure you, sirs, she is the goddess Diana. I never troubled my girls in the schoolroom, you know. Sir James here taught them all they needed.’
The priest at the foot of the table nods, beaming: an old fool with a white poll, a bleared eye. He, Cromwell, turns to him: ‘And was it you taught them to dance, Sir James? All praise to you. I have seen Jane’s sister Elizabeth at court, partnered with the king.’
‘Ah, they had a master for that,’ old Seymour chuckles. ‘Master for dancing, master for music, that’s enough for them. They don’t want foreign tongues. They’re not going anywhere.’
‘I think otherwise, sir,’ he says. ‘I had my daughters taught equal with my son.’
Sometimes he likes to talk about them, Anne and Grace: gone seven years now. Tom Seymour laughs. ‘What, you had them in the tilt yard with Gregory and young Master Sadler?’
He smiles. ‘Except for that.’
Edward Seymour says, ‘It is not uncommon for the daughters of a city household to learn their letters and a little beyond. You might have wanted them in the counting house. One hears of it. It would help them get good husbands, a merchant family would be glad of their training.’
‘Imagine Master Cromwell’s daughters,’ Weston says. ‘I dare not. I doubt a counting house could contain them. They would be a shrewd hand with a poleaxe, you would think. One look at them and a man’s legs would go from under him. And I do not mean he would be stricken with love.’
Gregory stirs himself. He is such a dreamer you hardly think he has been following the conversation, but his tone is rippling with hurt. ‘You insult my sisters and their memory, sir, and you never knew them. My sister Grace …’
He sees Jane Seymour put out her little hand and touch Gregory’s wrist: to save him, she will risk drawing the company’s attention. ‘I have lately,’ she says, ‘got some skill of the French tongue.’
‘Have you, Jane?’ Tom Seymour is smiling.
Jane dips her head. ‘Mary Shelton is teaching me.’