Bring Up the Bodies. Hilary Mantel
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‘What next with him, Gregory?’
‘Haul him up and out the window with him.’
‘Careful,’ he says. ‘The king favours Weston.’
‘Then he’ll favour him when he’s got a flat head,’ Rafe says. They scuffle and push each other out of the way, trying to be the first to stamp Francis flat. Rafe opens a window and both stoop for leverage, hoisting the phantom across the sill. Gregory helps it over, unsnagging its jacket where it catches, and with one shove drops it head first on the cobbles. They peer out after it. ‘He bounces,’ Rafe observes, and then they dust off their hands, smiling at him. ‘Give you good night, sir,’ Rafe says.
Later, Gregory sits at the foot of the bed in his shirt, his hair tousled, his shoes kicked off, one bare foot idly scuffing the matting: ‘So am I to be married? Am I to be married to Jane Seymour?’
‘Early in the summer you thought I was going to marry you to an old dowager with a deer park.’ People tease Gregory: Rafe Sadler, Thomas Wriothesley, the other young men of his house; his cousin, Richard Cromwell.
‘Yes, but why were you talking to her brother this last hour? First it was chess then it was talk, talk, talk. They say you liked Jane yourself.’
‘When?’
‘Last year. You liked her last year.’
‘If I did I’ve forgot.’
‘George Boleyn’s wife told me. Lady Rochford. She said, you may get a young stepmother from Wolf Hall, what will you think of that? So if you like Jane yourself,’ Gregory frowns, ‘she had better not be married to me.’
‘Do you think I’d steal your bride? Like old Sir John?’
Once his head is on the pillow, he says, ‘Hush, Gregory.’ He closes his eyes. Gregory is a good boy, though all the Latin he has learned, all the sonorous periods of the great authors, have rolled through his head and out again, like stones. Still, you think of Thomas More’s boy: offspring of a scholar all Europe admired, and poor young John can barely stumble through his Pater Noster. Gregory is a fine archer, a fine horseman, a shining star in the tilt yard, and his manners cannot be faulted. He speaks reverently to his superiors, not scuffling his feet or standing on one leg, and he is mild and polite with those below him. He knows how to bow to foreign diplomats in the manner of their own countries, sits at table without fidgeting or feeding spaniels, can neatly carve and joint any fowl if requested to serve his elders. He doesn’t slouch around with his jacket off one shoulder, or look in windows to admire himself, or stare around in church, or interrupt old men, or finish their stories for them. If anyone sneezes, he says, ‘Christ help you!’
Christ help you, sir or madam.
Gregory raises his head. ‘Thomas More,’ he says. ‘The jury. Is that truly what happened?’
He had recognised young Weston’s story: in a broad sense, even if he didn’t assent to the detail. He closes his eyes. ‘I didn’t have a hatchet,’ he says.
He is tired: he speaks to God; he says: God guide me. Sometimes when he is on the verge of sleep the cardinal’s large scarlet presence flits across his inner eye. He wishes the dead man would prophesy. But his old patron speaks only of domestic matters, office matters. Where did I put that letter from the Duke of Norfolk? he will ask the cardinal; and next day, early, it will come to his hand.
He speaks inwardly: not to Wolsey, but to George Boleyn’s wife. ‘I have no wish to marry. I have no time. I was happy with my wife but Liz is dead and that part of my life is dead with her. Who in the name of God gave you, Lady Rochford, a licence to speculate about my intentions? Madam, I have no time for wooing. I am fifty. At my age, one would be the loser on a long-term contract. If I want a woman, best to rent one by the hour.’
Yet he tries not to say ‘at my age’: not in his waking life. On a good day he thinks he has twenty years left. He often thinks he will see Henry out, though strictly it is not allowed to have that kind of thought; there is a law against speculating about the term of the king’s life, though Henry has been a life-long student of inventive ways to die. There have been several hunting accidents. When he was still a minor the council forbade him to joust, but he did it anyway, face hidden by his helmet and his armour without device, proving himself again and again the strongest man on the field. In battle against the French he has taken the honours, and his nature, as he often mentions, is warlike; no doubt he would be known as Henry the Valiant, except Thomas Cromwell says he can’t afford a war. Cost is not the whole consideration: what becomes of England if Henry dies? He was twenty years married to Katherine, this autumn it will be three with Anne, nothing to show but a daughter with each and a churchyard’s worth of dead babies, some half-formed and christened in blood, some born alive but dead within hours, within days, within weeks at most. All the turmoil, the scandal, to make the second marriage, and still. Still Henry has no son to follow him. He has a bastard, Harry Duke of Richmond, a fine boy of sixteen: but what use to him is a bastard? What use is Anne’s child, the infant Elizabeth? Some special mechanism may have to be created so Harry Richmond can reign, if anything but good should come to his father. He, Thomas Cromwell, stands very well with the young duke; but this dynasty, still new as kingship goes, is not secure enough to survive such a course. The Plantagenets were kings once and they think they will kings be again; they think the Tudors are an interlude. The old families of England are restless and ready to press their claim, especially since Henry broke with Rome; they bow the knee, but they are plotting. He can almost hear them, hidden among the trees.
You may find a bride in the forest, old Seymour had said. When he closes his eyes she slides behind them, veiled in cobwebs and splashed with dew. Her feet are bare, entwined in roots, her feather hair flies into the branches; her finger, beckoning, is a curled leaf. She points to him, as sleep overtakes him. His inner voice mocks him now: you thought you were going to get a holiday at Wolf Hall. You thought there would be nothing to do here except the usual business, war and peace, famine, traitorous connivance; a failing harvest, a stubborn populace; plague ravaging London, and the king losing his shirt at cards. You were prepared for that.
At the edge of his inner vision, behind his closed eyes, he senses something in the act of becoming. It will arrive with morning light; something shifting and breathing, its form disguised in a copse or grove.
Before he sleeps he thinks of the king’s hat on a midnight tree, roosting like a bird from paradise.
Next day, so as not to tire the ladies, they cut short the day’s sport, and return early to Wolf Hall.
For him, it is a chance to put off his riding clothes and get among the dispatches. He has hopes that the king will sit for an hour and listen to what he needs to tell him. But Henry says, ‘Lady Jane, will you walk in the garden with me?’
She is at once on her feet; but frowning, as if trying to make sense of it. Her lips move, she all but repeats his words: Walk … Jane? … In the garden?
Oh yes, of course, honoured. Her hand, a petal, hovers above his sleeve; then it descends, and flesh grazes embroidery.
There are three gardens at Wolf Hall, and they call them the great paled garden, the old lady’s garden and the young lady’s garden. When he asks who they were, no one remembers; the old lady and the young lady are dust long ago, no difference between them now. He remembers his dream: the bride made of root fibre, the bride made of mould.
He reads. He writes. Something tugs at his attention. He gets up and glances from the window at the walks below. The panes are small and there is a wobble in the glass, so he has to crane his neck to get a proper view. He thinks, I could send my glaziers down, help the Seymours get a clearer idea of the world. He has a team of Hollanders who work for him at his various properties. They worked for the cardinal before him.
Henry and Jane are walking below. Henry is a massive figure and Jane is like a little jointed puppet, her head not up to the king’s shoulders. A broad man, a high man, Henry dominates any room; he would do it even if God had not given him the gift of kingship.
Now Jane is behind a bush. Henry