TENDER IS THE NIGHT (The Original 1934 Edition). Фрэнсис Скотт Фицджеральд
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together. When they walked up the path to her little house they saw a light there; her husband had arrived before her.
“He’s frightfully jealous,” she announced, laughingly apologetic.
“Very well,” answered Samuel, rather stiffly. “I’d better leave you here.”
She thanked him and, waving a good night, he left her.
That would have been quite all if they hadn’t met on Fifth Avenue one morning a week later. She started and blushed and seemed so glad to see him that they chatted like old friends. She was going to her dressmaker’s, eat lunch alone at Taine’s, shop all afternoon, and meet her husband on the ferry at five. Samuel told her that her husband was a very lucky man. She blushed again and scurried off.
Samuel whistled all the way back to his office, but about twelve o’clock he began to see that pathetic, appealing little mouth everywhere—and those brown eyes. He fidgeted when he looked at the clock; he thought of the grill down-stairs where he lunched and the heavy male conversation thereof, and opposed to that picture appeared another; a little table at Taine’s with the brown eyes and the mouth a few feet away. A few minutes before twelve-thirty he dashed on his hat and rushed for the cable-car.
She was quite surprised to see him.
“Why—hello,” she said. Samuel could tell that she was just pleasantly frightened.
“I thought we might lunch together. It’s so dull eating with a lot of men.”
She hesitated.
“Why, I suppose there’s no harm in it. How could there be!”
It occurred to her that her husband should have taken lunch with her—but he was generally so hurried at noon. She told Samuel all about him: he was a little smaller than Samuel, but, oh, much better-looking. He was a book-keeper and not making a lot of money, but they were very happy and expected to be rich within three or four years.
Samuel’s grass-widow had been in a quarrelsome mood for three or four weeks, and through contrast, he took an accentuated pleasure in this meeting; so fresh was she, and earnest, and faintly adventurous. Her name was Marjorie.
They made another engagement; in fact, for a month they lunched together two or three times a week. When she was sure that her husband would work late Samuel took her over to New Jersey on the ferry, leaving her always on the tiny front porch, after she had gone in and lit the gas to use the security of his masculine presence outside. This grew to be a ceremony—and it annoyed him. Whenever the comfortable glow fell out through the front windows, that was his congé; yet he never suggested coming in and Marjorie didn’t invite him.
Then, when Samuel and Marjorie had reached a stage in which they sometimes touched each other’s arms gently, just to show that they were very good friends, Marjorie and her husband had one of those ultrasensitive, supercritical quarrels that couples never indulge in unless they care a great deal about each other. It started with a cold mutton-chop or a leak in the gas-jet—and one day Samuel found her in Taine’s, with dark shadows under her brown eyes and a terrifying pout.
By this time Samuel thought he was in love with Marjorie—so he played up the quarrel for all it was worth. He was her best friend and patted her hand—and leaned down close to her brown curls while she whispered in little sobs what her husband had said that morning; and he was a little more than her best friend when he took her over to the ferry in a hansom.
“Marjorie,” he said gently, when he left her, as usual, on the porch, “if at any time you want to call on me, remember that I am always waiting, always waiting.”
She nodded gravely and put both her hands in his. “I know,” she said. “I know you’re my friend, my best friend.”
Then she ran into the house and he watched there until the gas went on.
For the next week Samuel was in a nervous turmoil. Some persistently rational strain warned him that at bottom he and Marjorie had little in common, but in such cases there is usually so much mud in the water that one can seldom see to the bottom. Every dream and desire told him that he loved Marjorie, wanted her, had to have her.
The quarrel developed. Marjorie’s husband took to staying in New York until late at night came home several times disagreeably overstimulated, and made her generally miserable. They must have had too much pride to talk it out—for Marjorie’s husband was, after all, pretty decent—so it drifted on from one misunderstanding to another. Marjorie kept coming more and more to Samuel; when a woman can accept masculine sympathy at is much more satisfactory to her than crying to another girl. But Marjorie didn’t realize how much she had begun to rely on him, how much he was part of her little cosmos.
One night, instead of turning away when Marjorie went in and lit the gas, Samuel went in, too, and they sat together on the sofa in the little parlor. He was very happy. He envied their home, and he felt that the man who neglected such a possession out of stubborn pride was a fool and unworthy of his wife. But when he kissed Marjorie for the first time she cried softly and told him to go. He sailed home on the wings of desperate excitement, quite resolved to fan this spark of romance, no matter how big the blaze or who was burned. At the time he considered that his thoughts were unselfishly of her; in a later perspective he knew that she had meant no more than the white screen in a motion picture: it was just Samuel—blind, desirous.
Next day at Taine’s, when they met for lunch, Samuel dropped all pretense and made frank love to her. He had no plans, no definite intentions, except to kiss her lips again, to hold her in his arms and feel that she was very little and pathetic and lovable…. He took her home, and this time they kissed until both their hearts beat high—words and phrases formed on his lips.
And then suddenly there were steps on the porch—a hand tried the outside door. Marjorie turned dead-white.
“Wait!” she whispered to Samuel, in a frightened voice, but in angry impatience at the interruption he walked to the front door and threw it open.
Every one has seen such scenes on the stage—seen them so often that when they actually happen people behave very much like actors. Samuel felt that he was playing a part and the lines came quite naturally: he announced that all had a right to lead their own lives and looked at Marjorie’s husband menacingly, as if daring him to doubt it. Marjorie’s husband spoke of the sanctity of the home, forgetting that it hadn’t seemed very holy to him lately; Samuel continued along the line of “the right to happiness”; Marjorie’s husband mentioned firearms and the divorce court. Then suddenly he stopped and scrutinized both of them—Marjorie in pitiful collapse on the sofa, Samuel haranguing the furniture in a consciously heroic pose.
“Go up-stairs, Marjorie,” he said, in a different tone.
“Stay where you are!” Samuel countered quickly.
Marjorie rose, wavered, and sat down, rose again and moved hesitatingly toward the stairs.
“Come outside,” said her husband to Samuel. “I want to talk to you.”
Samuel glanced at Marjorie, tried to get some message from her eyes; then he shut his lips and went out.
There was a bright moon and when Marjorie’s husband came down the steps Samuel could see plainly that he was suffering—but he felt no pity for him.
They stood and looked at each other, a few feet apart, and the husband cleared his throat as though it were a bit husky.
“That’s my wife,” he said quietly, and then a wild anger surged up inside him. “Damn you!” he cried—and hit Samuel in the face with all his strength.
In that second, as Samuel slumped to the ground, it flashed to him that he had been hit like that twice before, and simultaneously the incident altered like a dream—he felt suddenly awake. Mechanically he sprang to his feet and squared off. The other man was waiting, fists up, a yard away, but Samuel knew that though physically he had him by several inches and many pounds, he wouldn’t hit him. The